Flickering Lights review – how the arrival of electricity heralded peace in a turbulent Indian state
Years in the making, this documentary shows preparations for the arrival of mains power in a village in Nagaland as part of a deal with the Indian government
With great patience over a period of years, Indian film-makers Anirban Dutta and Anupama Srinivasan recorded an interesting cultural footnote to history, happening ever so slowly in the tiny, remote village of Tora in Nagaland in north-eastern India near the border with Myanmar. The Naga Peace Accord, signed in 2015 between Narendra Modi’s government and the separatist-insurgent National Socialist Council of Nagaland, theoretically resolved tension which had existed since the Naga people proclaimed independence in 1947. As a result of this peace process, the little village of Tora and surrounding communities were going to get something very new: electricity.
We see a shopkeeper look forward to getting a refrigerator and her children excitedly talking about the Bollywood movies they can watch on TV.
With great patience over a period of years, Indian film-makers Anirban Dutta and Anupama Srinivasan recorded an interesting cultural footnote to history, happening ever so slowly in the tiny, remote village of Tora in Nagaland in north-eastern India near the border with Myanmar. The Naga Peace Accord, signed in 2015 between Narendra Modi’s government and the separatist-insurgent National Socialist Council of Nagaland, theoretically resolved tension which had existed since the Naga people proclaimed independence in 1947. As a result of this peace process, the little village of Tora and surrounding communities were going to get something very new: electricity.
We see a shopkeeper look forward to getting a refrigerator and her children excitedly talking about the Bollywood movies they can watch on TV.
- 5/13/2024
- by Peter Bradshaw
- The Guardian - Film News
The nature documentary is inherently preservationist, but Anirban Dutta and Anupama Srinivasan’s “Nocturnes” offers environmental persuasions not through verbal arguments, or even an aesthetic appreciation. Rather, its meditative, hyper-fixated approach to process — as seen through the eyes of seasoned lepidopterists — proves so hypnotic that any appeals or augments the movie makes are deeply felt before they’re intellectually understood. The pieces snap into place eventually, but the “how” is foregrounded so forcefully and poetically throughout that viewers will likely come to care about these creatures, and this field of study, well before they understand the very real and pressing reasons they should.
In northeastern India, bordering Bhutan, scientist Mansi and her indigenous assistant Bicki (belonging to the local Bugun tribe) partake in the nightly ritual of suspending a cloth sheet and illuminating it with bright lights in the middle of the forest. Slowly, but surely, hundreds of moths flock to this makeshift station,...
In northeastern India, bordering Bhutan, scientist Mansi and her indigenous assistant Bicki (belonging to the local Bugun tribe) partake in the nightly ritual of suspending a cloth sheet and illuminating it with bright lights in the middle of the forest. Slowly, but surely, hundreds of moths flock to this makeshift station,...
- 3/15/2024
- by Siddhant Adlakha
- Variety Film + TV
Taking place just weeks after the historic passage of a bill legalizing same-sex marriage in Greece, the 26th edition of the Thessaloniki Documentary Festival — which runs March 7 – 17 — pays tribute to that watershed moment in the long-running fight for equal rights for the country’s LGBTQ community, while also issuing a rallying cry for diversity, inclusion and empowerment across the globe.
“Our festival aspires to map out a detailed and thorough overview of our world’s complexity, welcoming films from the four corners of the world, which outline the radical changes, the challenges and the problems of our times,” says festival general director Elise Jalladeau. The program spotlights “the urgent call for diversity, stories of women’s empowerment [and] the visibility not only of the Lgbtqi+ community, but of all marginalized and oppressed groups of people who have suffered discrimination due to their identity,” she adds.
Following on the historic victory for...
“Our festival aspires to map out a detailed and thorough overview of our world’s complexity, welcoming films from the four corners of the world, which outline the radical changes, the challenges and the problems of our times,” says festival general director Elise Jalladeau. The program spotlights “the urgent call for diversity, stories of women’s empowerment [and] the visibility not only of the Lgbtqi+ community, but of all marginalized and oppressed groups of people who have suffered discrimination due to their identity,” she adds.
Following on the historic victory for...
- 3/7/2024
- by Christopher Vourlias
- Variety Film + TV
The 26th edition of the Thessaloniki International Documentary Festival (TiDF) kicks off today (March 7) with 12 features screening in international competition.
Several titles are making their world premiere at the festival including Johatsu - Into Thin Air from Andreas Hartmann and Arata Mori about the thousands of people who disappear in Japan each year.
Also playing is Sundance award-winner A New Kind Of Wilderness from Silje Evensmo Jacobsen. The Norweigan film, which won the grand jury prize in documentary, follows a family living in the wild who are forced to confront contemporary society after a tragic event.
Fellow Sundance-award winner Nocturnes...
Several titles are making their world premiere at the festival including Johatsu - Into Thin Air from Andreas Hartmann and Arata Mori about the thousands of people who disappear in Japan each year.
Also playing is Sundance award-winner A New Kind Of Wilderness from Silje Evensmo Jacobsen. The Norweigan film, which won the grand jury prize in documentary, follows a family living in the wild who are forced to confront contemporary society after a tragic event.
Fellow Sundance-award winner Nocturnes...
- 3/7/2024
- ScreenDaily
From the Himalayas to the Rockies, “Nocturnes” flew from one mountain range to the next with its premiere at Sundance last month. The mesmerizing tone poem centers an unusual subject – moths – in the Eastern Himalayan forest, as seen through the eyes of researcher Mansi Mungee and Bicki, a temporary employee from the indigenous Bugun community. The duo returns time and time again to their silvery white moth screen, a reflective surface that attracts moths for study in the forest. The film delights in extreme close-ups of these winged friends, accompanied by their ambient sounds: the delicate flutter of wings, the gentle whisper of rain, the loving murmurs of Mansi as she studies them.
The sheer dexterity of the documentary was recognized at Sundance, winning the World Cinema Documentary Special Jury Award for Craft. For me, “Nocturnes” also seemed to resonate with two other Indian nature documentaries that had premiered at...
The sheer dexterity of the documentary was recognized at Sundance, winning the World Cinema Documentary Special Jury Award for Craft. For me, “Nocturnes” also seemed to resonate with two other Indian nature documentaries that had premiered at...
- 2/17/2024
- by Grace Han
- AsianMoviePulse
The 2024 Sundance Film Festival awards ceremony revealed winners Friday honoring the best of this year’s lineup in Park City.
The U.S. Dramatic Grand Jury prize went to Alessandra Lacorazza’s In the Summers, about two sisters who navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, Nm. Lacorazza also won a special jury prize for directing.
See the full list of winners below.
Other Grand Jury winners unveiled today in the ceremony at the Ray Theatre included Porcelain War in the U.S. Documentary competition, A New Kind of Wilderness in the World Cinema Documentary competition, and Sujo in the World Cinema Dramatic competition.
Angela Patton and Natalie Rae’s documentary Daughters received the Festival Favorite Award, which Park City audiences select across all new feature films presented at the festival, as well as the Audience Award for the U.
The U.S. Dramatic Grand Jury prize went to Alessandra Lacorazza’s In the Summers, about two sisters who navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, Nm. Lacorazza also won a special jury prize for directing.
See the full list of winners below.
Other Grand Jury winners unveiled today in the ceremony at the Ray Theatre included Porcelain War in the U.S. Documentary competition, A New Kind of Wilderness in the World Cinema Documentary competition, and Sujo in the World Cinema Dramatic competition.
Angela Patton and Natalie Rae’s documentary Daughters received the Festival Favorite Award, which Park City audiences select across all new feature films presented at the festival, as well as the Audience Award for the U.
- 1/26/2024
- by Anthony D'Alessandro and Patrick Hipes
- Deadline Film + TV
The 2024 Sundance Film Festival awards were announced today at The Ray Theatre in Park City, Utah.
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
- 1/26/2024
- by Prem
- Talking Films
The Sundance Film Festival welcomed a new class of indie film stars on Friday, handing out its annual awards in Park City, Utah.
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
- 1/26/2024
- by Matt Donnelly
- Variety Film + TV
At this year’s Sundance Film Festival, the IndieWire team is endeavoring to take you into the heart of the festival experience, thanks to a series of rolling roundups that aim to synthesize each day, all the action, most of the drama, and the stuff everyone is talking about, in Park City and beyond.
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
- 1/23/2024
- by Kate Erbland, Ryan Lattanzio and Marcus Jones
- Indiewire
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? The opportunity to be in this incredibly rich and stunning forest in the Eastern Himalayas and make a film here has been life-altering for us. How to share what we saw with our eyes, heard with our ears, and felt with our being? Could […]
The post “The Lush Forest, Throbbing With a Vast Diversity of Life, Emerges as a Character” | Anirban Dutta and Anupama Srinivasan, Nocturnes first appeared on Filmmaker Magazine.
The post “The Lush Forest, Throbbing With a Vast Diversity of Life, Emerges as a Character” | Anirban Dutta and Anupama Srinivasan, Nocturnes first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? The opportunity to be in this incredibly rich and stunning forest in the Eastern Himalayas and make a film here has been life-altering for us. How to share what we saw with our eyes, heard with our ears, and felt with our being? Could […]
The post “The Lush Forest, Throbbing With a Vast Diversity of Life, Emerges as a Character” | Anirban Dutta and Anupama Srinivasan, Nocturnes first appeared on Filmmaker Magazine.
The post “The Lush Forest, Throbbing With a Vast Diversity of Life, Emerges as a Character” | Anirban Dutta and Anupama Srinivasan, Nocturnes first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
This isn’t a meteorology blog. We’re under no obligation to inform you that–despite a historically slow ski season start–the snow now falling across Northern Utah’s Wasatch Valley is voluminous and omnipresent. All the better excuse for sequestering oneself inside the weatherproofed walls of Park City’s myriad Sundance screening venues. And whether you’re a Sundance programmer, filmmaker, critic, industry wonk or civilian attendee, one thing is certain: there are currently a lot of granola bars getting smushed in a lot of people’s pockets.
Of course, our favorite among these snowblind wretches are our own Film Independent Fellows proudly debuting their new works at the festival. And by “Fellows” here we of course mean filmmakers who have been directly supported by Film Independent’s Lab Programs, Project Involve, Fast Track and Fiscal Sponsorship programs, as well as Emerging Filmmaker Award winners and grant recipients.
Of course, our favorite among these snowblind wretches are our own Film Independent Fellows proudly debuting their new works at the festival. And by “Fellows” here we of course mean filmmakers who have been directly supported by Film Independent’s Lab Programs, Project Involve, Fast Track and Fiscal Sponsorship programs, as well as Emerging Filmmaker Award winners and grant recipients.
- 1/20/2024
- by Film Independent
- Film Independent News & More
Exclusive: London-based sales and production outfit Dogwoof has boarded world sales for Anirban Dutta and Anupama Srinivasan’s Nocturnes, which will get its world premiere in the World Cinema Documentary Competition at the 2024 Sundance Film Festival.
Set in the Eastern Himalayas, the eco-doc sees two curious observers shine a light on a secret universe, transporting audiences to a rarely-seen place where moths help knit together an important ecosystem.
Oscar-nominated Sandbox Films (Fire of Love) is producing.
In addition to co-directing, Dutta is producing along with executive producers Boustead and Harrop. Yaël Bitton (Advocate) is editor; Satya Rai Nagpaul is director of photography; original score is by BAFTA Breakthrough composer Nainita Desai (For Sama). The movie is a production of Sandbox Films and the directors’ Delhi-based Metamorphosis Films Junction.
Anirban Dutta and Anupama Srinivasan’s latest documentary, Flickering Lights, competed in the International Competition at the 2023 edition of IDFA, where it...
Set in the Eastern Himalayas, the eco-doc sees two curious observers shine a light on a secret universe, transporting audiences to a rarely-seen place where moths help knit together an important ecosystem.
Oscar-nominated Sandbox Films (Fire of Love) is producing.
In addition to co-directing, Dutta is producing along with executive producers Boustead and Harrop. Yaël Bitton (Advocate) is editor; Satya Rai Nagpaul is director of photography; original score is by BAFTA Breakthrough composer Nainita Desai (For Sama). The movie is a production of Sandbox Films and the directors’ Delhi-based Metamorphosis Films Junction.
Anirban Dutta and Anupama Srinivasan’s latest documentary, Flickering Lights, competed in the International Competition at the 2023 edition of IDFA, where it...
- 12/7/2023
- by Andreas Wiseman
- Deadline Film + TV
Documentary chronicles the Armenian director’s search for her missing soldier brother.
Shoghakat Vardanyan’s documentary 1489, which chronicles the Armenian director’s search for her missing soldier brother, has won the best film award in international competition at The International Documentary Film Festival Amsterdam (IDFA).
The title 1489 refers to the anonymous number of a “body of an individual missing in action,” and was the number assigned to Soghomon Vardanyan, a 21-year-old student and musician who was close to completing his military service when the conflict between Azerbaijan and his home country Armenia over Artsakh (Nagorno-Karabakh) flared up again in September...
Shoghakat Vardanyan’s documentary 1489, which chronicles the Armenian director’s search for her missing soldier brother, has won the best film award in international competition at The International Documentary Film Festival Amsterdam (IDFA).
The title 1489 refers to the anonymous number of a “body of an individual missing in action,” and was the number assigned to Soghomon Vardanyan, a 21-year-old student and musician who was close to completing his military service when the conflict between Azerbaijan and his home country Armenia over Artsakh (Nagorno-Karabakh) flared up again in September...
- 11/17/2023
- by Tim Dams
- ScreenDaily
Documentaries about the impact of war claimed two of the top prizes as the International Documentary Festival Amsterdam handed out awards Thursday night.
1489, directed by Armenian filmmaker Shoghakat Vardanyan, won Best Film in International Competition. The film revolves around the disappearance of the director’s 21-year-old brother, Soghomon Vardanyan, who went missing in the early days of the renewed fighting in 2020 between Armenia and Azerbaijan over the disputed region of Nagorno-Karabakh, an area Armenians refer to as Artsakh.
The award comes with a €15,000 cash prize. The jury members of the International Competition were Emilie Bujès, Francesco Giai Via, Tabitha Jackson, Ada Solomon, and Xiaoshuai Wang.
‘1489’
Jurors called 1489, “A film that acts as a piercing light that makes visible the vast hidden interior landscape of grief and creates a tangible presence from unbearable absence. Cinema as a tool of survival—to allow us all, to look at the things we would rather not see.
1489, directed by Armenian filmmaker Shoghakat Vardanyan, won Best Film in International Competition. The film revolves around the disappearance of the director’s 21-year-old brother, Soghomon Vardanyan, who went missing in the early days of the renewed fighting in 2020 between Armenia and Azerbaijan over the disputed region of Nagorno-Karabakh, an area Armenians refer to as Artsakh.
The award comes with a €15,000 cash prize. The jury members of the International Competition were Emilie Bujès, Francesco Giai Via, Tabitha Jackson, Ada Solomon, and Xiaoshuai Wang.
‘1489’
Jurors called 1489, “A film that acts as a piercing light that makes visible the vast hidden interior landscape of grief and creates a tangible presence from unbearable absence. Cinema as a tool of survival—to allow us all, to look at the things we would rather not see.
- 11/17/2023
- by Matthew Carey
- Deadline Film + TV
Shoghakat Vardanyan’s “1489,” which follows the director’s family after her brother goes missing while serving in the Armenian army, won documentary festival IDFA’s best film prize Thursday.
The jury of the International Competition section said the film “acts as a piercing light that makes visible the vast hidden interior landscape of grief and creates a tangible presence from unbearable absence.”
The jury added that it was “cinema as a tool of survival — to allow us all to look at the things we would rather not see, and ultimately, an unforgettable example of cinema as an act of love.”
The best directing award went to Mohamed Jabaly for “Life Is Beautiful,” in which the Palestinian filmmaker documents his life in 2014 when he was visiting Norway and was prevented from returning home to Gaza because the border was closed.
“Life Is Beautiful”
The jury members said the film was “a...
The jury of the International Competition section said the film “acts as a piercing light that makes visible the vast hidden interior landscape of grief and creates a tangible presence from unbearable absence.”
The jury added that it was “cinema as a tool of survival — to allow us all to look at the things we would rather not see, and ultimately, an unforgettable example of cinema as an act of love.”
The best directing award went to Mohamed Jabaly for “Life Is Beautiful,” in which the Palestinian filmmaker documents his life in 2014 when he was visiting Norway and was prevented from returning home to Gaza because the border was closed.
“Life Is Beautiful”
The jury members said the film was “a...
- 11/16/2023
- by Leo Barraclough
- Variety Film + TV
This year’s edition of the International Documentary Film Festival Amsterdam (IDFA) will open with the world premiere of “A Picture to Remember” by Olga Chernykh. The film, which received the support of the IDFA Bertha Fund in 2022, is a deeply personal account of the ongoing war in Ukraine and its violent history, seen through the prism of three generations of women.
The full program for the festival’s 36th edition was announced earlier today by IDFA’s artistic director Orwa Nyrabia, who stated the festival’s opening film is “both personal and political,” adding that “the director does not shy away from trying to build a cinematic world with fragile elements. The courage and originality of the film’s approach opens up to a much larger worldview.”
Before announcing this year’s full lineup, Nyrabia took a moment to acknowledge the current Israel-Hamas war: “To us, respecting the human...
The full program for the festival’s 36th edition was announced earlier today by IDFA’s artistic director Orwa Nyrabia, who stated the festival’s opening film is “both personal and political,” adding that “the director does not shy away from trying to build a cinematic world with fragile elements. The courage and originality of the film’s approach opens up to a much larger worldview.”
Before announcing this year’s full lineup, Nyrabia took a moment to acknowledge the current Israel-Hamas war: “To us, respecting the human...
- 10/18/2023
- by Rafa Sales Ross
- Variety Film + TV
Olga Chernykh’s A Picture To Remember explores the war in Ukraine through three generations.
The International Documentary Film Festival Amsterdam will open with the world premiere of Ukrainian filmmaker Olga Chernykh’s A Picture To Remember as the festival unveils the line-ups for the international and Envision competitions.
A Picture To Remember explores the war in Ukraine through three generations of women, including the director herself, and is a co-production between Ukraine, France and Germany. The film is screening in Envision and has received backing from the IDFA Bertha Support fund.
The international competition features 11 titles, seven of which are world premieres,...
The International Documentary Film Festival Amsterdam will open with the world premiere of Ukrainian filmmaker Olga Chernykh’s A Picture To Remember as the festival unveils the line-ups for the international and Envision competitions.
A Picture To Remember explores the war in Ukraine through three generations of women, including the director herself, and is a co-production between Ukraine, France and Germany. The film is screening in Envision and has received backing from the IDFA Bertha Support fund.
The international competition features 11 titles, seven of which are world premieres,...
- 10/18/2023
- by Ellie Calnan
- ScreenDaily
The International Documentary Film Festival Amsterdam revealed its opening night film and announced competition lineups in two main categories today, completing the program for the upcoming 36th edition of the world’s largest documentary festival.
At a press conference in Amsterdam, A Picture to Remember, directed by Ukrainian filmmaker Olga Chernykh, was announced as IDFA’s opening night film on November 8. The festival, which includes more than 250 films total, runs from Nov. 8-19.
“[A Picture to Remember] presents a deeply personal and essay-style account of the ongoing war in Ukraine and its violent history, seen through the prism of three generations of women: Chernykh herself, her mother, and her grandmother,” IDFA said in a release. “In a bid for connection and intimacy, the filmmaker uses old family films, recordings of conversations, and news reports to bridge the distance between her and her grandmother. The result is a kaleidoscopic and personal film that travels through time fluidly.
At a press conference in Amsterdam, A Picture to Remember, directed by Ukrainian filmmaker Olga Chernykh, was announced as IDFA’s opening night film on November 8. The festival, which includes more than 250 films total, runs from Nov. 8-19.
“[A Picture to Remember] presents a deeply personal and essay-style account of the ongoing war in Ukraine and its violent history, seen through the prism of three generations of women: Chernykh herself, her mother, and her grandmother,” IDFA said in a release. “In a bid for connection and intimacy, the filmmaker uses old family films, recordings of conversations, and news reports to bridge the distance between her and her grandmother. The result is a kaleidoscopic and personal film that travels through time fluidly.
- 10/18/2023
- by Matthew Carey
- Deadline Film + TV
In its biggest single showcase, Visions du Réel staged a three-hour showcase on Saturday where directors and producers delivered online presentations of nine doc features in post. Some will undoubtedly hit major festivals in the months to come. Following, bare bones profiles of the nine Wip titles:
“About Everything There Is to Know,” dir: Sofía Velázquez (Peru)
Produced by Carolina Denegri (Cultural Mercado Central)
A group of filmmakers arrive in Santiago de Chuco, a remote village perched high in the Peruvian Andes which was the birthplace of Cesar Vallejo, the most revolutionary of Latin American poets. Their casting for a play, inspired by Vallejo characters, provides the doc feature’s storyline. It also allows Velazquez to depict the village inhabitants and a mix of
“fantasy and reality” that builds as an equal part celebration of Vallejo and more nuanced portrait of Peru, where village life is rapidly eclipsed by emigration to nearby big cities.
“About Everything There Is to Know,” dir: Sofía Velázquez (Peru)
Produced by Carolina Denegri (Cultural Mercado Central)
A group of filmmakers arrive in Santiago de Chuco, a remote village perched high in the Peruvian Andes which was the birthplace of Cesar Vallejo, the most revolutionary of Latin American poets. Their casting for a play, inspired by Vallejo characters, provides the doc feature’s storyline. It also allows Velazquez to depict the village inhabitants and a mix of
“fantasy and reality” that builds as an equal part celebration of Vallejo and more nuanced portrait of Peru, where village life is rapidly eclipsed by emigration to nearby big cities.
- 4/18/2021
- by John Hopewell
- Variety Film + TV
Documentary film festival Visions du Réel, which runs April 15-25, has unveiled the 29 projects that will be presented in its industry program, VdR-Industry.
The project will participate in the three key forums in the industry section: VdR-Pitching, VdR-Work in Progress and VdR-Rough Cut Lab. Industry activities will take place from April 14-22, both online and on site in Nyon, Switzerland – if sanitary measures permit.
The VdR-Industry Awards, including three new cash awards, will be granted by an international jury gathering Eurimage’s executive director Roberto Olla, Italian film director Roberto Minervini and Rasha Salti, independent film and visual arts curator, as well as commissioning editor for La Lucarne, Arte France.
“This year’s selection depicts not only the incredible diversity of contemporary documentary filmmaking, but also its ever wider ranging influence,” said Madeline Robert, new head of industry and artistic advisor of Visions du Réel.
VdR-Industry is designed as a springboard for projects,...
The project will participate in the three key forums in the industry section: VdR-Pitching, VdR-Work in Progress and VdR-Rough Cut Lab. Industry activities will take place from April 14-22, both online and on site in Nyon, Switzerland – if sanitary measures permit.
The VdR-Industry Awards, including three new cash awards, will be granted by an international jury gathering Eurimage’s executive director Roberto Olla, Italian film director Roberto Minervini and Rasha Salti, independent film and visual arts curator, as well as commissioning editor for La Lucarne, Arte France.
“This year’s selection depicts not only the incredible diversity of contemporary documentary filmmaking, but also its ever wider ranging influence,” said Madeline Robert, new head of industry and artistic advisor of Visions du Réel.
VdR-Industry is designed as a springboard for projects,...
- 3/19/2021
- by Leo Barraclough
- Variety Film + TV
Line-up also includes the new project from two-time Oscar nominee Lucy Walker.
Danish documentary festival Cph:dox has revealed the 35 projects set to be presented at Cph:forum, its financing and co-production event that will take place online-only from April 26-30.
Scroll down for full list of titles
The selection includes new projects from two-time Oscar nominee Lucy Walker (Waste Land), Sundance winners Mads Brügger (Cold Case Hammarskjöld) and Eugene Jarecki (The House I Live In), Berlin Crystal Bear winner Geneviève Dulude-De Celle (A Colony) and Venice Horizons winner Lech Kowalski (East Of Paradise).
Further notable filmmakers include Radu Ciorniciuc, whose Acasa,...
Danish documentary festival Cph:dox has revealed the 35 projects set to be presented at Cph:forum, its financing and co-production event that will take place online-only from April 26-30.
Scroll down for full list of titles
The selection includes new projects from two-time Oscar nominee Lucy Walker (Waste Land), Sundance winners Mads Brügger (Cold Case Hammarskjöld) and Eugene Jarecki (The House I Live In), Berlin Crystal Bear winner Geneviève Dulude-De Celle (A Colony) and Venice Horizons winner Lech Kowalski (East Of Paradise).
Further notable filmmakers include Radu Ciorniciuc, whose Acasa,...
- 3/3/2021
- by Michael Rosser
- ScreenDaily
Directors Anirban Dutta and Anupama Srinivasan currently shooting moth feature in India.
Documentary company Sandbox Films, whose credits include Werner Herzog’s Fireball: Visitors From Darker Worlds, has signed on to produce Nocturnes, an Indian film about moths that was one of 10 recipients of the Sundance Institute Sandbox Fund in 2020.
Directors Anirban Dutta and Anupama Srinivasan are currently shooting the feature on the sub-continent and Sandbox Film’s head of production Jessica Harrop and director and executive producer Greg Boustead plan to be on site with the filmmakers this winter.
Nocturnes centres on a young female scientist studying moths in...
Documentary company Sandbox Films, whose credits include Werner Herzog’s Fireball: Visitors From Darker Worlds, has signed on to produce Nocturnes, an Indian film about moths that was one of 10 recipients of the Sundance Institute Sandbox Fund in 2020.
Directors Anirban Dutta and Anupama Srinivasan are currently shooting the feature on the sub-continent and Sandbox Film’s head of production Jessica Harrop and director and executive producer Greg Boustead plan to be on site with the filmmakers this winter.
Nocturnes centres on a young female scientist studying moths in...
- 2/1/2021
- by Jeremy Kay
- ScreenDaily
Directors Anirban Dutta and Anupama Srinivasan currently shooting moth feature in India.
Documentary company Sandbox Films, whose credits include Werner Herzog’s Fireball: Visitors From Darker Worlds, has signed on to produce Nocturnes, an Indian film about moths that was one of 10 recipients of the Sundance Institute Sandbox Fund in 2020.
Directors Anirban Dutta and Anupama Srinivasan are currently shooting the feature on the sub-continent and Sandbox Film’s head of production Jessica Harrop and director and executive producer Greg Boustead plan to be on site with the filmmakers this winter.
Nocturnes centres on a young female scientist studying moths in...
Documentary company Sandbox Films, whose credits include Werner Herzog’s Fireball: Visitors From Darker Worlds, has signed on to produce Nocturnes, an Indian film about moths that was one of 10 recipients of the Sundance Institute Sandbox Fund in 2020.
Directors Anirban Dutta and Anupama Srinivasan are currently shooting the feature on the sub-continent and Sandbox Film’s head of production Jessica Harrop and director and executive producer Greg Boustead plan to be on site with the filmmakers this winter.
Nocturnes centres on a young female scientist studying moths in...
- 2/1/2021
- by Jeremy Kay
- ScreenDaily
Forty eight projects have been chosen for the online edition,
Projects on climate change movement Extinction Rebellion and the Saudi Arabia women’s football team are among those selected for Sheffield Doc/Fest’s 2020 online marketplace MeetMarket.
The documentary market will take place via virtual video-conferencing from June 8-10 June, with the Alternate Realities Talent Market running on the same dates.
Among the 48 projects from 500 applications selected for the MeetMarket is Xr Beyond The Emergency from the UK. Directed by Maia Kenworthy and Elena Sánchez Bellot and produced by Katrina Mansoor, it centres on the ordinary people who are devoting...
Projects on climate change movement Extinction Rebellion and the Saudi Arabia women’s football team are among those selected for Sheffield Doc/Fest’s 2020 online marketplace MeetMarket.
The documentary market will take place via virtual video-conferencing from June 8-10 June, with the Alternate Realities Talent Market running on the same dates.
Among the 48 projects from 500 applications selected for the MeetMarket is Xr Beyond The Emergency from the UK. Directed by Maia Kenworthy and Elena Sánchez Bellot and produced by Katrina Mansoor, it centres on the ordinary people who are devoting...
- 4/14/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
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