Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-50 of 3,975
- Actor
- Director
- Writer
With features chiseled in stone, and renowned for playing a long list of historical figures, particularly in Biblical epics, the tall, well-built and ruggedly handsome Charlton Heston was one of Hollywood's top leading men of his prime and remained active in front of movie cameras for over sixty years. As a Hollywood star, he appeared in 100 films over the course of 60 years. He played Moses in the epic film, The Ten Commandments (1956) , for which he received his first Golden Globe Award nomination. He also starred in Touch of Evil (1958) with Orson Welles; Ben-Hur, for which he won the Academy Award for Best Actor (1959); El Cid (1961); and Planet of the Apes (1968). He also starred in the films The Greatest Show on Earth (1952); Secret of the Incas (1954); The Big Country (1958); and The Agony and the Ecstasy (1965). A supporter of Democratic politicians and civil rights in the 1960s, Heston later became a Republican, founding a conservative political action committee and supporting Ronald Reagan. Heston's most famous role in politics came as the five-term president of the National Rifle Association, from 1998 to 2003.
Heston was born John Charles Carter on October 4, 1923, in No Man's Land, Illinois, to Lila (Charlton) and Russell Whitford Carter, who operated a sawmill. He had English and Scottish ancestry, with recent Canadianforebears.
Heston made his feature film debut as the lead character in a 16mm production of Peer Gynt (1941), based on the Henrik Ibsen play. In 1944, Heston enlisted in the United States Army Air Forces. He served for two years as a radio operator and aerial gunner aboard a B-25 Mitchell stationed in the Alaskan Aleutian Islands with the 77th Bombardment Squadron of the Eleventh Air Force. He reached the rank of Staff Sergeant. Heston married Northwestern University student Lydia Marie Clarke, who was six months his senior. That same year he joined the military.
Heston played 'Marc Antony' in Julius Caesar (1950), and firmly stamped himself as genuine leading man material with his performance as circus manager 'Brad Braden' in the Cecil B. DeMille spectacular The Greatest Show on Earth (1952), also starring James Stewart and Cornel Wilde. The now very popular actor remained perpetually busy during the 1950s, both on TV and on the silver screen with audience pleasing performances in the steamy thriller The Naked Jungle (1954), as a treasure hunter in Secret of the Incas (1954) and another barn storming performance for Cecil B. DeMille as "Moses" in the blockbuster The Ten Commandments (1956).
Heston delivered further dynamic performances in the oily film noir thriller Touch of Evil (1958), and then alongside Gregory Peck in the western The Big Country (1958) before scoring the role for which he is arguably best known, that of the wronged Jewish prince who seeks his freedom and revenge in the William Wyler directed Ben-Hur (1959). This mammoth Biblical epic running in excess of three and a half hours became the standard by which other large scale productions would be judged, and its superb cast also including Stephen Boyd as the villainous "Massala", English actor Jack Hawkins as the Roman officer "Quintus Arrius", and Australian actor Frank Thring as "Pontius Pilate", all contributed wonderful performances. Never one to rest on his laurels, steely Heston remained the preferred choice of directors to lead the cast in major historical productions and during the 1960s he starred as Spanish legend "Rodrigo Diaz de Vivar" in El Cid (1961), as a US soldier battling hostile Chinese boxers during 55 Days at Peking (1963),played the ill-fated "John the Baptist" in The Greatest Story Ever Told (1965), the masterful painter "Michelangelo" battling Pope Julius II in The Agony and the Ecstasy (1965), and an English general in Khartoum (1966). In 1968, Heston filmed the unusual western Will Penny (1967) about an aging and lonely cowboy befriending a lost woman and her son, which Heston has often referred to as his favorite piece of work on screen. Interestingly, Heston was on the verge of acquiring an entirely new league of fans due to his appearance in four very topical science fiction films (all based on popular novels) painting bleak futures for mankind.
In 1968, Heston starred as time-traveling astronaut "George Taylor", in the terrific Planet of the Apes (1968) with its now legendary conclusion as Heston realizes the true horror of his destination. He returned to reprise the role, albeit primarily as a cameo, alongside fellow astronaut James Franciscus in the slightly inferior sequel Beneath the Planet of the Apes (1970). Next up, Heston again found himself facing the apocalypse in The Omega Man (1971) as the survivor of a germ plague that has wiped out humanity leaving only bands of psychotic lunatics roaming the cities who seek to kill the uninfected Heston. And fourthly, taking its inspiration from the Harry Harrison novel "Make Room!, Make Room!", Heston starred alongside screen legend Edward G. Robinson and Chuck Connors in Soylent Green (1973). During the remainder of the 1970s, Heston appeared in two very popular "disaster movies" contributing lead roles in the far-fetched Airport 1975 (1974), plus in the star-laden Earthquake (1974), filmed in "Sensoround" (low-bass speakers were installed in selected theaters to simulate the earthquake rumblings on screen to movie audiences). He played an evil Cardinal in the lively The Four Musketeers: Milady's Revenge (1974), a mythical US naval officer in the recreation of Midway (1976), also filmed in "Sensoround", an LA cop trying to stop a sniper in Two-Minute Warning (1976) and another US naval officer in the submarine thriller Gray Lady Down (1978). Heston appeared in numerous episodes of the high-rating TV series Dynasty (1981) and The Colbys (1985), before moving onto a mixed bag of projects including TV adaptations of Treasure Island (1990) and A Man for All Seasons (1988), hosting two episodes of the comedy show, Saturday Night Live (1975), starring as the "Good Actor" bringing love struck Mike Myers to tears in Wayne's World 2 (1993), and as the eye patch-wearing boss of intelligence agent Arnold Schwarzenegger in True Lies (1994). He also narrated numerous TV specials and lent his vocal talents to the animated movie Hercules (1997), the family comedy Cats & Dogs (2001) and an animated version of Ben Hur (2003). Heston made an uncredited appearance in the inferior remake of Planet of the Apes (2001), and his last film appearance to date was in the Holocaust-themed drama of My Father (2003).
Heston narrated for highly classified military and Department of Energy instructional films, particularly relating to nuclear weapons, and "for six years Heston [held] the nation's highest security clearance" or Q clearance. The Q clearance is similar to a DoD or Defense Intelligence Agency (DIA) clearance of Top Secret.
Heston was married to Lydia Marie Clark Heston since March 1944, and they have two children. His highly entertaining autobiography was released in 1995, titled appropriately enough "Into The Arena". Although often criticized for his strong conservative beliefs and involvement with the NRA, Heston was a strong advocate for civil right many years before it became fashionable, and was a recipient of the Jean Hersholt Humanitarian Award, plus the Kennedy Center Lifetime Achievement Award. In 2002, he was diagnosed with Alzheimer's disease, and did appear in a film or TV production after 2003. He died in April 2008, a memorable figure in the history of US cinema.- Actress
- Soundtrack
She was truly one mother of a mom...on stage, on film and on TV. A favorite firecracker on 80s and 90s television, tiny character player Estelle Getty became best known for her carping, meddlesome moms -- complete with bemused, cynical looks, irreverent digs and dead-pan Henny Youngman-like one-liners. Blunt and down-to-earth off-stage as she was on-, she scored big points with both the young and the old...and all those who fell in between. The middle-class masses and society's underdogs deemed Estelle one of their own. The star who had a hard time playing the star card also taught an earnest lesson to the millions of actor wannabes that it was never too late to get into the big leagues, pursue your dream and come out a winner. After nearly five decades of stage work, she achieved "overnight" stardom at age 62. Ill health forced her retirement in 2000 after only a decade and a half of celebrity. Yet even something as sinister as Lewy body dementia, a degenerative brain disease, couldn't take away her indomitable spirit and feistiness. The affliction, which slowly clouds then erases the memory banks, should have claimed her a couple of years after its detection, but she proved the doctors wrong and lived nearly eight years from its onset, dying peacefully in her Hollywood home on July 22, 2008.
Getty was born Estelle Scher on July 25, 1923, on the Lower East Side of Manhattan in New York City, the daughter of Sarah (Lacher) and Charles Scher, Polish Jewish immigrants who worked in the glass business. Starry-eyed as a very young child when her father first took her to see a vaudeville show at the New York Academy of Music, Estelle already had a mindset about her future. She almost immediately started taking singing, dancing and acting lessons and, following her graduation from Seward Park High School, she began building up experience in the Yiddish theater. She even attempted the stand-up comedy stage on the Catskills "borscht belt" circuit in upstate New York, but it was a time of rampant sexism and women comics were a rarity and seldom successful. She wasn't. Her young life took an abrupt, post-World War II turn when she married New York businessman Arthur Gettleman at age 24 in December of 1947 (she went on to use a derivative of her married last name for the stage). Not your typical domesticated wife by any stretch of the imagination, Estelle nevertheless raised two children, sons Barry and Carl, and worked as a secretary for various companies.
Determined as ever to be an actress, she found moderate compensation performing in community theatre plays. Adept at playing abrasive, insinuating types, she had an innate gift for comedy and stole many scenes in such light-hearted plays as "Arsenic and Old Lace," "Blithe Spirit," "6 Rms Riv Vu," "Light Up the Sky" and "Lovers and Other Strangers". On the flip side, Estelle demonstrated surprising dramatic stamina in such classics as "All My Sons," "The Glass Menaqerie" and "Death of a Salesman." Following decades of obscurity, it was her connection to the actor/playwright Harvey Fierstein that turned the tide and started the ball rolling. Forging a deep friendship in the late 70s after appearing in small New York theaters together, and after considerable prodding by Estelle, Harvey wrote a part for his diminutive friend in the ground-breaking, autobiographical "Torch Song Trilogy". Playing Harvey's recalcitrant mother, the show eventually made it to Broadway and Estelle's big debut was a resounding success. Winning the Helen Hayes Award for her performance, she played the feisty foil to Fierstein's raspy-voiced drag queen for five years.
While on tour with the play in Los Angeles, Estelle secured an audition for and won the role of viper-tongued Sicilian mama Sophia Petrillo on The Golden Girls (1985). She nearly lost out on the part when it was thought that she appeared too young to play Bea Arthur's mother. In truth, Estelle was 14 months younger than Bea. Given another go-around, and this time donning a grey wig, age makeup and frumpy apparel, Estelle fully convinced the powers-that-be that she WAS Sophia and the rest is history. The role was a breath of fresh air during an era of strong political correctness. A seven-time consecutive Emmy Award nominee for "Best Supporting Actress Award," she took home the trophy in 1988. In both 1991 and 1992 Estelle won the American Comedy Award for "Best Supporting Actress" in a series. The Sophia character was so popular she even went on to play the impish octogenarian in several other shows, including two "Golden Girls" spin-offs -- the short-lived The Golden Palace (1992) and "Empty Nest". Estelle went on to mother other stars on the big screen as well, including Cher in Mask (1985) and Sylvester Stallone in Stop! Or My Mom Will Shoot (1992), in the latter of which she received second billing. The one maternal film role she wanted more than anything did not come her way. When Torch Song Trilogy (1988) was made into a film, actor Fierstein needed star power surrounding him. Anne Bancroft replaced Estelle in the part and she was heartbroken. The movie itself lost much of its impact in its transition from the stage. At the peak of her TV fame, Estelle wrote a 1988 autobiography entitled "If I Knew Then, What I Know Now... So What?" with Steve Delsohn.
The diminutive dynamo (4'10") with a big heart was an outspoken activist for gay rights and she regularly involved herself in AIDS causes, part of it propelled by a nephew who was diagnosed and later succumbed to the disease. She also became a spokesperson for Alternative Living for the Aging, a nonprofit organization that locates cooperative housing for senior citizens. In 2000, Getty stopped making public appearances after her health and mind began its slow decline. One of her last sightings was in the L.A. audience of "The Vagina Monologues," which starred "Golden Girls" co-star Rue McClanahan. Misdiagnosed as having both Parkinson's and Alzheimer's diseases, it was later learned she was suffering from advanced dementia. Estelle died of complications from her disease just three days before her 85th birthday. Long-time husband Arthur, who was only 5'3" tall himself, never adjusted to Estelle's meteoric rise and the media attention that had accompanied it. He quietly maintained her parents' glass business far from the Hollywood glitz...in Florida. He died in 2004. Lifetime television hosted a "Golden Girls" reunion, but by this time Estelle was too ill to appear. Shortly after her death on July 22, 2008, and in tribute to Ms. Getty, Lifetime, which shows reruns of "The Golden Girls" almost on a daily basis, announced that it would air ten episodes of the series featuring the "best of Sophia". A simple, unadorned service was conducted, as she would have wanted, and she was interred at Hollywood Forever Memorial Park in Los Angeles.- Actor
- Producer
- Director
Richard Attenborough, Baron Attenborough of Richmond-upon-Thames, was born in Cambridge, England, the son of Mary (née Clegg), a founding member of the Marriage Guidance Council, and Frederick Levi Attenborough, a scholar and academic administrator who was a don at Emmanuel College and wrote a standard text on Anglo-Saxon law. The family later moved to Leicester where his father was appointed Principal of the university while Richard was educated at Wyggeston Grammar School for Boys in Leicester and at the Royal Academy of Dramatic Art (RADA).
His film career began with a role as a deserting sailor in In Which We Serve (1942), a part that contributed to his being typecast for many years as a coward in films like Dulcimer Street (1948), Operation Disaster (1950) and his breakthrough role as a psychopathic young gangster in the film adaptation of Graham Greene's novel, Brighton Rock (1948). During World War II, Attenborough served in the Royal Air Force.
He worked prolifically in British films for the next 30 years, and in the 1950s appeared in several successful comedies for John Boulting and Roy Boulting, including Private's Progress (1956) and I'm All Right Jack (1959). Early in his stage career, Attenborough starred in the London West End production of Agatha Christie's "The Mousetrap", which went on to become one of the world's longest-running stage productions. Both he and his wife were among the original cast members of the production, which opened in 1952 and (as of 2007) is still running.
In the 1960s, he expanded his range of character roles in films such as Seance on a Wet Afternoon (1964) and Guns at Batasi (1964), for which he won the BAFTA Award for Best Actor for his portrayal of the regimental Sergeant Major. He appeared in the ensemble cast of The Great Escape (1963), as Squadron Leader "Roger Bartlett" ("Big X"), the head of the escape committee.
In 1967 and 1968, he won back-to-back Golden Globe Awards in the category of Best Supporting Actor, the first time for The Sand Pebbles (1966), starring Steve McQueen, and the second time for Doctor Dolittle (1967), starring Rex Harrison. He would win another Golden Globe for Best Director, for Gandhi (1982), in 1983. Six years prior to "Gandhi", he played the ruthless "Gen. Outram" in Indian director Satyajit Ray's period piece, The Chess Players (1977). He has never been nominated for an Academy Award in an acting category.
He took no acting roles following his appearance in Otto Preminger's The Human Factor (1979), until his appearance as the eccentric developer "John Hammond" in Steven Spielberg's Jurassic Park (1993). The following year, he starred as "Kris Kringle" in Miracle on 34th Street (1994), a remake of the 1947 classic. Since then, he has made occasional appearances in supporting roles, including the historical drama, Elizabeth (1998), as "Sir William Cecil".
In the late 1950s, Attenborough formed a production company, "Beaver Films", with Bryan Forbes and began to build a profile as a producer on projects, including The League of Gentlemen (1960), The Angry Silence (1960) and Whistle Down the Wind (1961), also appearing in the first two of these as an actor.
His feature film directorial debut was the all-star screen version of the hit musical, Oh! What a Lovely War (1969), and his acting appearances became more sporadic - the most notable being his portrayal of serial killer "John Christie" in 10 Rillington Place (1971). He later directed two epic period films: Young Winston (1972), based on the early life of Winston Churchill, and A Bridge Too Far (1977), an all-star account of Operation Market Garden in World War II. He won the 1982 Academy Award for Directing for his historical epic, Gandhi (1982), a project he had been attempting to get made for many years. As the film's producer, he also won the Academy Award for Best Picture. His most recent films, as director and producer, include Chaplin (1992), starring Robert Downey Jr. as Charles Chaplin, and Shadowlands (1993), based on the relationship between C.S. Lewis and Joy Gresham. Both films starred Anthony Hopkins, who also appeared in three other films for Attenborough: "Young Winston", "A Bridge Too Far" and the thriller, Magic (1978).
Attenborough also directed the screen version of the hit Broadway musical, "A Chorus Line" (A Chorus Line (1985)), and the apartheid drama, Cry Freedom (1987), based on the experiences of Donald Woods. He was nominated for a Golden Globe Award for Best Director for both films. His most recent film as director was another biographical film, Grey Owl (1999), starring Pierce Brosnan.
Attenborough is the President of RADA, Chairman of Capital Radio, President of BAFTA, President of the Gandhi Foundation, and President of the British National Film and Television School. He is also a vice patron of the Cinema and Television Benevolent Fund.
He is also the patron of the UWC movement (United World Colleges), whereby he continually contributes greatly to the colleges that are part of the organization. He has frequented the United World College of Southern Africa(UWCSA) Waterford Kamhlaba. His wife and he founded the "Richard and Sheila Attenborough Visual Arts Center". He also founded the "Jane Holland Creative Center for Learning" at Waterford Kamhlaba in Swaziland in memory of his daughter, who died in the Tsunami on Boxing Day, 2004. He passionately believes in education, primarily education that does not judge upon color, race, creed or religion. His attachment to Waterford is his passion for non-racial education, which were the grounds on which Waterford Kamhlaba was founded. Waterford was one of his inspirations for directing Cry Freedom (1987), based on the life of Steve Biko.
He was elected to the post of Chancellor of the University of Sussex on 20 March 1998, replacing the Duke of Richmond and Gordon. A lifelong supporter of Chelsea Football Club, Attenborough served as a director of the club from 1969-1982 and, since 1993, has held the honorary position of Life Vice President. He is also the head of the consortium, "Dragon International", which is constructing a film and television studio complex in Llanilid, Wales, often referred to as "Valleywood".
In 1967, he was made a Commander of the Order of the British Empire (CBE). He was knighted in 1976 and, in 1993, he was made a life peer as Baron Attenborough, of Richmond-upon-Thames in the London Borough of Richmond upon Thames.
On 13 July 2006, Attenborough and his brother, David Attenborough, were awarded the titles of Distinguished Honorary Fellows of the University of Leicester "in recognition of a record of continuing distinguished service to the University". Lord Attenborough is also listed as an Honorary Fellow of Bangor University for his continued efforts to film making.
Attenborough has been married to English actress Sheila Sim, since 1945. They had three children. In December 2004, his elder daughter, Jane Holland, as well as her daughter Lucy and her mother-in-law, also named Jane, were killed in the tsunami caused by the Indian Ocean earthquake. A memorial service was held on 8 March 2005, and Attenborough read a lesson at the national memorial service on 11 May 2005. His grandson, Samuel Holland, and granddaughter, Alice Holland, also read in the service.
Attenborough's father was principal of University College, Leicester, now the city's university. This has resulted in a long association with the university, with Lord Attenborough a patron. A commemorative plaque was placed on the floor of Richmond Parish Church. The university's "Richard Attenborough Centre for Disability and the Arts", which opened in 1997, is named in his Honor.
His son, Michael Attenborough, is also a director. He has two younger brothers, the famous naturalist Sir David Attenborough and John Attenborough, who has made a career in the motor trade.
He has collected Pablo Picasso ceramics since the 1950s. More than 100 items went on display at the New Walk Museum and Art Gallery in Leicester in 2007; the exhibition is dedicated to his family members lost in the tsunami.- Actress
- Producer
It would have been pretty difficult for willowy actress/model Dina Merrill to have pulled off playing a commoner on stage, film or TV in her day. She reeked of elegance and class. The epitome of style, poise and glamour, the New York-born socialite and celebrity was born Nedenia Marjorie Hutton on December 29, 1923, the daughter of E.F. Hutton, the financier and founder of the Wall Street firm that bore his name, and heiress Marjorie Merriweather Post, of the Post cereal fortune. Although Dina made elegant, elaborate use of her upbringing over the decades, she handled it all positively and graciously without tabloid incidents, instilling these same refined credentials into a large portion of her characters.
Dina did not originally intend on an acting career. After studying at George Washington University, she suddenly dropped out after only a year (to the chagrin of her disapproving parents) after demonstrating a late desire to perform. Enrolling at the American Academy of Dramatic Arts and studying with Uta Hagen among others, Dina appeared in the comedy "The Man Who Came to Dinner" before taking her first Broadway curtain call in "The Mermaids Singing" in 1945. She took some time off to play wife and mother to three children after marrying Stanley Rumbough, Jr., heir to the Colgate toothpaste fortune.
Dina finally made an official film debut with a smart and stylish support role in the Spencer Tracy/Katharine Hepburn vehicle Desk Set (1957). She continued to charm in the same upper crust vein playing some version of the model wife or blue-blooded maven in frequent posh outings. Some of her more noticeable roles came with Operation Petticoat (1959) with the equally classy Cary Grant; BUtterfield 8 (1960) starring Elizabeth Taylor and Laurence Harvey; and The Young Savages (1961) opposite Burt Lancaster.
Following her divorce to Rumbough after 20 years, Dina married ruggedly handsome actor Cliff Robertson in 1966. The pair had one daughter and were a popular Hollywood fixture for nearly 20 years. With her film career on the wane in the mid 1960's, Dina gravitated toward TV guest spots on such popular shows as "Dr. Kildare," "Alfred Hitchcock Presents," "Burke's Law," "Rawhide," "Daktari," "Bonanza," "Daniel Boone," "Batman" (as the villainous "Calamity Jan" alongside Robertson's western bad guy "Shame"), "The Name of the Game," "The Virginian," "Night Gallery," "Marcus Welby," "The Love Boat" and "The Odd Couple." She also graced a number of TV-movie dramas beginning with The Sunshine Patriot (1968) co-starring husband Robertson and Seven in Darkness (1969) (as a blind survivor of a plane crash), and continuing with The Lonely Profession (1969), Mr. and Mrs. Bo Jo Jones (1971), Family Flight (1972), The Letters (1973), The Tenth Month (1979), and a featured part in the mini-series sequel Roots: The Next Generations (1979).
Dina returned to Broadway as the co-star of the drama "Angel Street" (1975) and again with the revival of the musical "On Your Toes" in which she played "Peggy Porterfield" in both the 1983 Broadway revival and 1986 national tour. In the same year that Dina divorced second husband Cliff Robertson (1989), she married actor/investment banker Ted Hartley. Together the couple bought RKO Studios and renamed it RKO Pavilion. He serves as chairman and she vice chairperson/creative director. The studio produced such popular efforts as Milk & Money (1996) and the remake of Mighty Joe Young (1998).
Admired for her tireless philanthropic contributions, Dina was a moderate Republican (vice chair of the Republican Pro-Choice Coalition), and an active lobbyist for women's health issues. She also devoted much time working for the disadvantaged, particularly for the New York City Mission Society. She remained active and was an avid tennis and golf player for quite some time. Broaching age 90, the ever-glamorous actress appeared in a summer stock production of "Only a Kingdom" (2004) and continued to appear in occasional movie and television productions until developing dementia. Dina died on May 22, 2017, at age 93, survived by her third husband.- Actress
- Soundtrack
Gloria Grahame Hallward, an acting pupil of her mother (stage actress and teacher Jean Grahame), acted professionally while still in high school. In 1944 Louis B. Mayer saw her on Broadway and gave her an MGM contract under the name Gloria Grahame. Her debut in the title role of Blonde Fever (1944) was auspicious, but her first public recognition came on loan-out in It's a Wonderful Life (1946). Although her talent and sex appeal were of star quality, she did not fit the star pattern at MGM, who sold her contract to RKO in 1947. Here the same problem resurfaced; her best film in these years was made on loan-out, In a Lonely Place (1950). Soon after, she left RKO. The 1950s, her best period, brought her a Best Supporting Actress Oscar and typecast her as shady, inimitably sultry ladies in seven well-known film-noir classics.
Rumors of being difficult to work with on the set of Oklahoma! (1955) helped sideline her film career from 1956 onward. She also suffered from marital and child-custody troubles. Eight years after divorce from Nicholas Ray, who was 12 years her senior (and reportedly had discovered her in bed with his 13 year old son), and after a subsequent marriage to Cy Howard ended in divorce, in 1960 she married her former stepson Anthony Ray (who was almost 14 years younger than she was.) This led former husbands Nicholas Ray and Cy Howard to sue Grahame; each man seeking custody of his respective child, putting gossip columnists and scandal sheets into overdrive. Grahame herself underwent electroconvulsive therapy after the ensuing stress caused a nervous breakdown. Surprisingly, however, Grahame and Anthony "Tony" Ray proved a happy couple. The union would be Grahame's longest marriage, lasting almost 14 years (10 years longer than her previous union with Ray's father); the couple had two children, Anthony Jr. and James.
In 1960, Grahame resumed stage acting, combined with TV work and, from 1970, some mostly inferior films. She was described as a serious, skillful actress; spontaneous, honest, and strong-willed; imaginative and curious; incredibly sexy but insecure about her looks (prompting plastic surgery on her famous lips); loving appreciative male company; "a bit loony". In 1975, she was treated for breast cancer. Five years later, she was diagnosed with cancer again, although it is unclear if this was a new cancer or a metastasis of her breast cancer. Grahame eventually moved to England in 1978. Her busiest period of British and American stage work ended abruptly in 1981 when she collapsed from cancer symptoms during a rehearsal. She wished to remain in Liverpool with her partner, Peter Turner (almost 30 years her junior), but after Turner notified her children of her health condition and impending death, two of her children flew to England to retrieve her, insisting she return to the United States. She died a few hours later that same day of stomach cancer and peritonitis at St. Vincent's Hospital in Manhattan on October 5, 1981 at age 57.- Actress
- Soundtrack
Anne Baxter was born in Michigan City, Indiana, on May 7, 1923. She was the daughter of a salesman, Kenneth Stuart Baxter, and his wife, Catherine Dorothy (Wright), who herself was the daughter of Frank Lloyd Wright, the world-renowned architect. Anne was a young girl of 11 when her parents moved to New York City, which at that time was still the hub of the entertainment industry even though the film colony was moving west. The move there encouraged her to consider acting as a vocation. By the time she was 13 she had already appeared in a stage production of 'Seen but Not Heard'", and had garnered rave reviews from the tough Broadway critics. The play helped her gain entrance to an exclusive acting school.
In 1937, Anne made her first foray into Hollywood to test the waters there in the film industry. As she was thought to be too young for a film career, she packed her bags and returned to the New York stage with her mother, where she continued to act on Broadway and summer stock up and down the East Coast. Undaunted by the failure of her previous effort to crack Hollywood, Anne returned to California two years later to try again. This time her luck was somewhat better. She took a screen test which was ultimately seen by the moguls of Twentieth Century-Fox, and she was signed to a seven-year contract. However, before she could make a movie with Fox, Anne was loaned out to MGM to make 20 Mule Team (1940). At only 17 years of age, she was already in the kind of pictures that other starlets would have had to slave for years as an extra before landing a meaty role. Back at Fox, that same year, Anne played Mary Maxwell in The Great Profile (1940), which was a box-office dud. The following year she played Amy Spettigue in the remake of Charley's Aunt (1941). It still wasn't a great role, but it was better than a bit part. The only other film job Anne appeared in that year was in Swamp Water (1941). It was the first role that was really worth anything, but critics weren't that impressed with Anne, her role nor the movie. In 1942 Anne played Joseph Cotten's daughter, Lucy Morgan, in The Magnificent Ambersons (1942). The following year she appeared in The North Star (1943), the first film where she received top billing. The film was a critical and financial success and Anne came in for her share of critical plaudits. Guest in the House (1944) the next year was a dismal failure, but Sunday Dinner for a Soldier (1944) was received much better by the public, though it was ripped apart by the critics. Anne starred with John Hodiak, who would become her first husband in 1947 (Anne was to divorce Hodiak in 1954. Her other two husbands were Randolph Galt and David Klee).
In 1946 Anne portrayed Sophie MacDonald in The Razor's Edge (1946), a film that would land her an Academy Award for Best Supporting Actress. She had come a long way in so short a time, but for her next two films she was just the narrator: Mother Wore Tights (1947) and Blaze of Noon (1947). It would be 1950 before she landed another decent role--the part of Eve Harrington in All About Eve (1950). This film garnered Anne her second nomination, but she lost the Oscar to Judy Holliday for Born Yesterday (1950). After several films through the 1950s, Anne landed what many considered a plum role--Queen Nefretiri in Cecil B. DeMille's The Ten Commandments (1956). Never in her Hollywood career did Anne look as beautiful as she did as the Egyptian queen, opposite Charlton Heston and Yul Brynner. After that epic, job offers got fewer because she wasn't tied to a studio, instead opting to freelance her talents. After no appearances in 1958, she made one film in 1959 Season of Passion (1959) and one in 1960 Cimarron (1960).
After Walk on the Wild Side (1962), she took a hiatus from filming for the next four years. She was hardly idle, though. She appeared often on stage and on television. She wasn't particularly concerned with being a celebrity or a personality; she was more concerned with being just an actress and trying hard to produce the best performance she was capable of. After several notable TV appearances, Anne became a staple of two television series, East of Eden (1981) and Hotel (1983). Her final moment before the public eye was as Irene Adler in the TV film Sherlock Holmes and the Masks of Death (1984). On December 12, 1985, Anne died of a stroke in New York. She was 62.- Actor
- Soundtrack
A man of all mediums, this veteran, Manhattan-born character actor was named after his great-grandfather, Lincolnesque Congressman William Windom. Born in 1923, the son of Paul Windom, an architect, and the former Isobel Wells Peckham, Bill attended Williams College and the University of Kentucky, among others, before serving in the Army during WWII. After the war, he studied at both Fordham and Columbia universities in New York City before settling on an acting career. Trained at the American Repertory Theatre (1946-1961), he made his minor Broadway debut with the company in November of 1946 with revolving productions of "Henry VIII", "What Every Woman Knows", "John Gabriel Borkman" and "Androcles and the Lion". The following year, he continued building up his Broadway resume with roles in "Yellow Jack" and as the "White Rabbit" in a production of "Alice in Wonderland".
In the early 1950s, a new avenue opened up to Bill: television. For the duration of the decade, he shifted between stage, which included Broadway roles in "A Girl Can Tell" (1953), "Mademoiselle Colombe" (1954), "Fallen Angels" (1956), "The Greatest Man Alive" (1957) and "Viva Madison Avenue!" (1960), and TV drama, with stalwart work in such programs as Robert Montgomery Presents (1950) and Hallmark Hall of Fame (1951).
Major attention came Windom's way on TV moving into the following decade. In addition to hundreds of guest appearances on the most popular shows of the day (Combat! (1962), The Fugitive (1963), All in the Family (1971), Dallas (1978), Highway to Heaven (1984)), his standout work included a co-starring role opposite the luminous Inger Stevens in the popular light comedy series The Farmer's Daughter (1963). On the show, Windom portrayed widower "Glen Morley", a decent congressman who eventually falls in love with his pert and pretty Swedish governess "Katy Holstrum" (played by Stevens). Prior to this success, both he and Ms. Stevens had been singularly recognized for their sterling performances on various episodes of The Twilight Zone (1959). Following this success, Windom enjoyed critical notice as the cartoonist/protagonist whose vivid imagination causes problems on the homefront on the Thurberesque weekly series My World and Welcome to It (1969). Despite the show's critical merit and Windom's "Best Actor" Emmy win, the show, years ahead of its time, lasted only one season. Decades later, Windom would play James Thurber on stage in one-man shows.
The native New Yorker went on to essay a number of loungy Southerners and down-home types with incredible ease--both heroes and villains. He offered strong support in his film debut as Gregory Peck's opposing counsel in the Alabama-based To Kill a Mockingbird (1962), and went on to play prelate Norman Vincent Peale's father in One Man's Way (1964) starring Don Murray. Windom demonstrated the maturity to carry off the character even though he was only 5 years older than Murray. He also delivered a variety of pungent roles in such films as The Detective (1968) (as a closeted gay married man), Robert Altman's Brewster McCloud (1970) (as a political blowhard facing a series of murders) and The Man (1972) (as a racist politician).
Growing slier and stockier over the years, Windom provided TV audiences with a colorful gallery of characters, ranging from avuncular and ingratiating, to cantankerous and unscrupulous. He became a regular for over a decade on the Angela Lansbury whodunit series Murder, She Wrote (1984), joining the show in its second season as "Dr. Seth Hazlitt". He briefly left "Murder" to work on another series, Parenthood (1990), which was based on the highly popular 1989 movie starring Steve Martin. Here, Ed Begley Jr. took over the Martin part and Windom assumed Jason Robards's patriarchal role as Begley's father. The show was off the air within a few months, however, and Windom was invited back to the mystery series -- a semi-regular until the show folded in 1997.
In addition, Windom reprised a Star Trek (1966) portrayal as "Commodore Matt Decker," appeared in scores of mini-movies, has given voice to various book readings, presented a second one-man show (this time that of combat reporter Ernie Pyle), and continued to film at age 80+, his latest being Yesterday's Dreams (2005).
The five-times-married Windom was wed (for 36 years) to writer Patricia Veronica Tunder at the time of his death of congestive heart failure at age 88. A chess, tennis and sailing enthusiast, he is survived by four children: Rachel, Heather Juliet, Hope and Rebel Russell.Two step-daughters, Debora and Maggie as well as four grandchildren. He died at his home in Woodacre, California, on August 16, 2012.- Actress
- Soundtrack
Glynis Johns was the daughter of actor Mervyn Johns. Best known for her light comedy roles and often playful flirtation, Glynis was born in South Africa while her parents were on tour there (her mother was a concert pianist) but was always proud of her Welsh roots and took delight in playing the female lead (opposite Richard Burton) in the classic Under Milk Wood (1971). She was probably best known for her role as the suffragette mother in Mary Poppins (1964) although she is probably best loved for her fishy roles in Miranda (1948) and Mad About Men (1954). She had earlier showed she could take on the serious roles as well as in Frieda (1947). Most recently seen (at the time of writing) in Superstar (1999). Johns died in 2024, aged 100, having never received the damehood she had richly deserved for decades. Predeceased by her only son, she was survived by a grandson,Thomas Forwood, and three great-grandchildren.- Actor
- Producer
- Additional Crew
American leading man famed as the star of one of the longest-running shows in U.S. television history, Gunsmoke (1955). Born of Norwegian heritage (the family name, Aurness, had formerly been Aursness) in Minneapolis, Minnesota, to Rolf and Ruth Duesler Aurness. His father was a traveling salesman of medical supplies and his mother later became a newspaper columnist. James attended West High School in Minneapolis. Although he appeared in school plays, he had no interest in performing, and dreamed instead of going to sea. After high school, he attended one semester at Beloit College before receiving his draft notice in 1943. He entered the army and trained at Camp Wheeler, Georgia, before shipping out for North Africa. At Casablanca, Arness joined the 3rd Infantry Division in time for the invasion of Anzio. Ten days after the invasion, Arness was severely wounded in the leg and foot by German machine-gun fire. His wounds, which plagued him the rest of his life, resulted in his medical discharge from the army.
While recuperating in a hospital in Clinton, Iowa, Arness was visited by his younger brother Peter (later to gain fame as actor Peter Graves), who suggested he take a radio course at the University of Minnesota. James did so, and a teacher recommended him for a job as an announcer at a Minneapolis radio station. Though seemingly headed for success in radio, he followed a boyhood friend's suggestion and went with the friend to Hollywood to find work as a film extra. Arness studied at the Bliss-Hayden Theatre School under actor Harry Hayden, and while appearing in a play there was spotted by agent Leon Lance. Lance got the actor a role as Loretta Young's brother in The Farmer's Daughter (1947). The director of that film, H.C. Potter, recommended that he drop the "u" from his last name and soon thereafter the actor was officially known as James Arness.
Little work followed this break, and Arness became sort of beach bum, living on the shore at San Onofre and spending his days surfing. He began taking his acting career more seriously when he began to receive fan mail following the release of the Young picture. He appeared in a production of "Candida" at the Pasadena Community Playhouse, and married his leading lady, Virginia Chapman. She pressed him to study acting and to work harder in pursuit of a career, but Arness has been consistent in ascribing his success to luck. He began to act small roles with frequency, often due to his size, and mostly villainous characters. Most notable among these was that of the space alien in The Thing from Another World (1951).
While playing a Greek warrior in a play, Arness was spotted by agent Charles K. Feldman, who represented John Wayne. Feldman introduced Arness to Wayne, who put the self-described 6', 6" actor under personal contract. Arness played several roles over the next few years for and with Wayne, whom he considered a mentor. In 1955, Wayne recommended Arness for the lead role of Matt Dillon in the TV series Gunsmoke (1955). (Contrary to urban legend, Wayne himself was never offered the role.) Arness at first declined, thinking a TV series could derail his growing film career, but Wayne argued for the show, and Arness accepted. His portrayal of stalwart Marshal Dillon became an iconic figure in American television and the series, aired for 20 seasons, is, as of 2008, the longest-running dramatic series in U.S. television history. Arness became world-famous and years later reprized the character in a series of TV movies.
After the surprising cancellation of "Gunsmoke" in 1975, Arness jumped immediately into another successful (though much shorter-lived) Western project, a TV-movie-miniseries-series combination known as "How The West Was Won." A brief modern police drama, McClain's Law (1981), followed, and Arness played his mentor John Wayne's role in Red River (1988), a remake of the Wayne classic.
Following the aforementioned "Gunsmoke" TV movies (the last in 1994, when Arness was 71), Arness basically retired. His marriage to Virginia Chapman ended in divorce in 1960. They had three children, one of whom, Jenny Lee, committed suicide in 1975. Arness subsequently married Janet Surtrees in 1978.- Actress
- Soundtrack
Jean Stapleton was born Jeanne Murray in Manhattan, New York City, to Marie A. (Stapleton), an opera singer, and Joseph Edward Murray, a billboard advertising salesman. Her paternal grandparents were Irish. She was a cousin of actress Betty Jane Watson. Other relatives in show business were her uncle, Joseph E. Deming, a vaudevillian; and her brother Jack Stapleton, a stage actor. She graduated from Wadleigh High School, NYC, in 1939. She worked as a secretary before becoming an actress. Stapleton made her stage debut at the Greenwood Playhouse, Peaks Island, Maine, in the summer of 1941, and her New York stage debut in "The Corn Is Green" (1948). She appeared on Broadway in the musicals "Damn Yankees" (1955) and "Bells Are Ringing" (1956), and later repeated her roles in the movie versions (Damn Yankees (1958) and Bells Are Ringing (1960)). Her other Broadway roles included the original companies of "Rhinoceros" (1961) and "Funny Girl" (1964). Stapleton also played Abby Brewster in the 1986-87 revival of "Arsenic and Old Lace".- Actor
- Additional Crew
- Soundtrack
WWII veteran, dance instructor and diversely talented stage & screen actor were all inclusions on the resume of this perpetually busy US actor who didn't get in front of the cameras until around the time of his fortieth birthday. The stockily built Charles Durning was one of Hollywood's most dependable and sought after supporting actors.
Durning was born in Highland Falls, New York, to Louise Marie (Leonard), a laundress, and James Gerald Durning. His father was an Irish immigrant and his mother was of Irish descent. Durning first got his start in guest appearances in early 1960's TV shows. He scored minor roles over the next decade until he really got noticed by film fans as the sneering, corrupt cop "Lt. Snyder" hassling street grifter 'Robert Redford' in the multi award winning mega-hit The Sting (1973). Durning was equally entertaining in the Billy Wilder production of The Front Page (1974), he supported screen tough guy Charles Bronson in the suspenseful western Breakheart Pass (1975) and featured as "Spermwhale Whalen" in the story of unorthodox police behavior in The Choirboys (1977).
The versatile Durning is equally adept at comedic roles and demonstrated his skills as "Doc Hopper" in The Muppet Movie (1979), a feisty football coach in North Dallas Forty (1979), a highly strung police officer berating maverick cop Burt Reynolds in Sharky's Machine (1981), and a light footed, dancing Governor (alongside Burt Reynolds once more) in The Best Little Whorehouse in Texas (1982). Durning continued a regular on screen association with Burt Reynolds appearing in several more feature films together and as "Dr. Harlan Elldridge" in the highly popular TV series Evening Shade (1990). On par with his multitude of feature film roles, Durning has always been in high demand on television and has guest starred in Everybody Loves Raymond (1996), Monk (2002) and Rescue Me (2004). Plus, he has appeared in the role of "Santa Claus" in five different television movies.- Actress
- Soundtrack
Born and raised in Alabama as Ann Steely, O'Donnell attended high school and college in Oklahoma City, Oklahoma, then worked as a stenographer to finance a trip to Hollywood, where she was spotted by a talent scout, leading to her being signed to a contract by producer Samuel Goldwyn.
Recognizing her talent and appeal through a thick Southern accent, Goldwyn arranged rigorous voice & theatrical training at the American Academy of Dramatic Arts and elsewhere, bestowed on her a winsome Irish stage name, and cast her in The Best Years of Our Lives (1946). This film's success boded well for Cathy's career, and soon she was starring in the now-classic They Live by Night (1948). However, her rise in films was checked when, on Sunday, April 11th, 1948, at age 24, she married 48-year-old producer Robert Wyler, older brother of one of Hollywood's most accomplished directors, William Wyler, whose own long-term contract with Goldwyn had recently ended acrimoniously. The irate Goldwyn abruptly canceled her contract; thereafter she had no lasting association with any studio or producer. Her most memorable roles of the 1950s were in classic films noir, such as Detective Story (1951), where her sincere, sweet girl-next-door persona was at odds with those films' dark, gritty milieu. Her last and most famous film was Ben-Hur (1959), after whose enormous success she worked on TV until 1961. Belying Goldwyn's opinion, her marriage to Wyler proved happy, though childless. Her death on their 22nd wedding anniversary, Saturday, April 11th, 1970, followed a long struggle with cancer.- Murray Hamilton was one of those character actors whose face would be familiar to most movie buffs at an instant, yet his name may not. That's a shame, because Hamilton was one of the most versatile and prolific of performers who was never anything less than completely convincing in any role he took on, from priests to gangsters, soldiers to politicians, ordinary men to aliens. His characters would rarely fail to evoke emotion, whether that be sympathy or dislike. He particularly excelled at hard-edged, street-wise tough guys on either side of the law. His own dictum was to be always "true to the part as it is written".
Born and schooled in Washington, North Carolina, he had originally studied graphic design but had an early yearning for the acting profession. Barely out of his teens, he took a bus to Los Angeles, eventually arriving in Hollywood with just $50 to his name. He gained a foothold at Warner Brothers (his favorite studio) through the back door, as a messenger boy, earning $22 a week. He soon found work as an extra in films, but by 1945, returned to New York making his debut on Broadway as "a mill hand" in 'Strange Fruit', directed by 'Jose Ferrer (I)'.
His breakthrough came three years later, when he appeared with Henry Fonda in the long-running play 'Mister Roberts' (1948-51), first playing the role of a shore patrol officer, later taking over from David Wayne in the key part of Ensign Pulver. Over the years, Murray became quite comfortable with playing more comedic roles on stage and made good impressions as the over-zealous director Dion Kapakos in 'Critic's Choice' (1960-61), and as Otis Clifton in his Tony Award-nominated performance in 'Absence of a Cello' (1964-65), co-starring with Fred Clark and Charles Grodin. Of his enactment as Robert E. Lee Prewitt in the short-lived military drama 'Stockade' (1954), critic Brooks Atkinson remarked: "Modest of manner, pleasant of voice, he has a steel-like spirit that brings Prewitt honestly to life" (New York Times, September 17, 1986).
Murray began in films properly as a credited screen actor from 1951, alternating with guest starring roles on television (by the end of his life he had appeared in more than 100 TV shows). His expressive face and gravelly voice became an adaptable combination for playing surly gangsters (Perry Mason (1957)), authority figures with integrity (James Stewart's ill-fated colleague in The FBI Story (1959)), or without (pompous mayor Larry Vaughn in Jaws (1975)). He was particularly good as Irving Blanchard in the comedy No Time for Sergeants (1958), giving an excellent drunk impersonation; as obtuse barkeeper Al Paquette in Anatomy of a Murder (1959), the key witness to the crime who keeps mum out of misguided loyalty; cocky Kentuckian millionaire Findley who thinks he can take Fast Eddie in The Hustler (1961); and Anne Bancroft's complacent, cuckolded husband, Mr. Robinson, in The Graduate (1967), a role for which Marlon Brando was at one time considered. Of Murray's performance in the iconic 1960s film, Bosley Crowther posited that "Murray Hamilton is piercing ... a seemingly self-indulgent type who is sharply revealed as bewildered and wounded in one fine, funny scene" (New York Times, December 22, 1967).
On the small screen, he was memorable as "Mr. Death" in the 'One for the Angels' episode of Rod Serling's The Twilight Zone (1959), who is seemingly sweet-talked by salesman Lew Bookman (Ed Wynn) to remain on earth just long enough to make his big "pitch to the angels". As Lewis Dunn in the episode 'The Condemned' of The Invaders (1967), he was a very different type of visitor to earth, a sinister alien. In addition to numerous portrayals of harassed or cynical cops, he is also remembered for his recurring TV role, Captain Rutherford T. Grant, in B.J. and the Bear (1978).
Unlike other busy actors, Hamilton was not a part of the established Hollywood set, preferring to spend his life in his native North Carolina, and in Manhattan. He counted George C. Scott, Jason Robards, and Walter Matthau, among his close friends.
When the actor was suffering from the effects of cancer and found film roles harder to come by, Scott helped out by getting him a part in the made-for-television movie The Last Days of Patton (1986).
Murray Hamilton died, aged 63, in September 1986 in his native North Carolina. - Actor
- Additional Crew
- Soundtrack
Dale Robertson, the actor who made his name in television Westerns in the 1950s and '60s, was born on July 14, 1923, in Harrah, Oklahoma. After serving in a tank crew and in the combat engineers in North Africa and Europe during World War II, the twice-wounded Robertson started his acting career while still on active duty in the U.S. Army. While stationed at San Luis Obispo, California, had a photograph taken for his mother. A copy of the photo displayed in the photo shop window attracted movie scouts, and the six foot tall, 180-lb. Robertson soon was on his way to Hollywood. Will Rogers Jr., whose father is the most famous son of Oklahoma, told him to avoid formal training and keep his own persona. Robertson took his advice and avoided acting classes.
Robertson was typecast in Western movies and TV shows when the genre was still America's favorite. He headlined two TV series, Tales of Wells Fargo (1957), in which he played the roving trouble-shooter Jim Hardie, and Iron Horse (1966), in which he won a railway in a poker game. He also served as one of the hosts, along with Ronald Reagan, of the syndicated series Death Valley Days (1952) during the 1960s. Robertson later appeared in the inaugural season of Dynasty (1981).
Robertson is a recipient of the Golden Boot Award in 1985, and was inducted into the Hall of Great Western Performers and the Cowboy Hall of Fame in Oklahoma City. He is retired on a ranch near Oklahoma City, not far from his birthplace of Harrah.- Actor
- Soundtrack
Harold Gould earned a Ph.D. in theater and taught speech and drama at Cornell University.
Pursuing off-Broadway work in the 1950s, he decided to practice what he preached and became a full-time professional actor in the 1960s.
He appeared in hundreds of TV programs during his distinguished performing career, usually playing a father, grandfather, or other varieties of authority figures.- Actress
- Additional Crew
- Soundtrack
Kathleen Freeman's introduction to show business came very early in life. Her parents were vaudevillians, and she made her debut at age 2 in their act. Later she attended UCLA with intentions of becoming a pianist, but was bitten by the acting bug and never looked back. She gained experience on stage in various stock and repertory companies, and made her film debut in 1948. One of the most memorable character actresses in recent memory, her stocky build, incredibly expressive face and hearty laugh have kept audiences convulsed for decades, playing a variety of neighborhood gossips, busybodies and eccentrics. Memorable as Sister Mary Stigmata ("The Penguin"), Dan Aykroyd's and John Belushi's nemesis, in The Blues Brothers (1980). She was used as a comic foil by Jerry Lewis in many of his films, always to great advantage. She did much television work, playing in everything from The Dick Van Dyke Show (1961) to Gomer Pyle: USMC (1964) to Hogan's Heroes (1965) to Married... with Children (1987), where she was the voice of Peg's monstrous but never-seen mother, Al Bundy's nemesis. She was working on Broadway in a production of "The Full Monty" when she died of lung cancer in 2001.- Actress
- Soundtrack
Kentucky-born Marie McDonald, born Cora Marie Frye in 1923, was a leggy, voluptuous blonde starlet who pursued her career with a vengeance but found little reward in the end. Her mother was a former Ziegfeld girl and her grandmother an operatic singer. Her father, on the other hand, was not so artistically inclined, earning a living as a warden at Leavenworth Prison. Her parents divorced when Marie was just 6 years old. Marie's mother remarried and the new family moved to Yonkers, New York, where she attended Roosevelt High School and excelled in piano and wrote for the school newspaper.
Although Marie was offered a college scholarship by Columbia University in journalism, Marie's impressive beauty and physical assets propelled her to try a show business career. A Powers model at 15 (she lied about her age), she quit high school and started entering beauty contests, winning the "Miss Yonkers" and "The Queen of Coney Island" titles, among others. In 1939 she was crowned "Miss New York," but subsequently lost at the "Miss America" pageant.
The attention she received from her beauty titles, however, pointed her straight to the Broadway stage and the "George White's Scandals of 1939." This in turn led to her move to Los Angeles, finding work in the chorus line while trying to break into pictures. She found her first singing work with Tommy Dorsey & His Orchestra on his radio show and eventually joined other bands as well. Although Universal signed her up, she couldn't get past a few one-line jobs. She knew publicity would have to be her mode of operation if she was to draw the necessary attention and advance her career.
Press agents dubbed Marie "The Body" and the tag eventually stuck. Though her physical attributes were impressive, her talent was less so. Managing to come her way were the films Guest in the House (1944), Living in a Big Way (1947) with Gene Kelly and Tell It to the Judge (1949). Marie was once in contention for the Billie Dawn role in "Born Yesterday," which could have been her big break, but she lost out to Judy Holliday. The audience simply didn't latch on to Marie and she ended up more on the road doing bus-and-truck shows than anything else.
Despite a plethora of tabloid attention, which included her seven marriages and numerous sex scandals in addition to the publicity hijinks she managed to muster up, notoriety that would have made the late Jayne Mansfield envious, Marie's career eventually stalled and she turned to drink, drugs and despair. This led to frequent skirmishes with the law and more than a few nervous breakdowns. Her last effective role was in the Jerry Lewis starrer The Geisha Boy (1958) where she gamely played a snippy movie star at the mercy of the comedian's outrageous slapstick. In 1965, at age 42, the never-say-die gal finally decided enough was enough and she ended it all with an overdose of pills.- Actor
- Director
- Writer
Clifford Parker Robertson III became a fairly successful leading man through most of his career without ever becoming a major star. Following strong stage and television experience, he made an interesting film debut in a supporting role in Picnic (1955). He then played Joan Crawford's deranged young husband in Autumn Leaves (1956) and was given leads in films of fair quality such as The Naked and the Dead (1958), Gidget (1959) and The Big Show (1961).
He was born to Clifford Parker Robertson Jr. and Audrey Olga (nee Willingham) Robertson. Robertson Jr. was described as "the idle heir to a tidy sum of ranching money". They have divorced when he was a year old, and his mother died of peritonitis a year later in El Paso, Texas. Young Cliff was raised by his maternal grandmother, Mary Eleanor Willingham as well as an aunt and uncle.
He supplemented his somewhat unsatisfactory big-screen work with interesting appearances on television, including the lead role in Days of Wine and Roses (1958). Robertson was effective playing a chilling petty criminal obsessed with avenging his father in the B-feature Underworld U.S.A. (1961) or a pleasant doctor in the popular hospital melodrama The Interns (1962). However, significant public notice eluded him until he was picked by President John F. Kennedy to play the young JFK during the latter's World War II experience in PT 109 (1963).
Moving into slightly better pictures, Robertson gave some of his best performances: a ruthless presidential candidate in The Best Man (1964), a modern-day Mosca in an updated version of Ben Jonson's "Volpone", The Honey Pot (1967), and most memorably as a mentally retarded man in Charly (1968), for which he won an Academy Award for Best Actor. His critical success with Charly (1968) allowed him to continue starring in some good films in the 1970s, including Too Late the Hero (1970), The Great Northfield Minnesota Raid (1972), and Obsession (1976).
He starred in, directed and co-produced the fine rodeo drama J W Coop (1971) and, less interestingly, The Pilot (1980). He remained active mostly in supporting roles, notably playing Hugh Hefner in Star 80 (1983). More recently, he had supporting parts in Escape from L.A. (1996) and Spider-Man (2002).
Robertson died on September 10, 2011, just one day after his 88th birthday in Stony Brook, New York.- Actress
- Soundtrack
A native-born Californian, Rhonda Fleming attended Beverly Hills public and private schools. Her father was Harold Cheverton Louis (1896-1951). Her mother, Effie Olivia Graham (1891-1985), was a famous model and actress in New York. She has a son (Kent Lane), two granddaughters (Kimberly and Kelly) and four great-grandchildren (Wagner, Page, Lane and Cole). She has appeared in over 40 films, including David O. Selznick's Spellbound (1945), directed by Alfred Hitchcock; Jacques Tourneur's Out of the Past (1947); and Robert Siodmak's The Spiral Staircase (1946). She later got starring roles in such classics as A Connecticut Yankee in King Arthur's Court (1949), Gunfight at the O.K. Corral (1957), Home Before Dark (1958), Pony Express (1953), Slightly Scarlet (1956), While the City Sleeps (1956) and The Big Circus (1959). While she was always a competent actress, she was more renowned for her exquisite beauty, and the camera absolutely adored her. One time a cameraman on one of her films remarked on how he was so struck by her beauty that, as a gag, he intentionally tried to photograph her badly; he was astonished to discover that no matter how deliberately he botched it, she still came out looking ravishing.
Among her co-stars over the years were Gregory Peck, Robert Mitchum, Kirk Douglas, Charlton Heston, Glenn Ford, Burt Lancaster, Bob Hope, Bing Crosby, Rock Hudson and Ronald Reagan (with whom she made four films). In addition to motion pictures, Fleming made her Broadway debut in Clare Boothe Luce's "The Women", essayed the role of "Lalume" in "Kismet" at the Los Angeles Music Center and toured as "Madame Dubonnet" in "The Boyfriend". She made her stage musical debut in Las Vegas at the opening of the Tropicana Hotel's showroom. Later she appeared at the Hollywood Bowl in a one-woman concert of Cole Porter and Irving Berlin compositions. She also starred in a national ten-week concert tour with Skitch Henderson, featuring the music of George Gershwin. She has guest-starred on numerous television series, including Wagon Train (1957), Police Woman (1974), The Love Boat (1977), Last Hours Before Morning (1975) and a two-hour special of McMillan & Wife (1971). Waiting for the Wind (1991) reunited her with former co-star Robert Mitchum.
In private life she resides in Century City, California, and was married for 23 years to Ted Mann, a producer and chairman of Mann Theatres, until his death in January 2001. She is a member and supporter of Childhelp USA, ARCS (Achievement Rewards For College Scientists); a Life Associate of Pepperdine University; a Lifetime Member of the Freedoms Foundation at Valley Forge; a Founding Member of the French Foundation For Alzheimer Research; a Benefactor of the Los Angeles Music Center: and a Member of the Center's Blue Ribbon Board of Directors. She is a Member of the Advisory Board of Olive Crest Treatment Centers for Abused Children and serves as a Board of Directors Trustee of World Opportunities International. Along with her husband she helped build the Jerusalem Film Institute in Israel. She also is a member of the Board of Trustees of The UCLA Foundation and a member of the Board of Advisors of the Revlon/UCLA Women's Health Research Program. In addition, she created at the City of Hope Hospital The Rhonda Fleming Mann Research Fellowship to further advance research and treatment associated with women's cancer.
In 1991, she and her husband established the Rhonda Fleming Mann Clinic for Women's Comprehensive Care at UCLA Medical Center. This clinic provides a full range of expert gynecologic and obstetric care to women. Since 1992, she has devoted her time to a second facility at UCLA - the Rhonda Fleming Mann Resource Center for Women with Cancer, which opened in early 1994. This Center is the fulfillment of her vision to create a safe, warm place where women cancer patients and their families might receive the highest quality psychosocial and emotional care as well as assistance with the complex practical problems that arise with cancer. In August 1997, the Center opened "Reflections", a unique retail store and consultation suite that carries wigs, head coverings, breast prostheses and other items to help men, women and children deal with the physical appearance changes brought on by cancer and its treatments. The staffs of the clinic, center and store are guided by her belief that caring, compassion, communication and commitment are essential components of the healing process.- Actress
- Soundtrack
Linda Darnell, one of five children of a postal clerk, grew up fast. At 11, she was modeling clothes, giving her age as 16. At 13, she was appearing on the stage with little theater groups. Her mother encouraged her to audition when Hollywood talent scouts came to Dallas. She went to California and when the studio found out how young she really was, she was sent home and told to come back when she was 15. Her fourth film, Star Dust (1940), was based on this real life experience. It was Star Dust (1940) that Darnell was watching the night of April 9, 1965, at the home of her former secretary, located in Glenview, Illinois, a suburb of Chicago. The house caught on fire in the early hours of the next morning and Darnell died that afternoon in Cook County Hospital. The character she played in one of her best known roles, Forever Amber (1947) survived the London fire, the plague and the perils of being the mistress of the English king, Charles II.- Constance Ford began her career in television in the 1950s, performing in live television dramas on Studio One (1948), Armstrong Circle Theatre (1950), Goodyear Playhouse (1951), and other acclaimed series, and playing recurring characters in four afternoon serials; "Rose Peabody" in Search for Tomorrow (1951), "Lynn Sherwood" in Woman with a Past (1954), "Eve Morris" in The Edge of Night (1956) and "Ada Davis Downs Hobson" in Another World (1964).
Ford's assertive style made her a favorite of TV casting directors, and she was often featured in episodes of Ponds Theater (1953), Bat Masterson (1958), Rawhide (1959), Gunsmoke (1955), Alfred Hitchcock Presents (1955), The Twilight Zone (1959), and other series, as tough but sensible career women. - Actor
- Producer
- Director
Born in London, England and son of a British World War I hero, Lawford had spent most of his childhood in Paris, France and began his acting career at a very young age. His parents were not married when their son was born. As a result of the scandal, The Lawfords fled to America.
As a young child, the young Peter injured his arm by in his own words, "attempt to run through a glass door." Lawford's arm was badly injured however, the doctors could save it. The injury was so bad, it was slightly deformed and bothered him throughout life. But such was his luck, the injury kept him off the draft for World War II, which became the biggest boon of his acting career.
When Lawford was signed to MGM, his mother approached studio head, Louis B. Mayer, to pay her a salary as her son's personal assistant. However, Mayer declined. She then claimed that her son was "homosexual" and needed to be "supervised". This damaged the relationship between her and her son.
Lawford starred in his first major movie called A Yank at Eton (1942) , co-starring Mickey Rooney, Ian Hunter and Freddie Bartholomew. His performance was widely praised. During this time, Lawford started to get more leads when major MGM star Clark Gable was drafted into the war. Later, it was Good News (1947), co-starring June Allyson that became Lawford's greatest claim to fame.
Probably Lawford's most controversial affair, amongst many, was with African-American actress Dorothy Dandridge. It was rumored that both Lawford and Dandridge were planning to get married but canceled fearing it would jeopardize their careers.
Besides his successful career and being a socialite, Lawford was also part of the Rat Pack, with Dean Martin, Frank Sinatra, Joey Bishop and Sammy Davis Jr. .- Actress
- Soundtrack
Jean Shirley Verhagen (later shortened to Hagen) was born in Chicago, Illinois on August 3, 1923. Her father was a Dutch immigrant. Hagen and her family moved to Elkhart, Indiana when she was twelve; she subsequently graduated from Elkhart High School. Afterwards, she graduated from Northwestern University, where she studied drama and was a roommate of fellow actress Patricia Neal.
Hagen began her show business career in the late 1940s, performing in radio programmes. She also dabbled in Broadway plays. She made her film debut in 1949 with a role as a comical femme fatale in the Katharine Hepburn-Spencer Tracy pairing Adam's Rib (1949). She had her first leading role the following year, when she starred opposite Sterling Hayden in the film noir classic The Asphalt Jungle (1950), a performance which gained her considerable attention and praise.
The performance for which Hagen is best remembered today came about in 1952, when she lent her support to the classic musical Singin' in the Rain (1952). Hagen's portrayal of the helium-voiced silent film star Lina Lamont earned her an Academy Award nomination for Best Supporting Actress; she lost to Gloria Grahame for The Bad and the Beautiful (1952).
Following her 'Singin' in the Rain' success, Ms. Hagen joined the cast of the television sitcom The Danny Thomas Show (1953). She was nominated for three Emmys for her role as Margaret Williams, but grew tired of the role after three seasons and subsequently left the show.
For the rest of her career, Hagen mostly made guest appearances on numerous television shows, including Alfred Hitchcock Presents (1955), The Andy Griffith Show (1960), Wagon Train (1957), and Starsky and Hutch (1975). She also had supporting roles in Sunrise at Campobello (1960) and Dead Ringer (1963).
Sadly, by the 1960s, Ms. Hagen's health had declined and she spent many years under medical care. She died of esophageal cancer on August 29, 1977 at the age of 54.- Actor
- Soundtrack
A true character actor in the best sense of the word, offbeat British thespian Peter Vaughan's hefty frame could appear intimidating or benevolent; his mere presence menacing or avuncular. Adept at playing both sides of the law, his characters usually possessed a strange, somewhat wary countenance that seemed to keep his audience slightly off balance. This veteran actor has been a stalwart presence for nearly fifty years. Born Peter Ohm in 1923, he began on the stage and didn't enter films until 1959, well into his thirties.
Married in 1952 to rising actress Billie Whitelaw, Peter was primarily in the background at first, offering a cheapjack gallery of thugs, unsmiling cops, and foreign agents in movies. An easily unsympathetic bloke, he played unbilled policemen in his first two films, then slowly gravitated up the credits list. He appeared as the chief of police in the spy drama The Devil's Agent (1962), which also featured his wife, and then gained a bit more attention in a prime part as an offbeat insurance investigator in the B movie Smokescreen (1964), a role that propelled him into the higher ranks. Noticeably shady roles came with playing Tallulah Bankhead's seedy handyman who meets a fatal end in the Gothic horror Die! Die! My Darling! (1965) [aka Die! Die! My Darling!]; his villainous roles in the spy thrillers The Naked Runner (1967) opposite Frank Sinatra and The Man Outside (1967); a German thug in A Twist of Sand (1968); and Sgt. Walker in The Bofors Gun (1968).
Divorced from Whitelaw in 1966, he later married actress Lillias Walker, who had roles in a couple of his pictures: Malachi's Cove (1973) and Intimate Reflections (1975). TV became a large source of income for Vaughan in the 1970s, particularly in his role of Grouty in Porridge (1974) on both the large and small screen, and his quirky demeanor fitted like a glove for bizarre director Terry Gilliam, who cast him as the Ogre in Time Bandits (1981) and then as Mr. Helpman in Brazil (1985). For the past few decades he has maintained a healthy balance between film (including standout roles in Zulu Dawn (1979), The Remains of the Day (1993) and The Life and Death of Peter Sellers (2004)) and TV mini-movies, both contemporary and period. He was still performing into his 90s: his final role was Maester Aemon Targaryen in HBO's Game of Thrones (2011).
He died at age 93 on December 6, 2016, in Sussex, England.- Actress
- Soundtrack
Whether portraying a glum, withering wallflower, a drab and dowdy housewife, a klutzy maid or a cynical gossip, eccentric character comedienne Alice Ghostley had the ability to draw laughs from the skimpiest of material with a simple fret or whine. Making a name for herself on the Tony-winning Broadway stage, her eternally forlorn looks later evolved as an amusingly familiar plain-Jane presence on TV sitcoms and in an occasional film or two during the 50s, 60s and 70s.
Alice was born in a whistle-stop railroad station in the tiny town of Eve, Missouri, where her father was employed as a telegraph operator. She grew up in various towns in the Midwest (Arkansas, Oklahoma) and began performing from the age of 5 where she was called upon to recite poetry, sing and tap-dance. Spurred on by a high school teacher, she studied drama at the University of Oklahoma but eventually left in order to pursue a career in New York with her sister Gladys.
Teaming together in an act called "The Ghostley Sisters", Alice eventually went solo and developed her own cabaret show as a singer and comedienne. She also toiled as a secretary to a music teacher in exchange for singing lessons, worked as a theater usherette in order to see free stage shows, paid her dues as a waitress, worked once for a detective agency, and even had a stint as a patch tester for a detergent company. No glamourpuss by any stretch of the imagination, she built her reputation as a singing funny lady.
The short-statured, auburn-haired entertainer received her star-making break singing the satirical ditty "The Boston Beguine" in the Broadway stage revue "New Faces of 1952", which also showcased up-and-coming stars Eartha Kitt, Carol Lawrence, Hogan's Heroes co-star Robert Clary and Paul Lynde to whom she would be invariably compared to what with their similarly comic demeanors. The film version of New Faces (1954)_ featured pretty much the same cast. She and "male counterpart" Lynde would appear together in the same films and/or TV shows over the years.
With this momentum started, she continued on Broadway with the short-lived musicals "Sandhog" (1954) featuring Jack Cassidy, "Trouble in Tahiti" (1955), "Shangri-La" (1956), again starring Jack Cassidy, and the legit comedy "Maybe Tuesday" (1958). A reliable sketch artist, she fared much better on stage in the 1960s playing a number of different characterizations in both "A Thurber Carnival" (1960), and opposite Bert Lahr in "The Beauty Part" (1962), for which she received a Tony nomination. She finally nabbed the Tony trophy as "featured actress" for her wonderful work as Mavis in the comedy play "The Sign in Sidney Brustein's Window" (1965).
By this time Alice had established herself on TV. She and good friend Kaye Ballard stole much of the proceedings as the evil stepsisters in the classic Julie Andrews version of Cinderella (1957), and she also recreated her Broadway role in a small screen adaptation of _Shangri-La (1960) (TV)_. Although it was mighty hard to take away her comedy instincts, she did appear in a TV production of "Twelfth Night" as Maria opposite Maurice Evans' Malvolio, and graced such dramatic programs as "Perry Mason" and "Naked City", as well as the film To Kill a Mockingbird (1962). She kept herself in the TV limelight as a frequent panelist on such game shows as "The Hollywood Squares" and "The Match Game".
Enjoying a number of featured roles in such lightweight comedy fare as My Six Loves (1963) with Debbie Reynolds, With Six You Get Eggroll (1968) starring Doris Day, and the Joan Rivers starrer Rabbit Test (1978), she also had a small teacher role in the popular film version of Grease (1978). Alice primarily situated herself, however, on the sitcom circuit and appeared in a number of recurring 'nervous Nellie" roles, topping it off as the painfully shy, dematerializing and accident-prone witch nanny Esmeralda in Bewitched (1964) from 1969-1972 (replacing the late Marion Lorne, who had played bumbling Aunt Clara), and as the batty friend Bernice in Designing Women (1986).
In 1978 Alice replaced Dorothy Loudon as cruel Miss Hannigan in "Annie", her last Broadway stand. Alice would play the mean-spirited scene-stealer on and off for nearly a decade in various parts of the country. Other musicals during this time included "Take Me Along", "Bye, Bye Birdie" (as the overbearing mother), and the raucous revue "Nunsense".
A series of multiple strokes ended her career come the millennium and she passed away of colon cancer on September 21, 2007. Her long-time husband of fifty years, Italian comedic actor Felice Orlandi died in 2003. The couple had no children.- Actor
- Soundtrack
Actor Ted Knight paid his dues with nearly two decades of relatively obscure dramatic, often villainous television work, before finding enduring fame in a scene-stealing supporting turn on a classic 1970s sitcom, hilariously overplaying a silver-haired, self-important imbecile. Although the conceited "stuffed shirt" typecast plagued him for the rest of his career, the self-proclaimed "Polish Prince of Comedy" continued on good-naturedly, earning lead status on his own comedy series. The Connecticut-born actor was christened Tadeusz (Theodore) Wladyslaw Konopka, the son of a Polish-American family in his native town of Terryville, Connecticut. A high school dropout, he enlisted for World War II duty and eventually became a decorated member of the A Company, 296th Combat Engineer Battalion.
During his tour of duty, Ted developed an interest in acting, returning home in the post-war years to study his craft in Hartford, Connecticut, at the Randall School of Dramatic Arts. A fascination with puppetry and ventriloquism led to his first steady paycheck, as the host of a children's radio show (WJAR) in Providence, Rhode Island (1950-1955). Following this, Ted found more work (WROW-TV) in Albany, New York, hosting a children's variety show while playing radio announcer for its sister radio station, WROW.
Heading west to Los Angeles, California in 1957, Ted spent most of his early years providing slick commercial voiceovers and earning minor roles on television (Sea Hunt (1958)) and film (Psycho (1960)). He appeared regularly on the short-lived, The New Loretta Young Show (1962), and the daytime soap opera, The Young Marrieds (1964). Other television guest appearances sprouted including dramatic (The Twilight Zone (1959), The Fugitive (1963), Gunsmoke (1955), Highway Patrol (1955), Bonanza (1959), Combat! (1962)) as well as occasional comedic parts (McHale's Navy (1962), Gomer Pyle: USMC (1964), Get Smart (1965)). But nothing monumental pushed his career forward.
Ted's well-modulated voice was his moneymaker during the lean years, whether as an announcer/narrator or cartoon voice character. However, this anonymity ended went he copped the role of inept, pearly-toothed WJM anchorman "Ted Baxter" on The Mary Tyler Moore Show (1970). The arrogant but highly insecure character earned Knight two supporting Emmy trophies (1973, 1976) but severely pigeon-holed him for the rest of his career. However, the genial actor made the best of it and continued on stage ("Some of My Best Friends") and in commercials and TV spots that were similar in persona. In 1975, a musical album entitled "Hi, Guys!" (a catchphrase of the Baxter character) was released, which included a series of bizarre novelty songs.
Knight eventually starred opposite Nancy Dussault in his own television series, Too Close for Comfort (1980), which had a healthy run despite the fact that Knight, as the lead, was more subdued than on the Mary Tyler Moore classic. Renamed "The Ted Knight Show" after it became a syndicated series, the series finally ended in 1986 only due to Knight's terminal illness. The actor's sole post-Ted Baxter movie role was as a judge in the golf-themed comedy, Caddyshack (1980), in which he continually bumped heads with the film's star, Rodney Dangerfield.
Knight was initially diagnosed with cancer in 1977, for which he was treated over an extended period of time. In 1985, the television star's conditioned worsened and the 62-year-old actor died on August 26, 1986, following surgery for a growth in his urinary tract. He was interred in the Forest Lawn Memorial Park in Glendale, California (his marker reads Theodore C. Konopka), and was survived by his wife of 38 years, Dorothy Knight (nee Smith), and their three children, Ted Knight Jr., Elyse Knight and Eric Knight.- Actor
- Additional Crew
- Soundtrack
Barney Martin was born on 3 March 1923 in Queens, New York City, New York, USA. He was an actor, known for Arthur (1981), The Producers (1967) and Seinfeld (1989). He was married to Catherine Martin. He died on 21 March 2005 in Studio City, California, USA.- The ever-impressive, chameleon-like British character actor Roy Dotrice was born on the Island of Guernsey, which is part of the United Kingdom, one of the Channel Islands off the coast of France. He was the first-born child of Louis and Neva Dotrice who prospered as bakers. The Germans occupied the island in 1940 and he and his mother and brother escaped to England.
Advancing his real age, Roy joined the Royal Air Force at age 16 and was trained as a wireless operator and air gunner. In 1942 his plane was shot down and he was captured where he served out the remainder of WWII (over three years) as a prisoner of war in Germany. He was introduced to the idea of performing when he took part in various makeshift concerts in order to raise the spirits of his fellow captives.
Following WWII and his release, Roy decided to pursue his acting ambitions. After studying at the Royal Academy of Dramatic Art, he began appearing in English repertory where he met and married (1947) actress Kay Dotrice who at the time was performing under her given name of Katherine (Kay) Newman. Throughout the early post-war years, the couple performed together in repertory with Charles Denville and the Denville Players. At different times he was a member of the Liverpool, Manchester and Oldham repertory theatres. Also during this great time of productivity, Roy produced and directed some three hundred stage plays. He formed his own troupe, the Guernsey Theatre Company, in 1955. The highlight of his theatrical career, however, began in 1957 when Roy became a member of the Shakespeare Memorial Theatre at Stratford, England, (later the Royal Shakespeare Company). For the next nine years he performed in a lengthy succession of the Bard's works, first in small parts as various players, officers and gentlemen. He subsequently went on to become a notable Iago, Falstaff and Julius Caesar, among others. A popular performer, he had an uncanny ability to play much older than he was. He later went on to perform with the American Shakespearean Festival.
The notoriety he received from his abundant classical theatre experience led directly to radio, film, television and Broadway offers. Roy has appeared in a number of Broadway productions over the years, receiving a Tony nomination for his work in "A Life" and finally winning the trophy for his heralded performance in the 2000 revival of "A Moon for the Misbegotten" starring Cherry Jones and Gabriel Byrne. Known for his considerable success in one-man shows such as Abraham Lincoln, Charles Dickens, Will Rogers and Winston Churchill, his superb one-person show "Brief Lives", drawn from the Elizabethan diaries of John Aubrey, played for over 1,700 performances over a period of nearly a decade. At one time this set a record for a solo performance and was listed in the "Guinness Book of World Records".
Dotrice made his credited feature movie debut supporting Kirk Douglas and Richard Harris in The Heroes of Telemark (1965), and has since lent class and distinction to a spattering of films. Among his list of credits include the bawdy comedy Lock Up Your Daughters! (1969); the sumptuous biopic Nicholas and Alexandra (1971); the Oscar-winning Amadeus (1984), Milos Forman's adaptation of composer Mozart's life in which Roy portrayed Mozart's stern and domineering father Leopold; and The Cutting Edge (1992) as an Olympic skating coach.
Perhaps better remembered on the small screen, he appeared magnanimously as a host of monarchs including his Edward IV in The Wars of the Roses (1965) and King George IV in the syndicated miniseries Shaka Zulu (1986). To American audiences he is probably best known as Jacob Wells, the Beast's surrogate father, in the dramatic series Beauty and the Beast (1987). Dotrice was also cast in the recurring role of Father Barrett, a Catholic priest and confidante of Judge Henry Bone (played by Ray Walston), on the acclaimed Emmy-winning drama Picket Fences (1992).
Since the end of the 1970s he has lived and worked primarily in America. More recently he appeared on stage reviving his outstanding 1993 role as George Bernard Shaw in "The Best of Friends" in 2006. Millennium work included the films Alien Hunter (2003), These Foolish Things (2006), Played (2006), Go Go Tales (2007). Enjoying a recurring role on the British TV series Life Begins (2004), Roy made his last TV appearances on two 2012 episodes of "Game of Thrones" as Hallyne.
Roy's devoted wife Kay died on August 2, 2007, after 60 years of marriage. The couple has three daughters (Michele Dotrice, Karen Dotrice and Yvette Dotrice), all whom at one time or another were actresses. Karen, who is now primarily out of the business, became the best known perhaps for her childhood Disney portrayals, notably in Mary Poppins (1964). Combined, his daughters have presented him with seven grandchildren. Roy died on October 16, 2017. - Actor
- Writer
- Producer
Veteran Broadway, TV and film actor James Karen was encouraged as a young man to take up an acting career by U.S. Congressman Daniel J. Flood, who was an amateur actor himself. In 1947 Karen made his Broadway debut in "A Streetcar Named Desire", which led to appearances in over 20 Broadway productions. His television work began in 1948 with the telecast of "A Christmas Carol", directed by pioneer television producer / director Fred Coe. Since then he has acted in over 100 television shows, including a stint as as Chief Justice Michael Bancroft on First Monday (2002) for CBS. In 1965 he began his film work in the low-budget sci-fi "epic" Frankenstein Meets the Spacemonster (1965) and now has an impressive resume of over 80 movies to his credit. He has also filmed a record-breaking 5,000+ television commercials, most while a spokesperson for the Pathmark Supermarket chain in the northeast US. He has been honored with the "Saturn Award" for Lifetime Achievement given by the Academy of Science Fiction, Fantasy and Horror Films. He has also been presented "The Buster Award", by The International Buster Keaton Society. This award is given to the person who has demonstrated professional excellence in the tradition of Buster Keaton.- Actor
- Additional Crew
- Producer
Harvey Lembeck was an American actor of Jewish descent, primarily known for comedic roles. Early in his life, Lembeck had worked as a dancer, and radio announcer.
Lembeck was born in Brooklyn, New York City in 1923, and attended New Utrecht High School in Brooklyn.. In 1939, the 16-year-old Lembeck started working as a dancer, part of a dance team known as The Dancing Carrolls. The team performed at the New York World's Fair (April, 1939-October, 1940). Lembeck started dating his teammate, the female dancer Caroline Dubs. Lembeck and Dubs eventually married each other, and remained married until Lembeck's death in 1982.
During World War II, Lembeck served in the United States Army. He was discharged at the end of the War, and soon after started college studies at New York University. He graduated in 1947, with a degree at radio arts. He intended to work as sports radio announcer, but his teacher Robert Emerson advised Lembeck to try his hand at an acting career. Emerson had seen Lembeck perform at the University's theatrical productions and had seen potential in him.
From 1948 to 1951, Lembeck performed at the hit Broadway play "Mister Roberts" by Joshua Logan. The play was an adaptation of a novel by Thomas Heggen, and dramatized life aboard a ship of the United States Navy during the Pacific War campaign of World War II. Based on his Broadway success, Lembeck was offered his first film roles by the a California-based film studio, called 20th Century Fox.
In 1951, Lembeck played parts in three new films: the military-themed comedy "You're in the Navy Now", the film noir "Fourteen Hours", and the scuba-diving- themed war film "The Frogmen". However, he was cast in small parts in each of them. Back in Broadway, Lembeck had more success with the hit play "Stalag 17" by co-writers Donald Bevan and Edmund Trzcinski. The play depicted the life of the inmates in a Gernan prisoners-of-war camp during World War II.
In 1953, a film adaptation of "Stalag 17" was produced by Paramount Pictures, and Lembeck was hired to reprise his role. The film became a surprise box office hit, and Lembeck won the Theater Owners of America's Laurel Award for outstanding comedy performance. Afterwards Lembeck received more offers for film roles, though he was typecast into military roles for most of these films.
In 1955, Lembeck had a main-cast role in a television sitcom "The Phil Silvers Show" (1955-1959). The show featured the misadventures of Master Sergeant Ernest G. Bilko of the United States Army, a self-serving con-man and swindler. Lembeck played the part of Corporal Rocco Barbella, one of Bilko's sidekicks and partners-in-crime. The sitcom lasted four years, and the final episode featured both Bilko and Barbella being arrested for an embezzling scheme and incarcerated.
In the early 1960s, Lembeck played recurring parts in various sitcoms. He was eventually cast in co-starring role in the short-lived military comedy series "Ensign O'Toole" (1962-1963). He continued to appear in films, and had a minor hit with with the comedy film "Beach Party" (1963). He played the film's sympathetic villain, the outlaw biker Eric Von Zipper. Zipper was an affectionate parody of Marlon Brando's character Johnny Strabler from "The Wild One" (1953).
From 1964 to 1966, Lembeck reprise the role of Eric Von Zipper in five sequels to "Beach Party". They were "Bikini Beach" (1964), "Pajama Party" (1964), "Beach Blanket Bingo" (1965), "How to Stuff a Wild Bikini" (1965) and "The Ghost in the Invisible Bikini" (1966). He also played another, unnamed, "motorcycle thug" in the comedy "Dr. Goldfoot and the Bikini Machine" (1965), which spoofed the then-new "James Bond" series of films.
For most of the late 1960s, Lembeck was preoccupied with his theatrical career. In 1964, Lembeck succeeded Jack Kosslyn at the leadership of an actors' workshop. He initially focused on working with comedy scripts, but later started training actors in improvisational comedy. In his view, improvisation was one of the best ways to develop the comedy skills of an actor.
Lembeck had another hit theatrical role in the 1960s, as Sancho Panza in the play "Man of La Mancha" (1965) by Dale Wasserman. The play was itself a loose adaptation of the two-part novel "Don Quixote" (1605, 1615) by Miguel de Cervantes.
For most of the late 1960s, 1970s, and early 1980s, Lembeck appeared in guest star roles in television, with infrequent appearances in film. His last film appearance was a bit part in the comedy "The Gong Show Movie" (1980), a notorious flop of its era. He continued to both perform and teach acting.
In January 1982, Lembeck was performing in an episode of the sitcom "Mork & Mindy" (1978-1982), when he suddenly felt ill. Soon after, he had a heart attack and died in the studio set of the show. He was only 58-years-old. Lembeck's children were the actor Michael Lembeck and actress Helaine Lembeck.- Actor
- Writer
- Soundtrack
Allan Melvin was born on 18 February 1923 in Kansas City, Missouri, USA. He was an actor and writer, known for Flash Gordon (1979), Spider-Man and His Amazing Friends (1981) and Archie Bunker's Place (1979). He was married to Amalia Faustina Sestero. He died on 17 January 2008 in Brentwood, Los Angeles, California, USA.- Producer
- Director
- Writer
Gene Reynolds might have fulfilled a youthful ambition and become a baseball player. However, his father's business failed and the family relocated from their erstwhile home in Detroit to Los Angeles in 1934.
Eugene Reynolds Blumenthal was born in Cleveland, Ohio, the son of Maude Evelyn (Schwab), a model, and Frank Eugene Blumenthal. After his childhood move to Hollywood, he started in the film industry as an extra in Our Gang comedies while studying drama at the Pasadena Playhouse. At the age of fourteen he was contracted by Metro-Goldwyn-Mayer to play juvenile roles in classic features like Captains Courageous (1937) and Boys Town (1938). He often played the main star of the picture at a younger age in flashback. In 1940, Gene began a four year stint in the navy. Upon his discharge, he moved to New York to find work in the new medium of television. Another sojourn in Hollywood resulted in being featured in Paramount's The Country Girl (1954) and then cast in a mere bit part in The Bridges at Toko-Ri (1954). By this time, Gene had become somewhat dissatisfied with the lack of impetus in his acting career. Scouting at the studios for other opportunities (at one time making ends meet by selling suits at a men's fashion store in Beverly Hills) he managed to finagle a job in casting and then landed a directing assignment secured by his friend Jackie Cooper on his TV sitcom Hennesey (1959). Henceforth, Gene was to work exclusively behind the scenes. In 1957, he helped launch the popular western series Tales of Wells Fargo (1957) as co-creator (with Frank Gruber and James Brooks), as well as occasional writer and director. He spent most of the sixties as director of episodic television. At decade's end, he was signed by 20th Century Fox and went on to produce and direct the pilot for The Ghost & Mrs. Muir (1968).
Arguably more than anyone else, Gene Reynolds was the guy behind the success story of M*A*S*H (1972). Having been assigned the job of producing and directing the pilot episode, Gene first went to England to 'headhunt' comedy writer Larry Gelbart. He signed on Burt Metcalfe (at the time casting director at Universal) as associate producer and was then chiefly responsible for casting Alan Alda for the role of Hawkeye, McLean Stevenson as Colonel Blake and Jamie Farr as Corporal Klinger. Until 1977, Gene worked as executive producer (and frequent director) on M*A*S*H before moving on to -- in his own words -- "face a new challenge" as co-creator and executive producer of the acclaimed drama series Lou Grant (1977). He won six Primetime Emmy Awards (1970 for Room 222 (1969), 1974 , 1975 and 1976 for M*A*S*H , 1979 and 1980 for Lou Grant). In addition, he collected a Writer's Guild of America Award for M*A*S*H in 1981 as well as four Director's Guild of America Awards, respectively in 1973, 1974, 1979 and 1993. He also served as President of the Director's Guild from 1993 to 1997.
Gene Reynolds died in Burbank, California, on February 3 2020 at the venerable age of 96.- Producer
- Actress
- Director
Daughter of Bernard Granville, Bonita Granville was born into an acting family. It's not surprising that she herself became a child actor, first on the stage and, at the age of 9, debuting in movies in Westward Passage (1932). She was regularly cast as a naughty little girl, as in These Three (1936) where she played Mary, an obnoxious girl spreading lies about her teachers. Her performance left an impression on the audience, and she was nominated for a best supporting actress award. In 1938-39 came the movies she is now best remembered for -- playing the bright and feisty detective/reporter Nancy Drew in the Nancy Drew series. She also appeared with Mickey Rooney in a few Andy Hardy movies. She never really had a movie breakthrough, and after marrying oil millionaire & later producer Jack Wrather, she retired from acting in the middle of the 1950s, although she went on to produce the Lassie (1954) TV series.- Prolific supporting actor, arguably best known for his two guest appearances on Rod Serling 's The Twilight Zone (1959). In one of his later roles he played the chimpanzee veterinarian Dr. Galen in Planet of the Apes (1968) which was also co-scripted by Serling. Wright King studied drama at the St Louis School of Theater, graduating in 1941. During the Second World War he served for three years with the U.S.Navy, stationed in the South Pacific. After being honorably discharged he continued his drama studies in New York at the Actors Studio and at the American Theatre Wing. He did not make his screen debut until 1949. A string of walk-on parts was followed by a critically acclaimed supporting role in the original Broadway production of A Streetcar Named Desire (1947-49) as well as in the subsequent motion picture. King enjoyed a lengthy career, featuring in stage plays on both sides of the Atlantic and popping up in numerous television episodes (especially westerns). In one season of Wanted: Dead or Alive (1958) he played the sidekick of bounty hunter Josh Randall, played by Steve McQueen (1960) .
A close friend of Eileen Heckart until her death in 2001, King left the acting profession in 1987. With his wife June, he retired to Portland, Oregon. More recently, he resided in Woodland Hills, California, where he died at the venerable age of 95 on November 25 2018. His son is actor Meegan King . - Actor
- Director
- Writer
Don Adams was born in New York, to a father of Hungarian Jewish descent, and a mother of German and Irish ancestry. He had a sister, Gloria, and a brother, Dick Yarmy. He served in the U.S. Marines in World War II and contracted malaria during the fighting on Guadalcanal island. After the war he began a career as a stand-up comic. He married singer Adelaide Adams and adopted her last name as his stage surname. He had seven children altogether, (four with his first wife, two with his second, one with his third): Caroline Adams, Christine, Catherine, Cecily Adams, Stacey Adams, Sean, Beige. His television career began when he won the Ted Mack & the Original Amateur Hour (1948) talent contest. His most famous role, of course, is as bumbling, incompetent, clueless yet endearing secret agent Maxwell Smart in the classic sitcom/spy spoof Get Smart (1965), although he also had a career as a television director and a Broadway and theatrical dramatic actor.- Producer
- Actor
For 35 years, Bob Barker had been the host of The Price is Right (1972) game show. Not only is it the highest-rated daytime program, it is also the longest-running game show in TV history, surpassing the prime-time hit What's My Line? (1950), which ran for 18 years. He also served as the executive producer of the program, since 1988, until his retirement in 2007. Named the most popular game show host of all time in a national poll, he received the Lifetime Achievement Award for Daytime Television in 1999. Although he has graced our television screens for more than four decades, his career continued at full circle, until he left the show, in 2007, only to be replaced by comedian Drew Carey.
In 1996, he made his motion picture debut in Universal Pictures' Happy Gilmore (1996), in which he played himself with Adam Sandler. His real acting debut, however, came when he was asked to play Mel Harris' father in NBC's Something So Right (1996). Another honor came when one of the most historic sites in the history of television, Stage 33 at CBS Television City in Los Angeles, was re-dedicated as the Bob Barker Studio in ceremonies following the taping of the 5,000th episode of "The Price is Right", on March 11, 1998. Barker was the first performer to whom CBS has ever dedicated a stage.
Barker was born in Darrington, Washington, and spent most of his youth on the Rosebud Indian Reservation in South Dakota, where his mother was a schoolteacher. His family eventually moved to Springfield, Missouri, where he attended high school and Drury College on a basketball scholarship. World War II interrupted his studies and he joined the US Navy, becoming a fighter pilot, but the war ended before he was assigned to a seagoing squadron.
Following his discharge, Barker returned to Drury and took a job at a local radio station to help finance his studies. It was there he discovered what he did best being to host audience participation shows. After graduating summa cum laude with a degree in economics, he went to work for a radio station in Palm Beach, Florida. A year later he moved to Los Angeles, and within a week he was the host of his own radio program, "The Bob Barker Show". He made his debut, at the end of 1956 on national television as the host of the popular The All New Truth or Consequences (1950). Ralph Edwards, the show's originator, had sold the show to NBC as a daytime strip, but he had not chosen a host. He auditioned other hosts in Hollywood and New York for weeks, but when he heard "The Bob Barker Show" on his car radio, he knew he had found the man for the job. Proving that Edwards had chosen him wisely, Barker hosted "Truth or Consequences" for an unbelievable 18 years, until the show ended in 1975, and he and Edwards remained close friends, until Edwards's death in 2005. They drank a toast at lunch every December 21st to celebrate the day in 1956, when Edwards notified him he was going to become the host of "Truth or Consequences".
Barker had been twice named in the Guinness Book of World Records as Television's "Most Durable Performer," at 3,524 shows, and "Most Generous Host in Television history" for awarding $55 million in prizes on his various shows. During the ensuing years, the $55-million figure had increased to more than $200 million. He had won 11 Emmys as a Game Show Host, more than any other performer, and 2 more as Executive Producer of "The Price is Right". He also was given the Lifetime Achievement Award in 1999, for a total of 14, and won 2 additional awards, for a total of 16 Emmys. He had also received the coveted Carbon Mike Award of the Pioneer of Broadcasters.
In 1978, he developed "The Bob Barker Fun & Games Show", a series of personal appearances that attracted record-breaking audiences throughout the US and Canada. He also established the DJ&T Foundation in Beverly Hills, California, the purpose of which is to help control the dog and cat population. He was funding the foundation through his own resources to support low-cost or free spay/neuter clinics. This foundation is named in memory of his late wife, Dorothy Jo, and his mother, Matilda (Tilly) Valandra, both of whom loved animals. Barker's work on behalf of animals has garnered him a long list of awards from prestigious humane organizations across the country. In fact, a columnist wrote Bob had become a part-time television host and a full-time animal rights activist. However, he assured his audiences there was room in his busy life for both television and animals.
After his retirement, Barker had made 3 more appearances, on "The Price is Right", the first being to promote his autobiography, " Priceless Memories :, then, on his 90th birthday, in 2013 he briefly replaced Drew Carey, at the show's intro, for an April Fools' Day joke, which was his last appearance. In 2010, The Sea Shepherd Conservation Society announced it had purchased and outfitted a ship to interdict with Japanese whaling operations in the Southern Ocean using $5 million dollars, provided by him, the same year, he donated $2.5 million, toward the purchase of office space for the organization in Los Angeles. The "Bob Barker Building" opened in 2012.
Bob Barker passed away on August 26, 2023, in Hollywood Hills, California, after a long battle against Alzheimer's disease. He was 99.- William Campbell was born on 30 October 1923 in Newark, New Jersey, USA. He was an actor, known for Escape from Fort Bravo (1953), The High and the Mighty (1954) and Dementia 13 (1963). He was married to Tereza Pavlovic, Barbara Bricker and Judith Campbell Exner. He died on 28 April 2011 in Woodland Hills, California, USA.
- Actor
- Producer
- Director
One of the most beloved, charismatic and accomplished actors as well as one of the most imaginative and pathbreaking directors in the history of Indian cinema, Dev Anand was a leading man for more than five decades in over 110 motion pictures and continues to bestride Indian film fraternity even after his passing. He gave a new dimension to that magical state known as Stardom. And for his exemplary work he was awarded the Padma Bhushan in 2001 by the President of India. From the time he embarked on his career as a Film Actor in the mid-forties till his demise, his movies had been a journey filled with enriching experiences for the 'Evergreen Living Legend' of Indian Cinema. And he had always remained eternally youthful by his remarkable ability to live always in the present and the future; never in the past.
Also, as head of his film production company Navketan International Films, which was founded in 1949, Anand introduced a multitude of talent to the Indian Film Industry by way of actors, directors, music composers and cinematographers. He introduced new talent to cinema and experimented with new ideas for movies. He also headed one of the finest Film Sound Post-Production facilities in India - Anand Recording Studios - which has to its credit more than 3,000 Indian feature films that have been mixed/ surround mixed for worldwide release.
Anand won two Filmfare Awards - India's equivalent of the Oscars - in 1958 for his performance in the film "Kala Paani" (Black Water) and in 1966 for his performance in Navketan International Films' "Guide". "Guide" went on to win Filmfare Awards in five other categories including 'Best Film' and 'Best Director' and was sent as India's entry for the Oscars in the foreign film category that year. He co-produced the English Version of "Guide" with the Nobel Laureate Pearl S. Buck ("The Good Earth"). Eventually, his creative sensibilities got the better of him and he started writing and directing his own movies.
In 1993, he received a Filmfare 'Lifetime Achievement Award' and in 1996 he received a Screen Videocon 'Lifetime Achievement Award'. Then in 1997 he was given the Mumbai Academy of Moving Images Award for his Outstanding Services to the Indian Film Industry. In 1998, he was given a 'Lifetime Achievement Award' by the Ujala Anandlok Film Awards Committee in Calcutta. In 1999, he received the Sansui 'Lifetime Achievement Award' for his 'Immense Contribution to Indian Cinema' in New Delhi. In the year 2000, he was awarded the Film Goers' 'Mega Movie Maestro of the Millenium' Award in Mumbai. And then in July 2000, in New York City, he was honored by an Award at the hands of the then First Lady of the United States of America - Mrs. Hillary Rodham Clinton - for his 'Outstanding Contribution to Indian Cinema'. And again Anand was awarded the Indo-American Association 'Star of the Millennium' Award in the Silicon Valley, California. The President of India honored Anand with the prestigious Padma Bhushan Award on India's Republic Day - January 26th, 2001. And yet again, Donna Ferrar, Member New York State Assembly, honored him with a New York State Assembly Citation for his 'Outstanding Contribution to the Cinematic Arts Worthy of the Esteem and Gratitude of the Great State of New York' on May 1st, 2001.
Most recently, in April 2003, Anand was given a 'Lifetime Achievement Award' by the F.I.F.A. Committee in Johannesburg, South Africa. For an Indian Movie Icon who has hobnobbed with royalty, heads of State and celebrities, he did it all.
Anand passed away on December 3rd, 2011 in London's Washington Hotel, aged 88.
There are some who might remember Anand for not hanging his boots at the right time like his rival Dilip Kumar. But for millions of his admirers, both India and overseas, he shall remain the embodiment of someone who just never learnt to give up and being one of the pivotal figures who shaped the destiny of Indian Cinema in its formative years post independence and with his peerless intellect combined with his killer good looks gave it a footing on the map of world.- Actress
- Additional Crew
Daughter of Pathe screenwriter Peggy Prior and adopted daughter of the poet, essayist, author, and screenwriter Joseph Moncure March. Lori March began acting on stage in the 1940s. She later married the vocal performer Alexander Scourby, best known for his famous reading of "The Bible". Lori March Williams passed away in Connecticut in 2013. She is buried in the Church of the Transfiguration Columbarium Manhattan, New York County (Manhattan), New York, USA.- Actor
- Soundtrack
As a kid in the 1930s growing up in a tough New York neighborhood, kinetic wiseguy Larry Storch took in the multi-ethnic flavor of his surroundings and started blurting out various accents as a juvenile to provoke laughs and earn attention. Little did he know that this early talent would take him on a six-decade journey as a prime actor and comedian.
The 5'8" actor was born on January 8, 1923, in New York City, the son of a realtor and telephone operator. Although he attended DeWitt Clinton High School in the Bronx, he never graduated, earning money as a stand-up comic. Larry's gift as an impressionist paid off early during those teen years in vaudeville houses. Following military duty during WWII as a seaman (1942-1946), a happenstance meeting with comedian Phil Harris in Palm Springs led to an opening act gig at Ciro's for Lucille Ball's and Desi Arnaz' show.
Larry received his biggest break on radio with "The Kraft Music Hall" when he was asked to sub for an ailing Frank Morgan. He not only delivered his patented star impersonations, he did a devastating one of Morgan himself that went over famously.
Moving to the small screen, a summer hosting replacement on the TV variety show Cavalcade of Stars (1949) was followed by Larry's own variety series, The Larry Storch Show (1953). In musical revues from the early 1950s with such showcases as "Red, Hot and Blue" and "Curtain Going Up," he also became a fixture on the nightclub circuit. He made a leap into legit acting with the musical "You Never Know" (1955) and comedies "The Tender Trap" (1956) and "Who Was that Lady I Saw You With?" (1958), in which he played a hyper Russian spy.
A long-lasting friendship with Tony Curtis that formulated during his Navy days paid off in spades. Curtis started finding work for his buddy in his films, beginning with an unbilled bit in the Universal costumer The Prince Who Was a Thief (1951). When Larry's career was going through a noticeable lull in the early 1960s, Curtis again came to the rescue by giving him top supporting roles in some of his prime cinematic fluff--Who Was That Lady? (1960) (in which he recreated his stage role), 40 Pounds of Trouble (1962), Sex and the Single Girl (1964) and Wild and Wonderful (1964).
TV audiences soon started seeing his manic-looking mug regularly on episodic TV, including The Phil Silvers Show (1955) and Car 54, Where Are You? (1961). Larry's biggest claim to fame would come via his Emmy-nominated role as Forrest Tucker's loyal but not particularly bright sidekick Cpl. Randolph Agarn in the western comedy F Troop (1965).
While continuing to make an "impression" in nightclubs, Larry found a lucrative outlet in animation, too, giving vocal life to four decades' worth of cartoons, including the series Tennessee Tuxedo and His Tales (1963), Underdog (1964), The Pink Panther Show (1969) and Scooby Doo, Where Are You! (1969). He also provided the voice of Koko the Clown in the syndicated cartoon show Out of the Inkwell (1961).
Beginning in the 1980s Storch made a comic resurgence of sorts under the theater lights with a healthy run opposite Jean Stapleton and Marion Ross in "Arsenic and Old Lace" from 1986-1988, and in the musicals "Oklahoma!" (1990) and "Annie Get Your Gun" (2000), the latter as Chief Sitting Bull. He also appeared with his friend Curtis again, this time in a musical stage version of Curtis' classic film Some Like It Hot (1959).
Larry went on to appear in typical oddball form in such films as Airport 1975 (1974), The Happy Hooker Goes to Washington (1977), Record City (1977), Without Warning (1980) (as a scoutmaster), S.O.B. (1981) (as a guru), Fake-Out (1982), Sweet Sixteen (1983), A Fine Mess (1986), The Perils of P.K. (1986), The Silence of the Hams (1994), Funny Valentine (2005) and Bittersweet Place (2005). TV guest appearances included "The Fall Guy," "Knight Rider," "Out of This World," "Married ... with Children," "Days of Our Lives," and his last, a 2010 appearance on "Medium Rare."
He was married to actress Norma Storch from 1961 until her death from cancer in 2003.- Liam Sullivan was schooled at Illinois College while having his first fling with the acting profession in regional theater. He then studied drama at Harvard, made his way to New York and first appeared on Broadway in "The Constant Nymph" in 1951. He later returned to the West Coast to perform in an LA stage production of "Mary Stuart". By the early 1950s, he began appearing in television, his Romanesque features and precisely modulated voice ideally suited to smoothly roguish, arrogant or cynical gents, adept at caustic or witty repartee. He was a familiar presence across all genres, from western to science fiction.
Among his many TV credits two stand out above all: his sadistic philosopher-king Parmen from the Star Trek (1966) episode "Plato's Stepchildren",; and his obnoxious social-climbing upstart Jamie Tennyson in "The Silence" (The Twilight Zone (1959)) who unwisely accepts a bet for a half-million dollars that he can remain silent for a year (based on a short story by Anton Chekhov, entitled "The Bet"). Liam appeared in another Twilight Zone episode, "The Changing of the Guard", but this time was overshadowed by Donald Pleasence, who delivered arguably the most poignant performance of his career.
During the latter stages of his life, Liam combined acting with writing and, just prior to his death, was working on a novel. He was also in the process of compiling a biographical history of the Eli Bridge Company who built the innovative 'Big Eli' Ferris Wheel in Jacksonville, Illinois in May 1900. Founded by his ancestor W.E.Sullivan, the business is still run by members of the Sullivan family. - Actress
Brunette, delicately featured leading lady who briefly made an impact through memorable back-to-back appearances in the films Humoresque (1946) and Rope (1948). Joan grew up in Butler, Pennsylvania, where her family had a car dealership. Her mother was a musician. Joan studied dancing at the Bennington School of the Arts and was at one time an alumnus of the Martha Graham Dance Company. Very little is known of her private life but at least one of her two sisters was also on the musical scene. Joan decided on an acting career and made her bow on Broadway in 1944 as a juvenile in "The Late George Apley". Five years later, she had a singing and dancing part, starring opposite Ray Bolger in "Where's Charley?", replacing Allyn Ann McLerie. In between work on stage and screen she also featured in such episodic radio dramas as 'Theater Guild of the Air'. During the first half of the 1950's, Joan enjoyed a good run of critical plaudits for her performances in the comedy "My Three Angels" (with Walter Slezak), and as Miranda in the American Shakespeare Festival staging of "The Tempest" in Stratford, Connecticut.
Her last role of note came in 1959 (as replacement for the nominal star Rosemary Harris), with Joan as the female lead opposite Jason Robards in "The Disenchanted", a Budd Schulberg/ Harvey Breit play about the life of F. Scott Fitzgerald. It has been variously suggested that Joan's career may have suffered as a result of blacklisting by HUAC, or because of a physical similarity to another more established actress, Diana Lynn. The fact remains, that she managed to maintain a relatively busy schedule on the East Coast stage throughout the 1950's. However, by 1962, she seems to have lost heart and given up the profession. Apart from a few guest appearances in early anthology TV and a couple of forgettable teen movies, there was little else of note from this attractive and talented performer. She faded into relative obscurity, living out the sadly short remainder of her life in Manhattan.- Actress
- Additional Crew
- Soundtrack
Rose Marie was a legend of show business, with a career stretching 90 years, since her debut as her self in a Vitaphone musical short that appeared on the bill with The Jazz Singer (1927) at its premiere in 1927. According to Rose Marie, when she approached Al Jolson at the Winter Garden Theater in New York on the night of the premiere that made movie history and told him, "You were wonderful, Mr. Jolson!", his reply was, "Get away, you little brat!"
"He didn't like kids," Rose Marie explained. Her first credited appearance was in another musical short, Baby Rose Marie the Child Wonder (1929) in 1929.
The legendary performer was born Rose Marie Mazetta on August 15, 1923 in New York City, the daughter of an Italian-American father, Frank Mazetta (known as Frank Curley), and Polish-American mother, Stella (Gluszcak). Blessed with a remarkable singing voice for a child that allowed her to belt out jazz songs in the "coon shouter" style of the 1920s (as exemplified by Sophie Tucker), she began performing when she was three years old as "Baby Rose Marie." By the time she was five, she had her own radio show on NBC, appearing after 'Amos and Andy' (1949)_, the most popular show in the country. Many people could not believe the voice they were hearing actually belonged to a child.
Baby Rose Marie made many appearances in films in the 1930s, most famously in International House (1933), a movie about television, the medium in which Rose Marie would win her everlasting fame. In addition to her film performances, Baby Rose Marie also appeared on records and performed in vaudeville as a headliner. One of the acts she appeared with was Edgar Bergen before his Charlie McCarthy ventriloquism act, when he was still a small-timer. A half century later, when she appeared on Murphy Brown (1988), she told star Candice Bergen, "I worked with your father in vaudeville when he was doing a doctor sketch."
When Bergen replied that she couldn't have played the nurse in the act as she was too young, Rose Marie told her that she was the headliner and he was her opening act. "She didn't care for that too much," Rose Marie remembered.
She also appeared in vaudeville with Dick Powell, Rudy Vallee and Jimmy Durante, who mentored her. She also entertained at the White House three separate times at the request of three presidents. They were Calvin Coolidge, Herbert Hoover and Franklin D. Roosevelt.
She transitioned to becoming a nightclub chanteuse as a teenager, playing all the big night clubs and hotels in New York, Chicago, Atlantic City, Las Vegas and Miami, Florida, usually in Mob-controlled venues. (Prominent mobsters, who called her "The Kid", liked her and protected her.) A young Milton Berle, whom she had known since she was a child, wrote some of her material, as did Morey Amsterdam, her future "Dick Van Dyke" co-star whom she knew since she was nine years old.
After the war she married trumpeter Bobby Guy of the Kay Kyser Orchestra, in 1946. She made her Broadway debut in 1951, co-starring with Phil Silvers in the hit show Top Banana (1954) (she also appeared in the 1954 film adaptation). Rose Marie also appeared on radio on "The Phil Harris - Alice Faye Show", playing the sister of Sheldon Leonard, who would later hire her for The Dick Van Dyke Show (1961) in his capacity as executive producer.
Rose Marie had a career resurgence as an actress in the 1960s, starring in three sitcoms during the decade: First, My Sister Eileen (1960) in the 1960-1961 season. Second: as comedy writer "Sally Rogers" on The Dick Van Dyke Show (1961) from 1961 to 1966, and on The Doris Day Show (1968) from 1969 to 1971. She also appeared frequently on The Hollywood Squares (Daytime) (1965). She was the center square at least once, and had a recurring role on Murphy Brown (1988) and Wings (1990). She appeared in a Remington Steele episode "Steele in the Spotlight (1986).
She also kept her singing career going, touring as part of the musical revue "4 Girls 4" from 1977 to 1981 with Rosemary Clooney, Helen O'Connell and Margaret Whiting. In her latter years, she continued to make occasional appearances.
She died on December 28, 2017 in Van Nuys, California, at 94 years old.- Leonard Stone was born on 3 November 1923 in Salem, Oregon, USA. He was an actor, known for Willy Wonka & the Chocolate Factory (1971), Soylent Green (1973) and I Spy (1965). He was married to Carole H. Kleinman. He died on 2 November 2011 in Encinitas, California, USA.
- Actor
- Soundtrack
In the late 1920s, Lewis worked as a circus performer, but ultimately decided on college, earning a Ph.D. in child psychology from Columbia University. He taught school and wrote two children's books. In 1949, at the suggestion of a friend, Lewis turned to acting and joined the Paul Mann Actor's Workshop in New York. Lewis worked in burlesque and vaudeville theaters across the country, which eventually led to Broadway. By the 1950s, television was booming, and Lewis took advantage of the work appearing on almost every live show out of his home base of New York City. His most famous regular TV roles were Officer Leo Schnauser on Car 54, Where Are You? (1961) and Grandpa on The Munsters (1964). When these shows ended, he opened a restaurant in New York called "Grampa's" in Greenwich Village. He has since produced a home video for children and appeared on WTBS in a series of Saturday morning programs for children.- Director
- Cinematographer
- Actor
Irvin Kershner was born on April 29, 1923 in Philadelphia, Pennsylvania. A graduate of the University of Southern California film school, Kershner began his career in 1950, producing documentaries for the United States Information Service in the Middle East. He later turned to television, directing and photographing a series of documentaries called "Confidential File". Kershner was one of the directors given his first break by producer Roger Corman, for whom he shot Stakeout on Dope Street (1958). The main theme that runs through many of his films is social alienation and human weaknesses - although his biggest commercial success was the science fiction blockbuster Star Wars: Episode V - The Empire Strikes Back (1980). Irvin Kershner died at age 87 of lung cancer in his home in Los Angeles, California on November 27, 2010.- Actress
- Soundtrack
Petite, attractive Mari Blanchard rarely managed to get the lucky breaks. The daughter of an oil tycoon and a psychotherapist, she suffered from severe poliomyelitis from the age of nine, which denied her a hoped-for dancing career. For several years, she worked hard to rehabilitate her limbs from paralysis, swimming and later even performing on the trapeze at Cole Brothers Circus. At the urging of her parents, she then attended the University of Southern California, where she studied international law before dropping out nine units short of a degree. Her university studies did not lead to a career either. Sometime in the late 1940s, she joined the Conover Agency as an advertising model and, at the same time, was promoted by famed cartoonist and writer Al Capp, becoming the inspiration for one of his Li'l Abner characters.
As the result of an advertisement on the back page of the Hollywood Reporter, Mari was signed to a contract with Paramount. However, her early experience in the movie business proved an unhappy one, most of her roles being walk-ons and bit parts. Ten Tall Men (1951), for example, limited her to a token stroll down a street, twirling a parasol and smiling seductively at members of the Foreign Legion. It wasn't until Mari joined Universal that her fortunes improved somewhat, with a co-starring role (opposite Victor Mature) in The Veils of Bagdad (1953). After that, it was all downhill again. Burt Lancaster, co-producer and star (with Gary Cooper of the excellent A-grade western Vera Cruz (1954), had requested Mari as his leading lady, but Universal refused her release to United Artists and forbade her to accept the lucrative role (Denise Darcel ended up getting the part). Mari then lost the lead in a much lesser picture,Saskatchewan (1954), to Shelley Winters. Instead, she was cast as Venusian Queen Allura in one of the least exciting outings by Universal's leading comic duo, Abbott and Costello Go to Mars (1953).
Mari did end up with a respectable starring role in the western Destry (1954) opposite Audie Murphy. A remake of the classic Destry Rides Again (1939), she was cast in the Marlene Dietrich part and took great pains to affect a totally different look, darkening her hair so as not to be compared to the great star. Even the name of her character was changed from 'Frenchy' to 'Brandy'. "Destry" was not all smooth sailing. There was tension between her and director George Marshall (who had also directed the original version) and Mari suffered a facial injury as the result of a fight scene. The film was critically well received, but unfortunately Universal failed to renew its contract with Miss Blanchard, and her career then went into free fall.
Freelancing for lesser studios, she played a TB victim injected with a serum turning her into a Mr. Hyde-like killer in the lurid She Devil (1957) (during filming she nearly died of acute appendicitis). Mari then appeared for Republic in the eminently forgettable No Place to Land (1958) before briefly starring in her own short-lived adventure series Klondike (1960). Her last role of note was as the cheerful and likeable town madam in the rollicking John Wayne western comedy McLintock! (1963). Sometime that year, Mari Blanchard developed the cancer which was to claim her life in 1970 at the age of just 47.- One of four children, lovely Detroit-born actress Doris Dowling (born May 15, 1923) would follow older sister Constance Dowling (who died relatively young in 1969) into show business. Raised in New York City, she briefly spent some time with a San Francisco Folies Bergère company before returning to New York and studying at Hunter College.
Following several years as a singing/dancing Broadway chorine in such musicals as Panama Hattie (debut at age 17), Banjo Eyes, Beat the Band and New Faces of 1943, Doris decided to pattern sister Constance's career formula by relocating to Hollywood and pursue films. After a couple of bit parts, she scored with the second femme role of a barfly, prostitute and enabler to fellow alcoholic Ray Milland in the sobering classic film The Lost Weekend (1945). That movie, which won "Best Picture" and "Best Actor" for Milland, was the first to deal with the harrowing effects of alcoholism. This success led to an equally choice victimy part in the Raymond Chandler film noir The Blue Dahlia (1946) starring Alan Ladd and Veronica Lake as Ladd's ill-fated wife. From there she was relegated to "B"-level post-war films. She co-starred with Kent Taylor in the crime mystery The Crimson Key (1947), but then found herself uncredited a year later in the Bing Crosby musical romancer The Emperor Waltz (1948).
Seeing the writing on the wall, Doris (like sister Constance) decided to move and continue her movie career abroad. With her dark, earthy, exotic-eyed beauty, she complemented several dramas, including a starring role in the Italian classic Bitter Rice (1949) that also starred Vittorio Gassman and made an international sex star out of Silvana Mangano. Filmed entirely in Cuba, she then starred in the minor musical drama Sarumba (1950) playing a singer and love interest to handsome sailor Michael Whalen, followed by a second femme role in the Italian drama Alina (1950) starring rising goddess Gina Lollobrigida. Doris' last starring film was in the romantic adventure Cuori sul mare (1950) (Hearts at Sea) with handsome Jacques Sernas. Before departing Italy, she also played Bianca in Orson Welles' troubled European production of Othello (1951), which was filmed in Italy and Morocco.
Returning to the US by 1952, theater and TV would comprised much of Doris' later work. She appeared on several anthology programs, including "Armstrong Circle Theatre," "Goodyear Playhouse" and "Schlitz Playhouse," and guested on the popular dramatic shows of the day such as "Medic," "Cheyenne," "Richard Diamond, Private Detective," Mike Hammer," "Have Gun--Will Travel," "Checkmate," Shirley Temple's Storybook," "Alfred Hitchcock Presents," "Perry Mason," "The Andy Griffith Show" and "Bonanza," "Barnaby Jones," "The Dukes of Hazzard," and the mini-series "Scruples." She also enjoyed a regular role on the Julie Newmar-hyped female robot sitcom My Living Doll (1964).
In 1973, Doris returned to the stage and shared an Outer Critics Circle award for her performance in the all-star stage production of "The Women" on Broadway. Her final film roles were in The Car (1977) and Separate Ways (1981)
Married three times, she was wife #7 to band leader Artie Shaw, her first husband, with whom she had a son, Jonathan Shaw. Doris died June 18, 2004 at age 81, and was interred at Holy Cross Cemetery in Los Angeles. - Actress
- Soundtrack
She was born Adelaide Delgado on August 28, 1923 (some references list 1925) to Spanish-speaking parents. The future Adela Mara began dances lesson at age 6 and was discovered as a young teenager by the legendary Xavier Cugat. Singing and dancing with his in the Detroit area, Cugat took the beautiful, brown-eyed brunette to New York where she performed in his shows at such esteemed clubs as the Copacabana.
While touring as a singer/dancer, she was spotted in Florida by a Columbia talent scout and signed to a Hollywood contract in 1942 at age 19. Starting off in bit exotic roles in such films as Honolulu Lu (1941), she quickly grew to alluring co-starring status opposite top banana Glynis Ahearn in Shut My Big Mouth (1942). There continued playing brisk leading ladies in a series of standard, uneventful "B" films including Vengeance of the West (1942) with Tex Ritter and Alias Boston Blackie (1942) starring Chester Morris.
A couple of years later she was transformed into a sexy platinum blonde pin-up after signing with Republic Studios and kept herself quite busy predominantly cast as senorita-types opposite cowboy stars Roy Rogers in Bells of Rosarita (1945) and Gene Autry in Twilight on the Rio Grande (1947). She was also fetching fodder in crime dramas including Blackmail (1947) and Web of Danger (1947) and a pleasant diversion in adventure pictures such as Wake of the Red Witch (1948) with John Wayne and The Avengers (1950).
Arguably Adele's best parts would come with Angel in Exile (1948) and Sands of Iwo Jima (1949), the latter again starring Duke Wayne. Seldom was she given the chance to capitalize on her acting talents, however, and her film career waned in the mid 1950s. Her last screen appearance would be in The Big Circus (1959) with Victor Mature. Adele subsequently moved into TV and was featured in a number of guest spots, primarily in westerns. She eventually abandoned her career and settled down to raise her three sons from her 1952 marriage to TV mogul Roy Huggins who produced many hit shows including 77 Sunset Strip (1958) and Maverick (1957). On a rare occasion, she would appear as a guest in one of his efforts, including an episode of the TV series Cool Million (1972).
Huggins died in 2002 and Adele passed away eight years later of natural causes in Los Angeles on May 7, 2010. The 87-year-old actress was interred at San Fernando Mission Cemetery.- Actress
- Soundtrack
New Orleans-born actress Gloria Henry was born Gloria Eileen McEniry on April 2, 1923, and lived on the edge of the Garden District growing up. Educated at the Worcester Art Museum School, she moved to Los Angeles in her very late teens and worked on a number of radio shows and commercials using the stage name of Gloria Henry. She also performed in little theatre groups.
Signed by an agent, the brunette hopeful transitioned into film work via Columbia Studios and made her debut as the femme lead in the minor horse-racing film Sport of Kings (1947), instantly moving into the programmer Keeper of the Bees (1947) as a love interest for Michael Duane and mystery drama Bulldog Drummond Strikes Back (1947) with Ron Randell as the title sleuth. Now a pert and pretty reddish-blonde, she continued providing decorative duties in such "B" fodder as Port Said (1948), in a dual role, Adventures in Silverado (1948),Air Hostess (1949), Rusty Saves a Life (1949), Feudin' Rhythm (1949), a musical western showcasing Eddy Arnold, Al Jennings of Oklahoma (1951), and the Gene Autry westerns The Strawberry Roan (1948) and Riders in the Sky (1949). Some of the better films for her that came out of this period included secondary femme roles in Johnny Allegro (1949) with George Raft and Nina Foch, Miss Grant Takes Richmond (1949) starring Lucille Ball and William Holden, and the classic Fritz Lang western Rancho Notorious (1952) top-lining Marlene Dietrich. She also had top billing in a few of her "B" films but to little notice.
The 1950s were an uneventful mixture of more "B" films and episodic TV guest parts (My Little Margie (1952), Perry Mason (1957)). She also was a regular on the private eye series The Files of Jeffrey Jones (1952) starring Don Haggerty, but was written out of the show due to pregnancy. All this relative anonymity, ended for her, however, when she won the role of radiant and resilient mom "Alice Mitchell" on the comedy series Dennis the Menace (1959) shortly after filming a role in Gang War (1958) starring a young and up-and-coming Charles Bronson. The series co-starred Herbert Anderson as her hapless, bespectacled husband and young Jay North as the pint-sized, trouble-making tornado of the title. Gloria was the picture of sunny innocence and maternal warmth and enjoyed four seasons. Sadly, invaluable actor Joseph Kearns, who played the cranky next-door neighbor "Mr. Wilson", died unexpectedly of a heart attack in 1962 to the detriment of the show. He provided an important chemistry with North and necessary friction that just wasn't mustered up by his eventual replacement Gale Gordon, a terrific character grump in his own right. Dennis the Menace (1959) lasted only one more season before being canceled. Gloria's career slowed down considerably after this TV success. She was spotted occasionally in TV-movies playing assorted bit-part matrons and returned to the big screen in a brief role in Her Minor Thing (2005), a romantic comedy directed by Charles Matthau, Walter Matthau's son. She occasionally attended film festivals and nostalgic conventions. Gloria wed architect Craig Ellwood in 1949; they divorced in 1977. She had three children from that marriage: Jeffrey, Adam and Erin Ellwood.