Plot: Joy, Sadness, Anger, Fear and Disgust have been doing a good job managing the emotions of their beloved human, Riley. But, as she enters her teenage years, they have their hands full dealing with a whole new slate of emotions, including the obstructive, controlling Anxiety.
Review: Ever since the pandemic, Pixar’s been struggling to recapture the zeitgeist its animated films were once so easily able to dominate. For a long time, it was almost uncanny how each film was hailed as a masterpiece, only for the company to fall off when suddenly their films became more commonly viewed via streaming than in theatres. Some say the movies got to be too specific, although for me I’d take a highly personal story like Elemental over the more generic Lightyear any day. At any rate, the company is said to be undergoing a pivot towards more universal stories, although...
Review: Ever since the pandemic, Pixar’s been struggling to recapture the zeitgeist its animated films were once so easily able to dominate. For a long time, it was almost uncanny how each film was hailed as a masterpiece, only for the company to fall off when suddenly their films became more commonly viewed via streaming than in theatres. Some say the movies got to be too specific, although for me I’d take a highly personal story like Elemental over the more generic Lightyear any day. At any rate, the company is said to be undergoing a pivot towards more universal stories, although...
- 6/12/2024
- by Chris Bumbray
- JoBlo.com
It might have taken almost a decade, but we finally have a follow up to the much-loved Pixar animation Inside Out (2015). The original film received huge acclaim on its release for its ability to portray the essence of childhood through Riley, a young girl who must learn to navigate changes in her young life after she is uprooted from her Midwest life and moved to the big city.
Directed by Kelsey Mann, in his feature directorial debut, Inside Out 2 sees the return of SNL favourite Amy Poehler as the voice of Joy, one of Riley’s most dominant emotions. Elsewhere, Lewis Black, Maya Hawke (Asteroid City), Ayo Edebiri (The Bear), Adèle Exarchopoulos (Blue Is The Warmest Colour) and Paul Walter Hauser all lend their voices to old and new emotions.
Puberty takes centre stage at Riley (Kensington Tallman) HQ when old emotions are set aside in order to make room for brand new emotions,...
Directed by Kelsey Mann, in his feature directorial debut, Inside Out 2 sees the return of SNL favourite Amy Poehler as the voice of Joy, one of Riley’s most dominant emotions. Elsewhere, Lewis Black, Maya Hawke (Asteroid City), Ayo Edebiri (The Bear), Adèle Exarchopoulos (Blue Is The Warmest Colour) and Paul Walter Hauser all lend their voices to old and new emotions.
Puberty takes centre stage at Riley (Kensington Tallman) HQ when old emotions are set aside in order to make room for brand new emotions,...
- 6/12/2024
- by Linda Marric
- HeyUGuys.co.uk
Pixar has recently been making sequels to some of its most acclaimed films, and their success with fans has been decidedly mixed. For every Toy Story 3, there’s a Cars 2. This year sees the release of Inside Out 2, a sequel to one of the studio’s most acclaimed movies in the past decade. Although the sequel is mostly inferior, it’s still plenty funny and heartwarming enough to be worth watching.
Inside Out 2 picks up with Riley as a 13-year-old when she begins puberty and encounters a new set of complex emotions during an important transition in her life from middle school to high school. For a film that is supposed to be about the complexity of emotions, it’s a bit underwhelming that the story and emotions are so simplistic, but there’s still plenty to praise here.
The area where Inside Out 2 is...
Inside Out 2 picks up with Riley as a 13-year-old when she begins puberty and encounters a new set of complex emotions during an important transition in her life from middle school to high school. For a film that is supposed to be about the complexity of emotions, it’s a bit underwhelming that the story and emotions are so simplistic, but there’s still plenty to praise here.
The area where Inside Out 2 is...
- 6/12/2024
- by Sean Boelman
- FandomWire
In “Inside Out 2,” Riley, the displaced tween from “Inside Out,” is now 13 years old, which means that she’s on the verge of a whole new set of emotions. In the Headquarters of her brain, a siren flashes (it’s the one we saw in the earlier film marked Puberty), which means it’s time for renovation workers to bust into the place, tear down the walls, and install a new console that can accommodate Riley’s budding adolescent feelings. The original quintet of Anger (Lewis Black), Sadness (Phyllis Smith), Fear (Tony Hale), Disgust (Liza Lapira), and the beloved Joy (Amy Poehler) are still around, but they’re now “suppressed emotions,” shoved to the back of her mind..
“Inside Out,” I would argue, was the last great Pixar movie. I loved “Toy Story 4” (2019), and “Finding Dory” (2016) was irresistible in a way that evoked the magic of “Finding Nemo,...
“Inside Out,” I would argue, was the last great Pixar movie. I loved “Toy Story 4” (2019), and “Finding Dory” (2016) was irresistible in a way that evoked the magic of “Finding Nemo,...
- 6/12/2024
- by Owen Gleiberman
- Variety Film + TV
“Hey, kids! Let’s go to the multiplex and check out that animated movie about a moderately talented teenage girl trying out for a place in a slightly older ice-hockey team,” said practically no American parent to the delight of their children ever. Yet this is the path that Pixar have chosen for the sequel to 2015’s Inside Out, a twee but nevertheless thoughtful film that sought to sort out the jumble of emotions inside an 11-year-old girl’s mind as she adapted to life in a strange new city. This time round, our heroine is settled in, facing another less seismic yet much more personal change when she is forced to choose between doing what might be best for her, long-term, and doing what is right.
Although it’s been nine years since the original, Riley, now voiced by Kensington Tallman, has only aged two. And when the film starts, her five key emotions — Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale) and Disgust (Liza Lapira) — are carrying on as usual, cheerleading Riley’s progress as a rising star on the ice-hockey rink. This time round, Joy, is the den mother, keeping all the others in check and prioritizing Riley’s “sense of self”, which, though it might sound abstract, is an actual, physical thing that she’s very protective of.
This idyll is interrupted when a red button, previously unnoticed on Joy’s control deck, makes itself violently known, waking all the emotions in the middle of the night. Riley has turned 13, and the puberty alarm is sounding, to the consternation of the emotions — especially Anger and Sadness — who find themselves amplified to previously unknown levels. This all coincides with Riley being invited to an ice-hockey summer camp, where she will be punching above her weight with older players and is about to find out that her two best friends will be leaving her anyways to go to a different school.
To Joy’s dismay, a demolition team moves in to tear down HQ, and in come the new team of emotions: Anxiety (Maya Hawke), Envy (Ayo Edibiri), Embarrassment (Paul Walter Hauser) and Ennui (Adèle Exarchopoulos). Anxiety — played very, very well by newcomer Hawke — makes her presence felt immediately, and her humble but pragmatic personality seems charming and even quite reasonable. But Anxiety’s needs grow, leading her to stage a coup that sends the other emotions, literally, to the back of Riley’s mind. As a result, Riley gives in to her own imagined peer pressure, ghosting her friends to curry favor with local sports star Val (Lilimar).
Which is where Inside Out 2 starts to come unstuck, since, of all the new emotions, only Ennui — “Eet’s what you would call boredom,” drawls Exarchopoulos — is really anything new to a developing child. And what happens next is a long slog in such a relatively short film, as, in lieu of anything else actually happening, Joy leads her team back to take control of Riley’s emotions. You could be forgiven for thinking that this journey home will be a picaresque riot, a colorful flexing of the collective Pixar imagination, but there’s not much fun in this 13-year-old’s mind. (Really? A parade of future careers? And being a Supreme Court judge is in that mix?)
Ultimately, the battle is over the control of Riley’s conscience, but seeing as there’s never been any serious dramatic conflict in this kind of family fare since High School Musical did away with it altogether, it’s pretty clear where a Disney production is going to go with that. So, really, you end up with a movie about a teenage girl playing junior-league ice hockey, while a lot of excitable animated characters — yellow, blue, green, whatever — chatter on and on about it.
But what you don’t get, sadly, is any sense of thought, which, by now, Riley should be capable of assembling. While it does suggest that Riley’s emotions combine in ways that guide her, Inside Out 2 stops short of assembling emotions into intelligence. Which might sound like a harsh takeaway for what’s essentially a kids’ movie, but the result is that Riley just doesn’t seem to have any agency of her own; she’s more like the malleable chef in Ratatouille than the kind-hearted flesh-and-blood teen her emotions have to keep telling us she is.
Battle-weary parents of surly teens will have some fun here and there, especially when Ennui’s blasé influence opens up a “sar-chasm” in Riley’s brain that makes everything sound, well, sarcastic. But, when all’s said and done, the stakes are so minor, it’s hard to imagine anyone will leave this desperate to see an Inside Out 3.
Title: Inside Out 2
Distributor: Disney
Release date: June 14, 2024
Director: Kelsey Mann
Screenwriter: Meg LeFauve, Dave Holstein
Cast: Amy Poehler, Maya Hawke, Phyllis Smith, Lewis Black, Tony Hale, Liza Lapira, Ayo Edibiri, Paul Walter Hauser, Adèle Exarchopoulos, Lilimar
Running time: 1 hr 36 min...
Although it’s been nine years since the original, Riley, now voiced by Kensington Tallman, has only aged two. And when the film starts, her five key emotions — Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale) and Disgust (Liza Lapira) — are carrying on as usual, cheerleading Riley’s progress as a rising star on the ice-hockey rink. This time round, Joy, is the den mother, keeping all the others in check and prioritizing Riley’s “sense of self”, which, though it might sound abstract, is an actual, physical thing that she’s very protective of.
This idyll is interrupted when a red button, previously unnoticed on Joy’s control deck, makes itself violently known, waking all the emotions in the middle of the night. Riley has turned 13, and the puberty alarm is sounding, to the consternation of the emotions — especially Anger and Sadness — who find themselves amplified to previously unknown levels. This all coincides with Riley being invited to an ice-hockey summer camp, where she will be punching above her weight with older players and is about to find out that her two best friends will be leaving her anyways to go to a different school.
To Joy’s dismay, a demolition team moves in to tear down HQ, and in come the new team of emotions: Anxiety (Maya Hawke), Envy (Ayo Edibiri), Embarrassment (Paul Walter Hauser) and Ennui (Adèle Exarchopoulos). Anxiety — played very, very well by newcomer Hawke — makes her presence felt immediately, and her humble but pragmatic personality seems charming and even quite reasonable. But Anxiety’s needs grow, leading her to stage a coup that sends the other emotions, literally, to the back of Riley’s mind. As a result, Riley gives in to her own imagined peer pressure, ghosting her friends to curry favor with local sports star Val (Lilimar).
Which is where Inside Out 2 starts to come unstuck, since, of all the new emotions, only Ennui — “Eet’s what you would call boredom,” drawls Exarchopoulos — is really anything new to a developing child. And what happens next is a long slog in such a relatively short film, as, in lieu of anything else actually happening, Joy leads her team back to take control of Riley’s emotions. You could be forgiven for thinking that this journey home will be a picaresque riot, a colorful flexing of the collective Pixar imagination, but there’s not much fun in this 13-year-old’s mind. (Really? A parade of future careers? And being a Supreme Court judge is in that mix?)
Ultimately, the battle is over the control of Riley’s conscience, but seeing as there’s never been any serious dramatic conflict in this kind of family fare since High School Musical did away with it altogether, it’s pretty clear where a Disney production is going to go with that. So, really, you end up with a movie about a teenage girl playing junior-league ice hockey, while a lot of excitable animated characters — yellow, blue, green, whatever — chatter on and on about it.
But what you don’t get, sadly, is any sense of thought, which, by now, Riley should be capable of assembling. While it does suggest that Riley’s emotions combine in ways that guide her, Inside Out 2 stops short of assembling emotions into intelligence. Which might sound like a harsh takeaway for what’s essentially a kids’ movie, but the result is that Riley just doesn’t seem to have any agency of her own; she’s more like the malleable chef in Ratatouille than the kind-hearted flesh-and-blood teen her emotions have to keep telling us she is.
Battle-weary parents of surly teens will have some fun here and there, especially when Ennui’s blasé influence opens up a “sar-chasm” in Riley’s brain that makes everything sound, well, sarcastic. But, when all’s said and done, the stakes are so minor, it’s hard to imagine anyone will leave this desperate to see an Inside Out 3.
Title: Inside Out 2
Distributor: Disney
Release date: June 14, 2024
Director: Kelsey Mann
Screenwriter: Meg LeFauve, Dave Holstein
Cast: Amy Poehler, Maya Hawke, Phyllis Smith, Lewis Black, Tony Hale, Liza Lapira, Ayo Edibiri, Paul Walter Hauser, Adèle Exarchopoulos, Lilimar
Running time: 1 hr 36 min...
- 6/12/2024
- by Damon Wise
- Deadline Film + TV
Pixar’s 2015 instant classic, Inside Out, was the best possible psychological starter kit for curious kids. The movie was groundbreaking in its inventive way of showing children the complex workings of their minds, framed as a hair-raising adventure, while also making the tour into the subconscious both hilarious and deeply affecting for adults. What are the odds that a sequel almost a decade later and by a mostly new creative team could recapture its canonical predecessor’s magic and humanity? But graduating from childhood into the emotional minefield of early adolescence might even have improved upon it.
Veteran Pixar storyboard artist Kelsey Mann hits a home run with his first feature, working from a screenplay by Meg LeFauve (the key holdover from Inside Out) and Dave Holstein that ingeniously personifies the tornado of conflicting feelings wreaking havoc inside the head of 13-year-old Riley (Kensington Tallman).
Whereas many sequels bulk up...
Veteran Pixar storyboard artist Kelsey Mann hits a home run with his first feature, working from a screenplay by Meg LeFauve (the key holdover from Inside Out) and Dave Holstein that ingeniously personifies the tornado of conflicting feelings wreaking havoc inside the head of 13-year-old Riley (Kensington Tallman).
Whereas many sequels bulk up...
- 6/12/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Oh, so you think being a kid is an emotional rollercoaster, huh? Try becoming a freshly minted teenager.
When Inside Out hit theaters in 2015, Pixar’s deep dive into an 11-year-old’s brain quickly ascended to top-tier status; the combination of old-school cartoonishness, a color scheme that left no hue untouched, a celebrity voice cast with comic chops, and a perfect combo of childlike imagination and mature insight into the moment you start leaving childhood behind established it as one of the company’s best works to date. A follow-up was inevitable,...
When Inside Out hit theaters in 2015, Pixar’s deep dive into an 11-year-old’s brain quickly ascended to top-tier status; the combination of old-school cartoonishness, a color scheme that left no hue untouched, a celebrity voice cast with comic chops, and a perfect combo of childlike imagination and mature insight into the moment you start leaving childhood behind established it as one of the company’s best works to date. A follow-up was inevitable,...
- 6/12/2024
- by David Fear
- Rollingstone.com
Change can often be as painful as it is inevitable. This is a fact of life and a fact that haunts Inside Out 2. The long anticipated sequel arrives nearly a decade after one of Pixar’s finest and most sophisticated films, making good on what previously was left as a looming menace and dark joke for the emotions of Riley—a sensitive girl who ended the 2015 film on the precipice of adolescence and all those fearsome feelings which come with it. “Riley’s 12, what could happen?” her emotions absently muse among themselves.
Yet the anxiety that so often accompanies change appears to be rattling around in the collective head (or boardrooms) of Pixar too. The studio which once looked invincible in the 2000s and 2010s has, in the nine years since Inside Out, seen its chief creative officer and co-founder resign in a cloud of #MeToo accusations and disgrace; a...
Yet the anxiety that so often accompanies change appears to be rattling around in the collective head (or boardrooms) of Pixar too. The studio which once looked invincible in the 2000s and 2010s has, in the nine years since Inside Out, seen its chief creative officer and co-founder resign in a cloud of #MeToo accusations and disgrace; a...
- 6/12/2024
- by David Crow
- Den of Geek
We are going to take a wild guess that when you first heard the news that 2015’s Oscar-winning “Inside Out” was getting a follow up you immediately thought, “Oh, no. Not a sequel to a beloved animated movie. This can’t be good.” Well, if it’s from Pixar, three “Toy Story” sequels, “Finding Dory,” and “Incredibles 2” are pretty strong evidence that it might not just be good, but potentially even better than the original.
Continue reading ‘Inside Out 2’ Review: Anxiety Attempts A Takeover In A Fantastic Pixar Sequel at The Playlist.
Continue reading ‘Inside Out 2’ Review: Anxiety Attempts A Takeover In A Fantastic Pixar Sequel at The Playlist.
- 6/12/2024
- by Gregory Ellwood
- The Playlist
The pandemic couldn’t have come at a worse time for Pixar. The fading animation powerhouse emerged from a decade of creative misfires and middling sequels just to have two of their most personal films in forever — Enrico Casarosa’s “Luca” and Domee Shi’s “Turning Red” — dumped onto Disney+, further diluting the brand by retraining audiences to think of Pixar as just another content provider. “Lightyear” was supposed to be the silver bullet that got the studio back on track as the cartoon kings of the summer box office, but the ill-conceived “Toy Story” spinoff only confirmed that Luxo Jr. had lost his luster. Meanwhile, last year’s equally unsatisfying “Elemental” stumbled out of the gate in a way that took the shine off its slow-burn commercial success.
Faced with its first bonafide identity crisis, Pixar decided it would pivot away from original visions in favor of slam-dunk sequels,...
Faced with its first bonafide identity crisis, Pixar decided it would pivot away from original visions in favor of slam-dunk sequels,...
- 6/12/2024
- by David Ehrlich
- Indiewire
We’re back in Riley’s head as she heads into puberty, but can Pixar repeat the success of the first film? Find out in our Inside Out 2 review.
Inside Out might be the best Pixar film ever made. Heck, it might even be one of the best films ever made. Pete Docter’s 2015 animation managed to somehow make those pesky feelings and voices inside our heads accessible and easy to understand for both children and adults. The film’s central message – you need all your emotions, none of them are bad – felt almost groundbreaking because no one had said it out loud before. At least, not with this much charm and honesty.
When Inside Out 2 was announced, you could almost hear the collective groan let out by film fans around the world. We didn’t need – or want – another Inside Out film, because frankly, how could it...
Inside Out might be the best Pixar film ever made. Heck, it might even be one of the best films ever made. Pete Docter’s 2015 animation managed to somehow make those pesky feelings and voices inside our heads accessible and easy to understand for both children and adults. The film’s central message – you need all your emotions, none of them are bad – felt almost groundbreaking because no one had said it out loud before. At least, not with this much charm and honesty.
When Inside Out 2 was announced, you could almost hear the collective groan let out by film fans around the world. We didn’t need – or want – another Inside Out film, because frankly, how could it...
- 6/12/2024
- by Maria Lattila
- Film Stories
Pixar is heavily depending on Inside Out 2’s box office performance to push the company out of the unfortunate dump they fell into after the failure of several animated movies in the past few years.
Pixar’s Inside Out 2 / Walt Disney Studios
However, the studio deciding to release the film in theaters instead of just going for the streaming platform is a huge gamble that would make or break its reputation. Indeed, such is the complicated situation of Pixar.
With Inside Out 2, Pixar Now Focuses On Sequels And Spinoffs
Inside Out 2 is slated to premiere worldwide in theaters in a few days, and Pixar is getting more anxious day by day as they await the result of their new strategy. Instead of helming a new and original animated movie, they went for a sequel that they believe fans will love.
Speaking with Time Magazine, Pixar’s...
Pixar’s Inside Out 2 / Walt Disney Studios
However, the studio deciding to release the film in theaters instead of just going for the streaming platform is a huge gamble that would make or break its reputation. Indeed, such is the complicated situation of Pixar.
With Inside Out 2, Pixar Now Focuses On Sequels And Spinoffs
Inside Out 2 is slated to premiere worldwide in theaters in a few days, and Pixar is getting more anxious day by day as they await the result of their new strategy. Instead of helming a new and original animated movie, they went for a sequel that they believe fans will love.
Speaking with Time Magazine, Pixar’s...
- 6/12/2024
- by Ariane Cruz
- FandomWire
In recent years, Hollywood studios have significantly shifted their focus on sequels and other ways of extending well-received stories. Although many have condemned this approach as a death of creativity and original storytelling, Pixar’s Pete Docter has shifted responsibility onto the audience, as the studio gears up for the release of a sequel to the 2015 Oscar-winning blockbuster Inside Out.
Inside Out | Credit: Disney
In a recent conversation with Time Magazine, Docter reflected on the changing landscape in the film industry, saying that people seem hesitant to embrace or explore new concepts.
Pixar Head Reflected on Balancing Original Ideas With Sequels
In a recent interview with Time Magazine, Pete Docter, Chief creative officer of Pixar, discussed the studio’s efforts at reigniting audience enthusiasm for theatrical experiences in the era of streaming services. He suggested that they are planning to focus more on sequels to achieve this goal.
Pete Docter,...
Inside Out | Credit: Disney
In a recent conversation with Time Magazine, Docter reflected on the changing landscape in the film industry, saying that people seem hesitant to embrace or explore new concepts.
Pixar Head Reflected on Balancing Original Ideas With Sequels
In a recent interview with Time Magazine, Pete Docter, Chief creative officer of Pixar, discussed the studio’s efforts at reigniting audience enthusiasm for theatrical experiences in the era of streaming services. He suggested that they are planning to focus more on sequels to achieve this goal.
Pete Docter,...
- 6/12/2024
- by Laxmi Rajput
- FandomWire
Pixar’s Pete Docter Talks About Live-Action Remakes Pete Docter, Chief Creative Officer at Pixar Animation Studios, recently shared his views on the resurgence of live-action remakes in a candid interview. The Future of Pixar Hinges on Inside Out 2 During his discussion, Docter emphasized the importance of the upcoming release ‘Inside Out 2’ for Pixar’s future. If doesn’t do well at the theater, I think it just means we’re going to have to think even more radically about how we run our business, he told Time. The sequel, directed by Kelsey Mann and featuring a stellar voice...
- 6/12/2024
- by Steve Delikson
- TVovermind.com
Of all the Pixar films to follow up, Inside Out seems the most risky. While the ending of the first gave a clear signal of where the general plot could go, with a pre-teen Riley (now voiced by Kensington Tallman) on the edge of puberty, aka emotional Armageddon, you had to wonder what would be the point? The original so brilliantly, with the lightest of touches, dug into the foundations of the human brain that it seemed to leave any sequel with little to do but retread. Once you’ve flicked so far into Psychology 101 that you’re making gags about abstract thought, where else do you go?
Inside Out 2’s answer is not to try to outsmart its predecessor but to continue and mature its emotional journey. That’s immediately evident in its choice to begin on the already laid narrative path, rather than reroute for the sake of originality.
Inside Out 2’s answer is not to try to outsmart its predecessor but to continue and mature its emotional journey. That’s immediately evident in its choice to begin on the already laid narrative path, rather than reroute for the sake of originality.
- 6/12/2024
- by Olly Richards
- Empire - Movies
The UK-Ireland box office showed positive signs across the first quarter (Q1) of 2024, with UK drama performing particularly well, while the second quarter (Q2) is off to a sluggish start.
Total box office from January to mid-April grossed £217m, a 17% increase from 2023, according to figures from the British Film Institute (BFI).*
This figure relates to 242 films, including Ireland-only releases but excluding event cinema releases, and includes five Netflix films that did not report their box office.
Warner Bros’ Dune: Part Two was the highest-grossing release in Q1, with £38m at the UK and Ireland box office. Warner Bros also released One Life,...
Total box office from January to mid-April grossed £217m, a 17% increase from 2023, according to figures from the British Film Institute (BFI).*
This figure relates to 242 films, including Ireland-only releases but excluding event cinema releases, and includes five Netflix films that did not report their box office.
Warner Bros’ Dune: Part Two was the highest-grossing release in Q1, with £38m at the UK and Ireland box office. Warner Bros also released One Life,...
- 6/12/2024
- ScreenDaily
Inside Out 2 Box Office Prediction (Worldwide) Update(Photo Credit – Instagram)
Inside Out 2 is returning after almost a decade, and the industry is hopeful about the film’s debut weekend. After predicting the sequel’s collections, the industry has put forward its predictions for its global collection. Amy Poehler will reprise her role as Joy, while some new actors came on board to voice new emotions. Scroll below for more.
The 2015 Pixar movie was made on an estimated budget of $175 million, and it earned 4.9 times more in the worldwide box office. The movie opened to a strong $90.4 million on its debut weekend. Inside Out collected $850.5 million globally. In it, Riley was guided by her emotions – Fear, Anger, Disgust, and Sadness. She will now have new emotions, including Anxiety [voiced by Maya Hawke] and Envy [voiced by The Bear star Ayo Edebiri] will also guide Riley.
The summer box office had been a bit depressing.
Inside Out 2 is returning after almost a decade, and the industry is hopeful about the film’s debut weekend. After predicting the sequel’s collections, the industry has put forward its predictions for its global collection. Amy Poehler will reprise her role as Joy, while some new actors came on board to voice new emotions. Scroll below for more.
The 2015 Pixar movie was made on an estimated budget of $175 million, and it earned 4.9 times more in the worldwide box office. The movie opened to a strong $90.4 million on its debut weekend. Inside Out collected $850.5 million globally. In it, Riley was guided by her emotions – Fear, Anger, Disgust, and Sadness. She will now have new emotions, including Anxiety [voiced by Maya Hawke] and Envy [voiced by The Bear star Ayo Edebiri] will also guide Riley.
The summer box office had been a bit depressing.
- 6/12/2024
- by Esita Mallik
- KoiMoi
We’ve been waiting for a weekend like this one since last July, as for the first time in almost a year, we finally get a movie that has the potential to open with over $100 million. Fingers crossed! Read on for Gold Derby’s box office preview.
Although Disney and Pixar Animation have had a tough time in recent years due to a combination of the Covid pandemic and the advent of the Disney+ streamer, on Friday it will release “Inside Out 2,” the first theatrically released sequels to one of Pixar’s massive critical and commercial hits in five years.
The original “Inside Out,” directed by three-time Oscar winner and current Pixar chief creative officer Pete Docter, opened with $90.4 million nine years ago. At the time, it was Pixar’s second-best opening, and it’s still the animation house’s best debut for a non-sequel. This sequel, directed by Kelsey Mann,...
Although Disney and Pixar Animation have had a tough time in recent years due to a combination of the Covid pandemic and the advent of the Disney+ streamer, on Friday it will release “Inside Out 2,” the first theatrically released sequels to one of Pixar’s massive critical and commercial hits in five years.
The original “Inside Out,” directed by three-time Oscar winner and current Pixar chief creative officer Pete Docter, opened with $90.4 million nine years ago. At the time, it was Pixar’s second-best opening, and it’s still the animation house’s best debut for a non-sequel. This sequel, directed by Kelsey Mann,...
- 6/12/2024
- by Edward Douglas
- Gold Derby
Pixar has made some of the most beloved and narratively fulfilling animated films for many years. The company is behind some of the biggest hits including the Toy Story franchise, A Bug’s Life, Monster’s Inc, and Inside Out. However, the past few years have not been great for the company with Elemental and Lightyear becoming box office disappointments.
Buzz Lightyear and Woody in 1995’s Toy Story | Pixar Animation Studios
There was decent hype around Lightyear as it was a spin-off of the Toy Story franchise centering on the beloved character Buzz Lightyear, who is turned into an actual human and not a toy. Unfortunately, the film didn’t connect with audiences and was a huge bomb. The creative head of Pixar, Pete Docter reflected on its failure and how they overestimated the audience’s nerd level.
Pixar Head Believes The Studio Went Ahead Of Itself With Lightyear
Lightyear bombed...
Buzz Lightyear and Woody in 1995’s Toy Story | Pixar Animation Studios
There was decent hype around Lightyear as it was a spin-off of the Toy Story franchise centering on the beloved character Buzz Lightyear, who is turned into an actual human and not a toy. Unfortunately, the film didn’t connect with audiences and was a huge bomb. The creative head of Pixar, Pete Docter reflected on its failure and how they overestimated the audience’s nerd level.
Pixar Head Believes The Studio Went Ahead Of Itself With Lightyear
Lightyear bombed...
- 6/12/2024
- by Rahul Thokchom
- FandomWire
Whenever a Sony movie comes in at No. 1, Tom Rothman drives his 1967 Ford Mustang to the Culver City lot and leaves it parked in front of the Thalberg building. But on Monday, there was a hitch after Bad Boys: Ride or Die opened to a victorious $56.5 million at the domestic box office: the red beauty wouldn’t start.
The chairman of Sony Pictures Entertainment’s Motion Picture Group spent more than an hour tinkering and looking under the hood, but he gave up and decided against calling Aaa. What did it really matter when the most important issue at hand — the film — had sped out of the gate much faster than anyone expected despite a terrible early summer for a number of movies and the Will Smith factor of it all (it is the actor’s first major studio film since he slapped Oscar host Chris Rock on live television...
The chairman of Sony Pictures Entertainment’s Motion Picture Group spent more than an hour tinkering and looking under the hood, but he gave up and decided against calling Aaa. What did it really matter when the most important issue at hand — the film — had sped out of the gate much faster than anyone expected despite a terrible early summer for a number of movies and the Will Smith factor of it all (it is the actor’s first major studio film since he slapped Oscar host Chris Rock on live television...
- 6/12/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Pixar boss Pete Docter has dismissed the prospect of the studio doing live-action remakes of their classic animated films.A viral campaign has been launched for a live-action version of Pixar's 2007 film 'Ratatouille' but Docter has no intention of making it a reality.The animator told Time magazine: "No, and this might bite me in the butt for saying it, but it sort of bothers me. I like making movies that are original and unique to themselves. To remake it, it's not very interesting to me personally."The Pixar chief added that making a live-action film about a cooking rat "would be tough" and explained that the animation genre provides more scope for creativity.Referring to the studio's 2009 flick 'Up', Docter said: "So much of what we create only works because of the rules of the (animated) world."So if you have a human walk into a house that floats,...
- 6/12/2024
- by Joe Graber
- Bang Showbiz
Although Pixar’s parent company, Disney, has transformed animated classics into more than 20 (and counting) live-action remakes since the 1990s, Pixar’s chief creative officer Pete Docter will not let the computer animation company follow suit.
In a recent interview with Time, Docter was asked if he’d ever consider developing live-action versions of Pixar’s films after a fan campaign to cast Josh O’Connor in a live-action “Ratatouille” started trending online.
“No, and this might bite me in the butt for saying it, but it sort of bothers me,” Docter told the publication. “I like making movies that are original and unique to themselves. To remake it, it’s not very interesting to me personally.”
Docter added that making a live-action film about a rat “would be tough” because “so much of what we create only works because of the rules of the [animated] world.”
“So if you have a...
In a recent interview with Time, Docter was asked if he’d ever consider developing live-action versions of Pixar’s films after a fan campaign to cast Josh O’Connor in a live-action “Ratatouille” started trending online.
“No, and this might bite me in the butt for saying it, but it sort of bothers me,” Docter told the publication. “I like making movies that are original and unique to themselves. To remake it, it’s not very interesting to me personally.”
Docter added that making a live-action film about a rat “would be tough” because “so much of what we create only works because of the rules of the [animated] world.”
“So if you have a...
- 6/12/2024
- by Michaela Zee
- Variety Film + TV
Pixar boss Pete Docter is firm that the studio won’t follow Disney’s route with live action remakes in the style of The Jungle Book or The Lion King.
For a couple of decades now, one of Disney’s ongoing creative strategies has been to raid its back catalogue of animated features and remake those classics in live action. The strategy paid off handsomely for a long time; remember early successes like 2010’s Alice In Wonderland or 2016’s The Jungle Book? The former grossed over a billion dollars at the global box office, the latter wasn’t far behind either.
In recent years, though, the approach hasn’t been as lucrative as it used to be. You could chalk that up to the declining fortunes of the global box office in general, but the numbers are slowly dwindling and the strategy has come under increasing criticism for being creatively bankrupt.
For a couple of decades now, one of Disney’s ongoing creative strategies has been to raid its back catalogue of animated features and remake those classics in live action. The strategy paid off handsomely for a long time; remember early successes like 2010’s Alice In Wonderland or 2016’s The Jungle Book? The former grossed over a billion dollars at the global box office, the latter wasn’t far behind either.
In recent years, though, the approach hasn’t been as lucrative as it used to be. You could chalk that up to the declining fortunes of the global box office in general, but the numbers are slowly dwindling and the strategy has come under increasing criticism for being creatively bankrupt.
- 6/12/2024
- by Dan Cooper
- Film Stories
Amid a difficult year for cinemas, is it the increasing cost of tickets that’s putting wider audiences off?
It’s a common refrain in positive reviews: ‘go and see this movie on the biggest screen you can find.’ Another variation: ‘It deserves to be seen with an audience.’
There’s truth to these sentiments – movies do have more impact on a big screen with proper surround sound. There’s also the anticipation and sense of occasion. Going to the cinema to watch a movie you’ve been desperate to see for months is an event. It’s exciting.
That excitement might be tempered somewhat, however, by the sheer cost. At a cinema near me, the price of a ticket to see a movie on a regular screen is £12.99. This is at Cineworld, where cardholders get a slight discount, making a ticket £11.69.
Here’s an odd thing, though: if I...
It’s a common refrain in positive reviews: ‘go and see this movie on the biggest screen you can find.’ Another variation: ‘It deserves to be seen with an audience.’
There’s truth to these sentiments – movies do have more impact on a big screen with proper surround sound. There’s also the anticipation and sense of occasion. Going to the cinema to watch a movie you’ve been desperate to see for months is an event. It’s exciting.
That excitement might be tempered somewhat, however, by the sheer cost. At a cinema near me, the price of a ticket to see a movie on a regular screen is £12.99. This is at Cineworld, where cardholders get a slight discount, making a ticket £11.69.
Here’s an odd thing, though: if I...
- 6/12/2024
- by Ryan Lambie
- Film Stories
The upcoming Inside Out 2 is perhaps Pixar’s most anticipated film since the 2020 Covid-19 pandemic. Many of the studio’s films either underperformed at the box office or were released directly to streaming. But now, with the return to the world of living emotions, audiences seem excited for a Pixar movie again.
This new adventure sees our previous cast of emotions outed by a new group of rogue emotions, who appear as Reily enters her teenage phase. It is up to Joy and the rest of the old crew to find a balance between the old and new and make Reily emotionally stable once more.
Now, after months of hyping up the film for audiences, the movie already seems to be drawing big numbers. According to online ticket distributor Fandango, the movie has surpassed the record of advanced ticket sales set by the 2015 original. In fact, the sales for...
This new adventure sees our previous cast of emotions outed by a new group of rogue emotions, who appear as Reily enters her teenage phase. It is up to Joy and the rest of the old crew to find a balance between the old and new and make Reily emotionally stable once more.
Now, after months of hyping up the film for audiences, the movie already seems to be drawing big numbers. According to online ticket distributor Fandango, the movie has surpassed the record of advanced ticket sales set by the 2015 original. In fact, the sales for...
- 6/12/2024
- by Mr. Milo
- Pirates & Princesses
It’s been nearly a decade since the original film came out, so the animation required some updates before Inside Out 2 would be ready to go. For this, Pixar had a team of both new and returning craftspeople working tirelessly to rework the world and introduce a new set of emotions to tell a new story for the sequel.
Inside Out 2 returns to follow Riley Anderson (Kensington Tallman) and her emotional network during her teenage years. As she hits puberty, a crew of new emotions shows up, upsetting the balance Joy (Amy Poehler) has created in Riley’s mind. As the craftspeople were in charge of updating the world of Inside Out, they also had to deal with the introduction of new emotions, including Anxiety (Maya Hawke). Inside Out 2 releases in theaters on June 14, 2024.
Disney/Pixar’s ‘Inside Out 2’
“There’re good and bad things about working on a sequel,...
Inside Out 2 returns to follow Riley Anderson (Kensington Tallman) and her emotional network during her teenage years. As she hits puberty, a crew of new emotions shows up, upsetting the balance Joy (Amy Poehler) has created in Riley’s mind. As the craftspeople were in charge of updating the world of Inside Out, they also had to deal with the introduction of new emotions, including Anxiety (Maya Hawke). Inside Out 2 releases in theaters on June 14, 2024.
Disney/Pixar’s ‘Inside Out 2’
“There’re good and bad things about working on a sequel,...
- 6/12/2024
- by Ryan Fleming
- Deadline Film + TV
Josh O’Connor won’t be playing Alfredo Linguini anytime soon. Pixar chief creative officer Pete Docter said this week that the animation-to-live-action craze “sort of bothers me.”
“This might bite me in the butt for saying it, but it sort of bothers me,” Docter told Time. “I like making movies that are original and unique to themselves. To remake it, it’s not very interesting to me personally.”
Docter’s comments came in response to a question about whether he’d seen the trend online campaigning for Josh O’Connor — who has long spoken about his love for Pixar’s 2007 hit Ratatouille — to play a live-action protagonist Alfredo Linguini.
Docter said the casting probably couldn’t happen — plus, it might be difficult to make a “live-action rat cute,” he said.
The latter issue spans across most of Pixar’s canon. “So much of what we create only works because of the rules of the [animated] world,...
“This might bite me in the butt for saying it, but it sort of bothers me,” Docter told Time. “I like making movies that are original and unique to themselves. To remake it, it’s not very interesting to me personally.”
Docter’s comments came in response to a question about whether he’d seen the trend online campaigning for Josh O’Connor — who has long spoken about his love for Pixar’s 2007 hit Ratatouille — to play a live-action protagonist Alfredo Linguini.
Docter said the casting probably couldn’t happen — plus, it might be difficult to make a “live-action rat cute,” he said.
The latter issue spans across most of Pixar’s canon. “So much of what we create only works because of the rules of the [animated] world,...
- 6/11/2024
- by Zoe G. Phillips
- The Hollywood Reporter - Movie News
On Wednesday, June 12, The View welcomes actress and comedian Ayo Edebiri and actor, director, and writer Andrew McCarthy to the table. Ayo Edebiri, known for her roles in “The Bear” and “Big Mouth,” joins the show to discuss her upcoming role as Envy in the Pixar film “Inside Out 2.” Edebiri has received numerous […]
The View: Ayo Edebiri, Andrew McCarthy...
The View: Ayo Edebiri, Andrew McCarthy...
- 6/11/2024
- by Riley Avery
- MemorableTV
On Wednesday, June 12, Good Morning America welcomes actor Tony Hale and ABC’s e-commerce editor Tory Johnson as guests. Tony Hale, known for his roles in “Arrested Development” and “Toy Story 4,” joins the show to discuss his latest role in the highly anticipated Pixar film “Inside Out 2.” Hale takes on the role of […]
Good Morning America: Tony Hale, Tory Johnson...
Good Morning America: Tony Hale, Tory Johnson...
- 6/11/2024
- by Riley Avery
- MemorableTV
Ahead of the arrival of Inside Out 2 in theaters Friday, June 14, the cast of the long-awaited animated sequel film as well as those behind the camera and more celebrities showed out to support at the movie’s world premiere. Many of the voice cast including Amy Poehler (Joy), Ayo Edebiri (Envy), Maya Hawke (Anxiety), Lewis Black (Anger), Tony Hale (Fear), Kyle McLachlan (Riley’s Dad), Kensington Tallman (Riley) and more as well as Pixar CEO Pete Docter, director Kelsey Mann and writers Meg LeFauve and Dave Holstein walked the purple carpet.
Poehler, Black and Phyllis Smith — who was absent from the carpet — return to voice their respective emotions Joy, Anger and Sadness while Liza Lapira and Tony Hale took over the roles of Disgust and Fear from Mindy Kaling and Bill Hader, respectively. Paul Walter Hauser and Adèle Exarchopoulos voice new emotions Embarrassment and Ennui. Grace Lu and Sumayyah Nuriddin-Green...
Poehler, Black and Phyllis Smith — who was absent from the carpet — return to voice their respective emotions Joy, Anger and Sadness while Liza Lapira and Tony Hale took over the roles of Disgust and Fear from Mindy Kaling and Bill Hader, respectively. Paul Walter Hauser and Adèle Exarchopoulos voice new emotions Embarrassment and Ennui. Grace Lu and Sumayyah Nuriddin-Green...
- 6/11/2024
- by Dessi Gomez
- Deadline Film + TV
Pete Docter, Chief Creative Officer at Pixar Animation Studios, is shooting down the idea of remaking classics into live-action features.
In a new interview, the filmmaker discussed how crucial the success of Inside Out 2 is to the future of the animation studio.
“If [Inside Out 2] doesn’t do well at the theater, I think it just means we’re going to have to think even more radically about how we run our business,” Docter said in an interview with Time.
Docter was asked about a viral fan campaign to make Ratatouille into a live-action film, something he doesn’t even want to consider.
“No, and this might bite me in the butt for saying it, but it sort of bothers me,” he told the publication. “I like making movies that are original and unique to themselves. To remake it, it’s not very interesting to me personally.”
Docter said...
In a new interview, the filmmaker discussed how crucial the success of Inside Out 2 is to the future of the animation studio.
“If [Inside Out 2] doesn’t do well at the theater, I think it just means we’re going to have to think even more radically about how we run our business,” Docter said in an interview with Time.
Docter was asked about a viral fan campaign to make Ratatouille into a live-action film, something he doesn’t even want to consider.
“No, and this might bite me in the butt for saying it, but it sort of bothers me,” he told the publication. “I like making movies that are original and unique to themselves. To remake it, it’s not very interesting to me personally.”
Docter said...
- 6/11/2024
- by Armando Tinoco
- Deadline Film + TV
“Bad Boys: Ride or Die” (Sony) had an exceptional first Monday gross of $6,250,000. That result, combined with multiple positive other elements, suggests that it will ultimately be the biggest domestic grosser among early summer (May through two weeks of June) openers.
Currently, “Kingdom of the Planet of the Apes” (Disney) leads among an overall disappointing set of releases with $150 million ($5.4 million last weekend). That projects to around a $170 million ultimate domestic result.
“Ride or Die” opened with $56.5 million, $1.9 million less than “Apes.” But with Monday’s total it is now less than $200,000 behind, and should be easily ahead of it for the full week.
Predicting that “Bad Boys” exceeds $170 million, perhaps getting closer to $200 million, is based on several factors playing in its favor. Let’s start with the trajectory of its results so far.
Recently unreliable tracking estimated a $45 million-$50 million opening. After Thursday’s previews, industry consensus was $53 million.
Currently, “Kingdom of the Planet of the Apes” (Disney) leads among an overall disappointing set of releases with $150 million ($5.4 million last weekend). That projects to around a $170 million ultimate domestic result.
“Ride or Die” opened with $56.5 million, $1.9 million less than “Apes.” But with Monday’s total it is now less than $200,000 behind, and should be easily ahead of it for the full week.
Predicting that “Bad Boys” exceeds $170 million, perhaps getting closer to $200 million, is based on several factors playing in its favor. Let’s start with the trajectory of its results so far.
Recently unreliable tracking estimated a $45 million-$50 million opening. After Thursday’s previews, industry consensus was $53 million.
- 6/11/2024
- by Tom Brueggemann
- Indiewire
After the overperformance of Sony’s Bad Boys: Ride or Die, summer’s big wheels keep on turnin’ as Disney/Pixar’s Inside Out 2 is looking at what could be the biggest stateside opening of the year to date with $85M, and another $50M abroad for a $135M global launch.
Legendary/Warner Bros’ Dune: Part Two owns the biggest domestic opening of 2024 so far with $82.5M, while both studios’ Godzilla x Kong: The New Empire counts the year’s largest global launch for a Hollywood movie at $194M.
Inside Out 2 also will rep the biggest post-Covid opening for a Disney animated movie, with many of its films lacking the wattage of pre-pandemic times. Disney/Pixar’s Lightyear became its best post-Covid domestic opening at $50M — and that was considered to be a total misfire for the Toy Story franchise.
Related: ‘Inside Out 2’ Filmmakers Kelsey Mann & Mark Nielsen...
Legendary/Warner Bros’ Dune: Part Two owns the biggest domestic opening of 2024 so far with $82.5M, while both studios’ Godzilla x Kong: The New Empire counts the year’s largest global launch for a Hollywood movie at $194M.
Inside Out 2 also will rep the biggest post-Covid opening for a Disney animated movie, with many of its films lacking the wattage of pre-pandemic times. Disney/Pixar’s Lightyear became its best post-Covid domestic opening at $50M — and that was considered to be a total misfire for the Toy Story franchise.
Related: ‘Inside Out 2’ Filmmakers Kelsey Mann & Mark Nielsen...
- 6/11/2024
- by Anthony D'Alessandro and Nancy Tartaglione
- Deadline Film + TV
“Inside Out 2” should evoke an emotion that Pixar hasn’t felt about the box office in years: Joy.
The follow-up film to 2015’s cerebral hit “Inside Out” is estimated to score a stellar $80 million to $90 million in its box office debut. If projections hold, it’ll overtake “Dune: Part Two” ($82.5 million) and “Godzilla x Kong: The New Empire” ($80 million) as the biggest opening of the year.
As this weekend’s only new nationwide release, it’ll have no trouble taking the box office crown from the prior champion, “Bad Boys: Ride or Die.” The fourth installment in Sony’s buddy-cop comedy, starring Will Smith and Martin Lawrence, launched over the weekend with $56.5 million and should add roughly $28 million in its sophomore outing.
“Inside Out 2” also looks to snap Pixar’s recent cold streak following last summer’s “Elemental” (which scored the worst start in Pixar’s modern history...
The follow-up film to 2015’s cerebral hit “Inside Out” is estimated to score a stellar $80 million to $90 million in its box office debut. If projections hold, it’ll overtake “Dune: Part Two” ($82.5 million) and “Godzilla x Kong: The New Empire” ($80 million) as the biggest opening of the year.
As this weekend’s only new nationwide release, it’ll have no trouble taking the box office crown from the prior champion, “Bad Boys: Ride or Die.” The fourth installment in Sony’s buddy-cop comedy, starring Will Smith and Martin Lawrence, launched over the weekend with $56.5 million and should add roughly $28 million in its sophomore outing.
“Inside Out 2” also looks to snap Pixar’s recent cold streak following last summer’s “Elemental” (which scored the worst start in Pixar’s modern history...
- 6/11/2024
- by Rebecca Rubin
- Variety Film + TV
Stan Lee Once Gave His Seal Of Approval To Marvel For Getting Robert Downey Jr As Iron Man(Photo Credit – Instagram)
Stan Lee was an American comic book writer who is best known for his work with the Marvel comics, along with Jack Kirby and Steve Ditko. The Marvel Cinematic Universe of the Marvel Studios is based on the superheroes created by Lee and others, including Iron Man. Robert Downey Jr plays the character in the MCU, and his Iron Man laid the foundation of the cinematic universe. Rdj is widely appreciated and loved for playing the genius, playboy, philanthropist Avenger; even Lee gave a shoutout to the casting agents for roping Downey in for the role, and his feelings were similar about Chris Evans as Captain America and Chris Hemsworth as Thor’s casting.
Lee, Kirby, and Ditko created the X-Men, Spider-Man, Ant-Man, Hulk, Doctor Strange, and more Marvel characters.
Stan Lee was an American comic book writer who is best known for his work with the Marvel comics, along with Jack Kirby and Steve Ditko. The Marvel Cinematic Universe of the Marvel Studios is based on the superheroes created by Lee and others, including Iron Man. Robert Downey Jr plays the character in the MCU, and his Iron Man laid the foundation of the cinematic universe. Rdj is widely appreciated and loved for playing the genius, playboy, philanthropist Avenger; even Lee gave a shoutout to the casting agents for roping Downey in for the role, and his feelings were similar about Chris Evans as Captain America and Chris Hemsworth as Thor’s casting.
Lee, Kirby, and Ditko created the X-Men, Spider-Man, Ant-Man, Hulk, Doctor Strange, and more Marvel characters.
- 6/11/2024
- by Esita Mallik
- KoiMoi
Pixar’s latest emotional rollercoaster, Inside Out 2, is set to hit theaters on June 14, offering viewers an extended cinematic experience. Directed by Kelsey Mann, who previously worked on Onward and Lightyear, the film aims to continue the success of its predecessor. During a recent interview, Mann shared his excitement about the project: When somebody asked ‘Are you intimidated by following the footsteps?’ I’m more excited than anything because the first film, when I went home to think about whether I should say yes to this opportunity or not, I looked at the first movie and I’m like, ‘Man, it’s...
- 6/11/2024
- by Steve Delikson
- TVovermind.com
Nine years after exploring the emotions of 11-year-old Riley, Inside Out 2 made its debut in Los Angeles on Monday, rolling out a whole new range of feelings as Riley becomes a teenager.
Joy, Sadness, Fear, Anger and Disgust from the original film are still in the mix, but now are joined by Anxiety, Envy, Ennui and Embarrassment. While some changes have been made to the voice cast — Liza Lapira replaces Mindy Kaling as Disgust and Tony Hale replaces Bill Hader as Fear — Amy Poehler returns as Joy, still the star emotion for a 13-year-old Riley.
Of coming back to the Inside Out world almost a decade later, Poehler told The Hollywood Reporter on the red carpet that, “It’s actually given me an incredible gift, to be in a film like this means a lot. It’s very hard to be in something that is really good, that means...
Joy, Sadness, Fear, Anger and Disgust from the original film are still in the mix, but now are joined by Anxiety, Envy, Ennui and Embarrassment. While some changes have been made to the voice cast — Liza Lapira replaces Mindy Kaling as Disgust and Tony Hale replaces Bill Hader as Fear — Amy Poehler returns as Joy, still the star emotion for a 13-year-old Riley.
Of coming back to the Inside Out world almost a decade later, Poehler told The Hollywood Reporter on the red carpet that, “It’s actually given me an incredible gift, to be in a film like this means a lot. It’s very hard to be in something that is really good, that means...
- 6/11/2024
- by Kirsten Chuba
- The Hollywood Reporter - Movie News
First reactions to Pixar’s Inside Out 2 are here and critics are already projecting mixed feelings toward the sequel. The 2015 film emerged as a box office success accompanied by high praise for its unique and heartfelt storytelling.
Pixar’s Inside Out 2 / Walt Disney Studios
The second movie is yet to arrive in theaters, but fans are already managing their expectations after the streak of flopped movies released by Pixar over the past few years. The studio hasn’t produced a hit since 2019’s Toy Story 4, which earned over a billion dollars worldwide.
Inside Out 2 Still Hits The Spot But May Not Be A Massive Win For Pixar
An early review from industry insider Brandon Davis revealed Pixar’s Inside Out 2 is as entertaining as the first one, but it somehow lacked the elements that made the 2015 film one of a kind.
Inside Out 2 is quite fantastic.
Pixar’s Inside Out 2 / Walt Disney Studios
The second movie is yet to arrive in theaters, but fans are already managing their expectations after the streak of flopped movies released by Pixar over the past few years. The studio hasn’t produced a hit since 2019’s Toy Story 4, which earned over a billion dollars worldwide.
Inside Out 2 Still Hits The Spot But May Not Be A Massive Win For Pixar
An early review from industry insider Brandon Davis revealed Pixar’s Inside Out 2 is as entertaining as the first one, but it somehow lacked the elements that made the 2015 film one of a kind.
Inside Out 2 is quite fantastic.
- 6/11/2024
- by Ariane Cruz
- FandomWire
Hits from the weekend
Streaming movies and shows made up the majority of the top five titles this past weekend, based on traffic to their IMDb pages. That’s thanks to a trio of Netflix titles and the new Star Wars series, “The Acolyte.” In theaters, Will Smith and Martin Lawrence’s fourth installment in the Bad Boys franchise delivered Hollywood a much-needed box office win, while ‘The Watchers’—the mystery-horror film starring Dakota Fanning—drew enough interest to land in the top 10.
By the time ‘Hit Man’ dropped on Netflix, movie fans were probably well aware of who Glen Powell was, but the popularity of the comedic action film brought more IMDb users’ attention to co-star Adria Arjona and director Richard Linklater. If Arjona looked familiar to viewers, it’s likely from several supporting roles in other streaming hits like “Good Omens,” “Andor,” and ‘6 Underground’ with Ryan Reynolds.
It’s not often that directors crack the top five (or even top 10) names on IMDb, but viewers were clearly interested to know more about Richard Linklater, the versatile and irreverent director of indie films like ‘Slacker’ and ‘Dazed and Confused,’ who also found mainstream recognition with ‘School of Rock.’
Also big on Netflix were the French killer shark movie ‘Under Paris’ and the Benedict Cumberbatch miniseries “Eric,” which released all six episodes two weeks ago. Elsewhere in streaming, “The Acolyte” has had no trouble finding its audience on Disney+. According to Disney, the show drew 4.8 million viewers on its first day, making it the streamer’s biggest hit of 2024 to date. Amandla Stenberg and Dafne Keen were in the top five names on IMDb, and both will likely remain popular through the show’s first season, which ends on July 16.
What’s in store for the coming week?
Expect next weekend to be all about “The Boys,” the raunchy comic book adaptation from showrunner Eric Kripke. The first three episodes of Season 4 arrive Thursday (6/13) on Prime Video, with new episodes dropping weekly. Returning cast members Karl Urban, Antony Starr, and Erin Moriarty will likely climb IMDb’s STARmeter, but a few new supes on the scene could put some breakouts in the spotlight, such as Valorie Curry (playing Firecracker) or Susan Heyward (as Sister Sage).
In theaters, Disney and Pixar’s animated ‘Inside Out 2’ is a shoo-in to win next weekend’s box office, though it may not have the same interest on IMDb as the streaming releases. The original voice cast of emotions are returning, but it’s more likely one of the newcomers will spike in popularity, like Maya Hawke (“Stranger Things”) as Anxiety, Ayo Edibiri (“The Bear”) as Envy, or Paul Walter Houser (‘I, Tonya,’ ‘Richard Jewell’) as Embarrassment.
Streaming movies and shows made up the majority of the top five titles this past weekend, based on traffic to their IMDb pages. That’s thanks to a trio of Netflix titles and the new Star Wars series, “The Acolyte.” In theaters, Will Smith and Martin Lawrence’s fourth installment in the Bad Boys franchise delivered Hollywood a much-needed box office win, while ‘The Watchers’—the mystery-horror film starring Dakota Fanning—drew enough interest to land in the top 10.
By the time ‘Hit Man’ dropped on Netflix, movie fans were probably well aware of who Glen Powell was, but the popularity of the comedic action film brought more IMDb users’ attention to co-star Adria Arjona and director Richard Linklater. If Arjona looked familiar to viewers, it’s likely from several supporting roles in other streaming hits like “Good Omens,” “Andor,” and ‘6 Underground’ with Ryan Reynolds.
It’s not often that directors crack the top five (or even top 10) names on IMDb, but viewers were clearly interested to know more about Richard Linklater, the versatile and irreverent director of indie films like ‘Slacker’ and ‘Dazed and Confused,’ who also found mainstream recognition with ‘School of Rock.’
Also big on Netflix were the French killer shark movie ‘Under Paris’ and the Benedict Cumberbatch miniseries “Eric,” which released all six episodes two weeks ago. Elsewhere in streaming, “The Acolyte” has had no trouble finding its audience on Disney+. According to Disney, the show drew 4.8 million viewers on its first day, making it the streamer’s biggest hit of 2024 to date. Amandla Stenberg and Dafne Keen were in the top five names on IMDb, and both will likely remain popular through the show’s first season, which ends on July 16.
What’s in store for the coming week?
Expect next weekend to be all about “The Boys,” the raunchy comic book adaptation from showrunner Eric Kripke. The first three episodes of Season 4 arrive Thursday (6/13) on Prime Video, with new episodes dropping weekly. Returning cast members Karl Urban, Antony Starr, and Erin Moriarty will likely climb IMDb’s STARmeter, but a few new supes on the scene could put some breakouts in the spotlight, such as Valorie Curry (playing Firecracker) or Susan Heyward (as Sister Sage).
In theaters, Disney and Pixar’s animated ‘Inside Out 2’ is a shoo-in to win next weekend’s box office, though it may not have the same interest on IMDb as the streaming releases. The original voice cast of emotions are returning, but it’s more likely one of the newcomers will spike in popularity, like Maya Hawke (“Stranger Things”) as Anxiety, Ayo Edibiri (“The Bear”) as Envy, or Paul Walter Houser (‘I, Tonya,’ ‘Richard Jewell’) as Embarrassment.
- 6/11/2024
- by IMDb Editors
- IMDb News
It's been a difficult few years for Pixar. During the pandemic, former Disney CEO Bob Chapek decided to drop movies like Soul, Luca, and Turning Red on Disney+, creating the impression that its films were only fit for streaming before Lightyear underperformed at the box office.
Last year, Elemental was quickly written off as a "flop" before proving it had legs (ultimately grossing shy of $500 million), so the pressure is on this weekend's Inside Out 2 to deliver and prove there's still plenty of life left in the studio beyond Toy Story.
Following the sequel's premiere yesterday evening, the first social media reactions are in and they're overwhelmingly positive. As you'll see below, it sounds just as good - if not better - than its 2015 predecessor.
These come just days after Fandango revealed that Inside Out 2 has surpassed the first movie's advance ticket sales, becoming the highest ticket pre-seller...
Last year, Elemental was quickly written off as a "flop" before proving it had legs (ultimately grossing shy of $500 million), so the pressure is on this weekend's Inside Out 2 to deliver and prove there's still plenty of life left in the studio beyond Toy Story.
Following the sequel's premiere yesterday evening, the first social media reactions are in and they're overwhelmingly positive. As you'll see below, it sounds just as good - if not better - than its 2015 predecessor.
These come just days after Fandango revealed that Inside Out 2 has surpassed the first movie's advance ticket sales, becoming the highest ticket pre-seller...
- 6/11/2024
- ComicBookMovie.com
Sony’s “Bad Boys: Ride or Die” debuted atop the U.K. and Ireland box office with £3.8 million ($4.9 million), according to numbers from Comscore.
In second place, in its fourth weekend, Paramount’s “If” collected £866,474 for a running total of £10.8 million. In third position, in its third weekend, Sony’s “The Garfield Movie” earned £729,503 for a total of £7.3 million.
In fourth place, in its fifth weekend, Disney’s “Kingdom of the Planet of the Apes” added a further £620,911 for a total of £14.3 million. Rounding off the top five was Warner Bros.’ “Furiosa,” which collected £436,983 in its third weekend for a total of £5.5 million.
There were two more debuts in the Top 10. Warner Bros.’ “The Watched” bowed in sixth place with £387,339 and Signature Entertainment’s “The Dead Don’t Hurt” in eighth with £95,827.
There are a welter of releases the upcoming weekend, the widest of which is Disney’s animation sequel “Inside Out 2.
In second place, in its fourth weekend, Paramount’s “If” collected £866,474 for a running total of £10.8 million. In third position, in its third weekend, Sony’s “The Garfield Movie” earned £729,503 for a total of £7.3 million.
In fourth place, in its fifth weekend, Disney’s “Kingdom of the Planet of the Apes” added a further £620,911 for a total of £14.3 million. Rounding off the top five was Warner Bros.’ “Furiosa,” which collected £436,983 in its third weekend for a total of £5.5 million.
There were two more debuts in the Top 10. Warner Bros.’ “The Watched” bowed in sixth place with £387,339 and Signature Entertainment’s “The Dead Don’t Hurt” in eighth with £95,827.
There are a welter of releases the upcoming weekend, the widest of which is Disney’s animation sequel “Inside Out 2.
- 6/11/2024
- by Naman Ramachandran
- Variety Film + TV
Inside Out 2 Early Reviews: Pixar’s Much-Awaited Sequel Including Maya Hawke Gets Praised By The Critics. (Photo Credit – Instagram)
Pixar’s Inside Out 2 is still a week away from hitting the screen. The critics have given their opinion of the sequel. Amy Poehler, Lewis Black, and others return after almost a decade to entertain the audience again. The hopes for this film are high even at the box office, as exhibitors reportedly predict that the film might even beat Dune 2’s $82.5 million debut weekend.
The first film, directed by Pete Docter, was released in 2015, and Kelsey Mann directed the sequel. The voice cast includes Amy as Joy, Phyllis Smith as Sadness, Lewis Black as Anger, Tony Hale as Fear, and Maya Hawke as Anxiety. It premiered at the El Capitan Theatre in LA.
According to the film’s synopsis, “Inside Out 2 returns to the mind of...
Pixar’s Inside Out 2 is still a week away from hitting the screen. The critics have given their opinion of the sequel. Amy Poehler, Lewis Black, and others return after almost a decade to entertain the audience again. The hopes for this film are high even at the box office, as exhibitors reportedly predict that the film might even beat Dune 2’s $82.5 million debut weekend.
The first film, directed by Pete Docter, was released in 2015, and Kelsey Mann directed the sequel. The voice cast includes Amy as Joy, Phyllis Smith as Sadness, Lewis Black as Anger, Tony Hale as Fear, and Maya Hawke as Anxiety. It premiered at the El Capitan Theatre in LA.
According to the film’s synopsis, “Inside Out 2 returns to the mind of...
- 6/11/2024
- by Esita Mallik
- KoiMoi
The sequel to the Oscar-winning 2015 film Inside Out 2 is coming to theaters on June 14, 2024, which is just a few days from now. The first film became a beloved hit, and although it took Disney some time, the sequel is very close to its premiere, and fans are eagerly awaiting to see the new story with a larger plethora of emotions. Some of the critics have been lucky enough to see a preview screening of the movie, which means that we also have the first reactions to the movie, and from what we can deduce – the sequel promises to be a major hit.
The upcoming sequel will see Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan reprising their roles from the first movie, with Tony Hale, Liza Lapira, Maya Hawke, Ayo Edebiri, Adèle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman joining the cast. Kelsey Mann is taking...
The upcoming sequel will see Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan reprising their roles from the first movie, with Tony Hale, Liza Lapira, Maya Hawke, Ayo Edebiri, Adèle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman joining the cast. Kelsey Mann is taking...
- 6/11/2024
- by Arthur S. Poe
- Fiction Horizon
In der Kulturbrauerei in Berlin feierte gestern der jüngste Pixar-Film „Alles steht Kopf 2“ seine Deutschlandpremiere, den Disney am kommenden Donnerstag startet.
Bei der Deutschlandpremiere von „Alles steht Kopf 2“: die Younes Zarou, Dr. Leon Windscheid, Tahnee und Hans-Joachim Heist (v.l.n.r.) (Credit: Hanna Boussouar/Disney•Pixar2024)
Wenige Tage vor seinem Kinostart am kommenden Donnerstag feierte der jüngste Pixar-Film „Alles steht Kopf 2“ gestern Abend in der Berliner Kulturbrauerei seine Deutschlandpremiere.
Vor rund 700 Gäste konnte Moderatorin Aylin Kazi u.a. die deutschen Synchronstimmen Tahnee, Hans-Joachim Heist, Dr. Leon Windscheid und Younes Zarou begrüßen. Zu weiteren Gästen zählten Lars Eidinger, Michi Beck, Jasna Fritzi Bauer, Katharina Zorn, Lucas Gregorowicz, Anna Maria Mühe, Daniel Boschmann, Toni Dreher, Lisa Maria Potthoff, Simone Hanselmann, Paula Schramm, Marie Mouroum, Tupoka Ogette, Christian Schwochow, Zetphan Smith-Gneist, Katharina Stark, Katja von Garnier, Rebecca Wilson-Kamm, Paul Fischer, Henriette Richter-Röhl, Corinna Meins, Elias Raul und Esra,...
Bei der Deutschlandpremiere von „Alles steht Kopf 2“: die Younes Zarou, Dr. Leon Windscheid, Tahnee und Hans-Joachim Heist (v.l.n.r.) (Credit: Hanna Boussouar/Disney•Pixar2024)
Wenige Tage vor seinem Kinostart am kommenden Donnerstag feierte der jüngste Pixar-Film „Alles steht Kopf 2“ gestern Abend in der Berliner Kulturbrauerei seine Deutschlandpremiere.
Vor rund 700 Gäste konnte Moderatorin Aylin Kazi u.a. die deutschen Synchronstimmen Tahnee, Hans-Joachim Heist, Dr. Leon Windscheid und Younes Zarou begrüßen. Zu weiteren Gästen zählten Lars Eidinger, Michi Beck, Jasna Fritzi Bauer, Katharina Zorn, Lucas Gregorowicz, Anna Maria Mühe, Daniel Boschmann, Toni Dreher, Lisa Maria Potthoff, Simone Hanselmann, Paula Schramm, Marie Mouroum, Tupoka Ogette, Christian Schwochow, Zetphan Smith-Gneist, Katharina Stark, Katja von Garnier, Rebecca Wilson-Kamm, Paul Fischer, Henriette Richter-Röhl, Corinna Meins, Elias Raul und Esra,...
- 6/11/2024
- by Jochen Müller
- Spot - Media & Film
Pixar’s 2016 Oscar winner “Inside Out” had a dazzling look from the glow of emotions such as Amy Poehler’s Joy to the colorful Islands of Personality to the darkness of the Memory Dump or bleakness of Abstract Thought. Now, as the studio prepares for the June 14 release of “Inside Out 2,” Disney/Pixar is rendering a version of the movie in high dynamic range—providing the filmmakers expanded contrast and luminance in telling the story, which revisits the world inside “Headquarters.”
This version will play in a limited number of cinemas worldwide that are equipped with certified Hdr-capable direct view displays, meaning cinema auditoriums with LED displays rather than traditional theatrical projection systems.
“We’re very excited in general about the future of cinema, as it relates to opportunities for storytelling,” Pixar’s senior scientist Dominic Glynn says, explaining that Pixar is exploring the potential of all types of cinema systems,...
This version will play in a limited number of cinemas worldwide that are equipped with certified Hdr-capable direct view displays, meaning cinema auditoriums with LED displays rather than traditional theatrical projection systems.
“We’re very excited in general about the future of cinema, as it relates to opportunities for storytelling,” Pixar’s senior scientist Dominic Glynn says, explaining that Pixar is exploring the potential of all types of cinema systems,...
- 6/11/2024
- by Carolyn Giardina
- Variety Film + TV
He might voice a cop in the latest Disney-Pixar movie, but Flea is still a rebel at heart.
The Red Hot Chili Peppers rocker appeared to forget where he was for a moment as he posed with both middle fingers in the air on the purple carpet of Monday’s Inside Out 2 world premiere in Los Angeles.
It all appeared to be in good fun as he also busted out some dance moves for the cameras. Deadline has reached out to Flea’s reps for comment.
Despite the unexpected rockstar vibes, the event at Hollywood’s El Capitan Theatre drew plenty of families, including Ashlee Simpson, husband Evan Ross, and their brood.
Flea reprises his voice role as Mind Cop Worker Jake from the original 2015 film, which takes place inside a young girl’s mind, following the personifications of her changing emotions.
Flea gives the finger at the world...
The Red Hot Chili Peppers rocker appeared to forget where he was for a moment as he posed with both middle fingers in the air on the purple carpet of Monday’s Inside Out 2 world premiere in Los Angeles.
It all appeared to be in good fun as he also busted out some dance moves for the cameras. Deadline has reached out to Flea’s reps for comment.
Despite the unexpected rockstar vibes, the event at Hollywood’s El Capitan Theatre drew plenty of families, including Ashlee Simpson, husband Evan Ross, and their brood.
Flea reprises his voice role as Mind Cop Worker Jake from the original 2015 film, which takes place inside a young girl’s mind, following the personifications of her changing emotions.
Flea gives the finger at the world...
- 6/11/2024
- by Glenn Garner
- Deadline Film + TV
After emerging from bankruptcy in the U.S. last summer, Regal parent Cineworld is exploring options for its UK business that could include a potential sale or restructuring, Sky News reported over the weekend.
According to the report, the world’s second largest cinema operator has enlisted AlixPartners, which helped its lenders navigate bankruptcy, as consultant and contacted prospective bidders in recent days. City sources told Sky News that the sale process was expected to run for several weeks.
Cineworld is also expected to explore the option of a company voluntary arrangement — a further step in its restructuring process — which could put an unspecified number of its UK cinemas at risk of closure.
A spokesperson for Cineworld provided the following statement to Deadline: “Like many businesses, we are continually reviewing our UK operations.”
Cineworld filed for bankruptcy in the U.S. in 2022, flattened by Covid and debt. It exited last August.
According to the report, the world’s second largest cinema operator has enlisted AlixPartners, which helped its lenders navigate bankruptcy, as consultant and contacted prospective bidders in recent days. City sources told Sky News that the sale process was expected to run for several weeks.
Cineworld is also expected to explore the option of a company voluntary arrangement — a further step in its restructuring process — which could put an unspecified number of its UK cinemas at risk of closure.
A spokesperson for Cineworld provided the following statement to Deadline: “Like many businesses, we are continually reviewing our UK operations.”
Cineworld filed for bankruptcy in the U.S. in 2022, flattened by Covid and debt. It exited last August.
- 6/10/2024
- by Nancy Tartaglione
- Deadline Film + TV
With Inside Out 2 hitting theaters soon, I figured that now would be as good a time as any to look back at the 2015 original nearly a decade later. When Inside Out first released, Pixar was in arguably the studio’s first slump period. After 15 years of universal acclaim and box office dominance from 1995’s Toy Story to 2010’s Toy Story 3, the studio put out the critically reviled Cars 2 and the middlingly received Brave and Monsters University all in a row.
All three films still made money and Brave even took home the Best Animated Feature Oscar that year, but it nevertheless felt like Pixar had lost some of that original spark. But then came Inside Out; a completely original story from Pixar veteran Pete Docter, who had previously helmed Monsters Inc. and Up that took the studio’s “What if x had feelings?” formula to its logical...
All three films still made money and Brave even took home the Best Animated Feature Oscar that year, but it nevertheless felt like Pixar had lost some of that original spark. But then came Inside Out; a completely original story from Pixar veteran Pete Docter, who had previously helmed Monsters Inc. and Up that took the studio’s “What if x had feelings?” formula to its logical...
- 6/10/2024
- by Callie Hanna
- FandomWire
‘Bad Boys: Ride or Die’ Delivers a Welcome $56 Millon Haul; ‘The Watchers’ Stumbles in First Weekend
The domestic box office finally changed course after a slow start to the summer release season, as ‘Bad Boys: Ride or Die’ won the weekend with a successful $56 million opening. This is the best R-rated opening in theaters since last year's 'Oppenheimer.' It’s also Will Smith’s sixth-highest domestic opening and the first notable major summer title that over-performed against tracking numbers.
The fourth film in Smith and Martin Lawrence's action franchise was projected to do well, but Hollywood had reasons to temper that optimism. For starters, this was Smith’s first major release after the infamous Oscars slap in 2022, and it wasn’t clear if the fallout would have a lasting impact on his box office marketability. And while the previous installment, ‘Bad Boys for Life,’ was the biggest hit of 2020 with $427 million worldwide, it was also the last hit of 2020 when the global pandemic brought the industry to a screeching halt.
The thriller ‘The Watchers,’ the directorial debut of Ishana Shyamalan, opened in fourth place to just $7 million, a disappointing debut for a genre film supported by a bankable star in Dakota Fanning and a first-time director with built-in name recognition as the daughter of supernatural hit-maker M. Night Shyamalan.
Chris Pratt’s animated comedy ‘The Garfield Movie’ held in second place in its third week, earning $10 million for a $192 million worldwide total, while another family film—John Krasinski's animated/live-action film ‘IF’—also held its appeal with $8 million in its fourth weekend for a $160 million total worldwide.
It was another rough weekend for ‘Furiosa: A Mad Max Saga,’ as it dropped to sixth place behind ‘Kingdom of the Planet of the Apes.’ The 'Mad Max: Fury Road' prequel took in a $4.25 million, a 60% drop from last week, while 'Apes' continued to draw audiences with $5.4 million.
In the top 10 were also re-releases of two The Lord of the Rings movies, ‘The Fellowship of the Ring’ ($2.44 million) and ‘The Two Towers’ ($1.91 million), which played on 1,529 screens each, capitalizing on audience nostalgia.
Next weekend, all eyes turn to Disney and Pixar to deliver with the release of animated sequel ‘Inside Out 2.’ Hollywood could use another bright spot this summer, and there isn’t another big hit expected until July, with the release of ‘Despicable Me 4’ and ‘Deadpool & Wolverine.’
See all the weekend box office results at Box Office Mojo...
The fourth film in Smith and Martin Lawrence's action franchise was projected to do well, but Hollywood had reasons to temper that optimism. For starters, this was Smith’s first major release after the infamous Oscars slap in 2022, and it wasn’t clear if the fallout would have a lasting impact on his box office marketability. And while the previous installment, ‘Bad Boys for Life,’ was the biggest hit of 2020 with $427 million worldwide, it was also the last hit of 2020 when the global pandemic brought the industry to a screeching halt.
The thriller ‘The Watchers,’ the directorial debut of Ishana Shyamalan, opened in fourth place to just $7 million, a disappointing debut for a genre film supported by a bankable star in Dakota Fanning and a first-time director with built-in name recognition as the daughter of supernatural hit-maker M. Night Shyamalan.
Chris Pratt’s animated comedy ‘The Garfield Movie’ held in second place in its third week, earning $10 million for a $192 million worldwide total, while another family film—John Krasinski's animated/live-action film ‘IF’—also held its appeal with $8 million in its fourth weekend for a $160 million total worldwide.
It was another rough weekend for ‘Furiosa: A Mad Max Saga,’ as it dropped to sixth place behind ‘Kingdom of the Planet of the Apes.’ The 'Mad Max: Fury Road' prequel took in a $4.25 million, a 60% drop from last week, while 'Apes' continued to draw audiences with $5.4 million.
In the top 10 were also re-releases of two The Lord of the Rings movies, ‘The Fellowship of the Ring’ ($2.44 million) and ‘The Two Towers’ ($1.91 million), which played on 1,529 screens each, capitalizing on audience nostalgia.
Next weekend, all eyes turn to Disney and Pixar to deliver with the release of animated sequel ‘Inside Out 2.’ Hollywood could use another bright spot this summer, and there isn’t another big hit expected until July, with the release of ‘Despicable Me 4’ and ‘Deadpool & Wolverine.’
See all the weekend box office results at Box Office Mojo...
- 6/10/2024
- by IMDb Editors
- IMDb News
Good news for those Bad Boys: audiences are still ride or die for the exploits of Mike and Marcus. That’s reflected in the opening weekend box office figures for the buddy-action franchise’s fourth instalment, Bad Boys: Ride Or Die, which saw Will Smith and Martin Lawrence draw in an impressive haul – earning over $100 million worldwide. In a stuttering summer, with major movies like Furiosa and The Fall Guy underperforming, that’s a significant success; particularly considering Bad Boys doesn’t sit on the CGI-heavy mega-spectacle end of the blockbuster spectrum.
Bad Boys: Ride Or Die earned $56 million at the US box office, and added $48 million from across the rest of the world, all adding up to an opening weekend of $104 million. That’s significantly higher than the opening haul for The Fall Guy (around $65 million), and Furiosa (roughly $59 million). The film is directed by Adil & Bilall – who...
Bad Boys: Ride Or Die earned $56 million at the US box office, and added $48 million from across the rest of the world, all adding up to an opening weekend of $104 million. That’s significantly higher than the opening haul for The Fall Guy (around $65 million), and Furiosa (roughly $59 million). The film is directed by Adil & Bilall – who...
- 6/10/2024
- by Ben Travis
- Empire - Movies
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