On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Bikers and Beatniks and Bisexuals, Oh My!
Last month, the internet — or, at the very least, my queer film-obsessed corner of the internet — broke with the announcement of “Pillion,” a romance film starring Harry Melling as a stick-in-the-mud who becomes the submissive boy toy of a leather-clad biker hottie. The prospect of watching Melling, an underrated actor best known for his childhood role of the bratty Dudley Dursley, under the thumb of Alexander Skarsgård in fetish gear is no doubt enticing. But the hubbub over the film also served as...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Bikers and Beatniks and Bisexuals, Oh My!
Last month, the internet — or, at the very least, my queer film-obsessed corner of the internet — broke with the announcement of “Pillion,” a romance film starring Harry Melling as a stick-in-the-mud who becomes the submissive boy toy of a leather-clad biker hottie. The prospect of watching Melling, an underrated actor best known for his childhood role of the bratty Dudley Dursley, under the thumb of Alexander Skarsgård in fetish gear is no doubt enticing. But the hubbub over the film also served as...
- 6/8/2024
- by Wilson Chapman and Alison Foreman
- Indiewire
David Lynch is one of the most critically acclaimed directors known for his surrealist and distinctive class of cinema. The filmmaker holds some masterpieces like Mulholland Drive, Blue Velvet, and Wild at Heart under his collar.
Despite his excellence in bringing some dark tales on-screen, Lynch is known to be a kind man on set. Being a reputed director, he is adored by his co-workers and fans except for that one instance where he lost his cool on a crew member.
A still from Twin Peaks: The Return I Showtime
The incident happened on the set of Twin Peaks: The Return when a crew member suggested the director cut a long scene. The viral clip featuring an infuriated David Lynch proved that the filmmaker has a strong distaste for chopping down scenes in his projects.
What led David Lynch to be so merciless against one of his crew members?
David...
Despite his excellence in bringing some dark tales on-screen, Lynch is known to be a kind man on set. Being a reputed director, he is adored by his co-workers and fans except for that one instance where he lost his cool on a crew member.
A still from Twin Peaks: The Return I Showtime
The incident happened on the set of Twin Peaks: The Return when a crew member suggested the director cut a long scene. The viral clip featuring an infuriated David Lynch proved that the filmmaker has a strong distaste for chopping down scenes in his projects.
What led David Lynch to be so merciless against one of his crew members?
David...
- 6/3/2024
- by Subham Mandal
- FandomWire
If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.
In this digital-dominated era, the allure of physical media like DVDs and Blu-rays remains robust, transcending mere nostalgia. These formats offer a tangible, personal connection to the artistry of film and television—a curated collection that one can physically handle, showcase, and possess.
As the industry increasingly veers towards streaming as its primary mode of distribution, collecting physical media is becoming a niche yet cherished pastime. It remains the most reliable method to ensure access to a broad spectrum of titles, often in the highest possible quality. A 4K Blu-ray on your shelf guarantees immediate, uninterrupted viewing—free from buffering or service outages—of your favorite films and TV shows in stunning resolution. Moreover, these discs frequently include a wealth of bonus content, ranging from archival gems to freshly...
In this digital-dominated era, the allure of physical media like DVDs and Blu-rays remains robust, transcending mere nostalgia. These formats offer a tangible, personal connection to the artistry of film and television—a curated collection that one can physically handle, showcase, and possess.
As the industry increasingly veers towards streaming as its primary mode of distribution, collecting physical media is becoming a niche yet cherished pastime. It remains the most reliable method to ensure access to a broad spectrum of titles, often in the highest possible quality. A 4K Blu-ray on your shelf guarantees immediate, uninterrupted viewing—free from buffering or service outages—of your favorite films and TV shows in stunning resolution. Moreover, these discs frequently include a wealth of bonus content, ranging from archival gems to freshly...
- 5/31/2024
- by Todd Gilchrist and Clayton Davis
- Variety Film + TV
David Lynch is undoubtedly one of Hollywood’s biggest visionaries and an author who will forever be remembered in history among the names that have changed movies for the better. The filmmaker has left us with numerous memorable works such as Blue Velvet, Eraserhead, The Elephant Man, and Mulholland Drive, but his arguably best and most famous work is the Twin Peaks television series, which became a cult classic of the mystery genre. He is known for his unique and surreal, sometimes quirky and weird, approach to his stories, and that is something that his fans love about him.
Lynch has been an uncompromising figure in the world of cinema and it’s been a while now that we’ve seen a new project of his come to light, although a recent interview we reported on indicated that Lynch had not given up on cinema. Today, in his unique way,...
Lynch has been an uncompromising figure in the world of cinema and it’s been a while now that we’ve seen a new project of his come to light, although a recent interview we reported on indicated that Lynch had not given up on cinema. Today, in his unique way,...
- 5/28/2024
- by Arthur S. Poe
- Fiction Horizon
David Lynch hasn’t directed a feature film since Inland Empire in 2006, but he has directed many shorts since then, as well as all 18 episodes of Twin Peaks: The Return. Last month, we heard that he’s hoping to make an animated film called Snootworld, which was rejected by the Netflix streaming service… but while we wait to find out whether or not Snootworld is going to find a home, Lynch has taken to social media to tease that something is coming from him in June. On June 5th, to be exact.
In a video posted to X, Lynch said, “Ladies and gentlemen, something is coming along for you to see and hear. And it will be coming along on June 5.“
pic.twitter.com/7wH9m1ADi4
— David Lynch (@DAVID_LYNCH) May 27, 2024
Lynch didn’t provide any hints as to what this something may be. A short film? A music video?...
In a video posted to X, Lynch said, “Ladies and gentlemen, something is coming along for you to see and hear. And it will be coming along on June 5.“
pic.twitter.com/7wH9m1ADi4
— David Lynch (@DAVID_LYNCH) May 27, 2024
Lynch didn’t provide any hints as to what this something may be. A short film? A music video?...
- 5/28/2024
- by Cody Hamman
- JoBlo.com
Val Kilmer was almost a lead in one of the cult classics of David Lynch. The Top Gun actor could be a massive name early in his career if he accepted Lynch’s 1986 mystery-thriller Blue Velvet.
Val Kilmer has been cast in several commercially and critically successful films throughout his career. He has also garnered attention from pop culture enthusiasts for his role as the Dark Knight in Batman Forever. However, the Iceman fame has also lost some iconic roles that could have elevated his career.
Val Kilmer in Top Gun | Paramount Pictures
It is not new for stars to miss out on some great films due to tough decisions. Val Kilmer admitted that he had to reject Blue Velvet as he was uncomfortable doing such an explicit film.
Why did Val Kilmer say no to David Lynch’s Blue Velvet?
David Lynch is known for his distinct style of surrealistic filmmaking.
Val Kilmer has been cast in several commercially and critically successful films throughout his career. He has also garnered attention from pop culture enthusiasts for his role as the Dark Knight in Batman Forever. However, the Iceman fame has also lost some iconic roles that could have elevated his career.
Val Kilmer in Top Gun | Paramount Pictures
It is not new for stars to miss out on some great films due to tough decisions. Val Kilmer admitted that he had to reject Blue Velvet as he was uncomfortable doing such an explicit film.
Why did Val Kilmer say no to David Lynch’s Blue Velvet?
David Lynch is known for his distinct style of surrealistic filmmaking.
- 5/26/2024
- by Subham Mandal
- FandomWire
Food is the way to the heart…and also your wallet!
And Giada De Laurentiis knows how to maneuver both. If you’ve ever watched Food Network — or any cooking show with Bobby Flay — you’ve probably heard of this culinary superstar.
Cooking expert Giada De Laurentiis has become wealthy due to her work hosting several Food Network shows (Credit: Tinseltown / Shutterstock)
A New Chapter with Amazon Studios
In early 2023, Giada De Laurentiis left the Food Network after 21 years and signed a multi-year deal with Amazon Studios.
This powerhouse of a woman is one of the richest chefs in the world and an incredible culinary artist.
Giada has become a household name for many home chefs, but if you aren’t familiar with your home kitchen — or with Giada — let’s recap this chef’s background, career, and how she accumulated a net worth of $30 million!
On Rebecca Minkoff’s Superwomen podcast,...
And Giada De Laurentiis knows how to maneuver both. If you’ve ever watched Food Network — or any cooking show with Bobby Flay — you’ve probably heard of this culinary superstar.
Cooking expert Giada De Laurentiis has become wealthy due to her work hosting several Food Network shows (Credit: Tinseltown / Shutterstock)
A New Chapter with Amazon Studios
In early 2023, Giada De Laurentiis left the Food Network after 21 years and signed a multi-year deal with Amazon Studios.
This powerhouse of a woman is one of the richest chefs in the world and an incredible culinary artist.
Giada has become a household name for many home chefs, but if you aren’t familiar with your home kitchen — or with Giada — let’s recap this chef’s background, career, and how she accumulated a net worth of $30 million!
On Rebecca Minkoff’s Superwomen podcast,...
- 5/16/2024
- by Jan Stromsodd
- Your Next Shoes
In the opening image of “I Saw the TV Glow” the camera moves slowly down the middle of a suburban street. Dusk, it’s dark, but the sky has a hint of electric blue, as the camera passes over children’s chalk drawings that pop from the pavement like incandescent lights toward a neon-lit ice cream truck playing a slowed down children’s tune. This establishing shot embodies the magical, but slightly eery tone of the first half of the film and the childhood world of Owen, who we cut to watching television in the dark.
While on the Toolkit podcast, writer/director Jane Schoenbrun told IndieWire they drew inspiration from the sense of “controlled chaos” they felt watching ‘90s Nickelodeon programming geared to older kids — remember Snick? That line between feeling “scared, but not in danger” watching teen genre shows when you are a touch too young. While Schoenbrun...
While on the Toolkit podcast, writer/director Jane Schoenbrun told IndieWire they drew inspiration from the sense of “controlled chaos” they felt watching ‘90s Nickelodeon programming geared to older kids — remember Snick? That line between feeling “scared, but not in danger” watching teen genre shows when you are a touch too young. While Schoenbrun...
- 5/14/2024
- by Chris O'Falt
- Indiewire
This post contains spoilers for "Blue Velvet."
David Lynch's cinematic world tiptoes between stark reality and nightmarish dreams, where quaint, perfect lives and locales often hide Boschian hells. While some Lynchian small towns are infused with poetic romanticism despite harboring great evils (such as Twin Peaks), others, like Lumberton, weave an insincere facade with its aura of suburban bliss: a sentiment that forms the crux of Lynch's sensational, oft-misunderstood "Blue Velvet." Most of Lynch's work defies objective analysis, as the foundational ideas he embeds into his stories feel abstract and elusive, but are always tethered to reality in essential and terrifying ways. Although "Blue Velvet" helms one of the most straightforward narratives in Lynch's oeuvre — it is neither as labyrinthine nor heady as "Inland Empire" or "Mulholland Drive" — the film's graphic depictions of psychosexual impulses tend to confuse and alienate, with the merging of the real and the...
David Lynch's cinematic world tiptoes between stark reality and nightmarish dreams, where quaint, perfect lives and locales often hide Boschian hells. While some Lynchian small towns are infused with poetic romanticism despite harboring great evils (such as Twin Peaks), others, like Lumberton, weave an insincere facade with its aura of suburban bliss: a sentiment that forms the crux of Lynch's sensational, oft-misunderstood "Blue Velvet." Most of Lynch's work defies objective analysis, as the foundational ideas he embeds into his stories feel abstract and elusive, but are always tethered to reality in essential and terrifying ways. Although "Blue Velvet" helms one of the most straightforward narratives in Lynch's oeuvre — it is neither as labyrinthine nor heady as "Inland Empire" or "Mulholland Drive" — the film's graphic depictions of psychosexual impulses tend to confuse and alienate, with the merging of the real and the...
- 5/12/2024
- by Debopriyaa Dutta
- Slash Film
Dennis Hopper was the Oscar-nominated performer who experienced many ups-and-downs throughout his career, with his off-screen antics often overshadowing his onscreen talent. Yet many of his movies have stood the test of time. Let’s take a look back at 15 of Hopper’s greatest films, ranked worst to best.
Born in 1936, Hopper made his movie debut at the age of 19 in “Rebel Without a Cause” (1955), where he became fast friends with James Dean. He had an even bigger role in “Giant” (1956), which would be Dean’s last film before his untimely death in 1955. Hopper struggled for several years trying to find his voice, making small appearances in such films as “Cool Hand Luke” (1967) and “True Grit”(1969).
He burst onto the scene with the counterculture phenomenon “Easy Rider” (1969), which he also directed and co-wrote (with co-star Peter Fonda and Terry Southern). The story of two bikers (Hopper and Fonda) traveling across...
Born in 1936, Hopper made his movie debut at the age of 19 in “Rebel Without a Cause” (1955), where he became fast friends with James Dean. He had an even bigger role in “Giant” (1956), which would be Dean’s last film before his untimely death in 1955. Hopper struggled for several years trying to find his voice, making small appearances in such films as “Cool Hand Luke” (1967) and “True Grit”(1969).
He burst onto the scene with the counterculture phenomenon “Easy Rider” (1969), which he also directed and co-wrote (with co-star Peter Fonda and Terry Southern). The story of two bikers (Hopper and Fonda) traveling across...
- 5/10/2024
- by Zach Laws and Chris Beachum
- Gold Derby
A one armed man selling shoes, a lady with a log obsession, evil spirits called Bob who feed on pain and suffering, dwarves speaking backwards, a ton of doughnuts, plus a murder mystery with a killer reveal. It can only be one crazy series, can’t it? That’s right my fellow wonderful gore-hounds, we’re taking a psychedelic trip to the fictional Washington town of Twin Peaks. The original show ran from 1990 to 1991 and followed an investigation by FBI agent Dale Cooper, played to perfection by Kyle MacLachlan, into the murder of Sheryl Lee’s homecoming queen, Laura Palmer. The series didn’t end there though, no siree, writer / director David Lynch had grander plans for the residents of Twin Peaks.
In fact, in was only one year later, 1992, that Lynch unleashed his big screen movie based around the events leading up to the first season of the show; prequel,...
In fact, in was only one year later, 1992, that Lynch unleashed his big screen movie based around the events leading up to the first season of the show; prequel,...
- 5/8/2024
- by Adam Walton
- JoBlo.com
Because 90% of the movie franchises today are based on material from generations before, most big movies have mastered the art of the cameo. Since the 2010s particularly, they've gotten even better at incorporating legacy characters into the narrative, even if the movie technically isn't about them. "The Force Awakens" might've been all about introducing Rey/Finn/Poe to lead this new sequel trilogy, but they still gave Leia and Han enough screen time to "pass the torch" to the new generation.
This wasn't just a quick way to score some easy nostalgia points; it also assured the more fickle viewers in the audience that this new trilogy had plenty of respect for the original trilogy, that it wasn't going to stomp all over everyone's childhoods the way some fans feared. From "Scream" to "Jurassic Park" to "Ghostbusters," it feels like the safest way to start off a new string of...
This wasn't just a quick way to score some easy nostalgia points; it also assured the more fickle viewers in the audience that this new trilogy had plenty of respect for the original trilogy, that it wasn't going to stomp all over everyone's childhoods the way some fans feared. From "Scream" to "Jurassic Park" to "Ghostbusters," it feels like the safest way to start off a new string of...
- 5/7/2024
- by Michael Boyle
- Slash Film
David Lynch is one of the biggest creative geniuses of our time. The filmmaker has left us with numerous memorable works such as Blue Velvet, Eraserhead, The Elephant Man, and Mulholland Drive, but his arguably best and most famous work is the Twin Peaks television series, which became a cult classic of the mystery genre. Some years ago, the series returned with an epic third season which, in Lynch’s usual manner, ended on a cliffhanger. And while the director has said that there are some “calls” for another season, no work has been done.
But, producer Sabrina Sutherland recently had a talk with the guys at Tulpa Forums and has agreed to answer fan questions about Twin Peaks, as well as her other collaborations with Lynch, as she has worked with him on several projects. In this article, we are going to bring you the most interesting details from this exciting Q&a,...
But, producer Sabrina Sutherland recently had a talk with the guys at Tulpa Forums and has agreed to answer fan questions about Twin Peaks, as well as her other collaborations with Lynch, as she has worked with him on several projects. In this article, we are going to bring you the most interesting details from this exciting Q&a,...
- 5/5/2024
- by Arthur S. Poe
- Fiction Horizon
Keeping up with the subset cult around whispering David Lynch rumors can be a little taxing and trying, but as we know, the filmmaker hasn’t released anything since the transformative “Twin Peaks: The Return” series in 2017. But as it turns out, there appear to be some truths to some of the rumors and speculation circulated over the last five years.
Most of it started when the “Blue Velvet” filmmaker was spotted in the offices at Netflix in 2018, presumably taking some meetings, and things subsequently snowballed.
Continue reading David Lynch’s ‘Unrecorded Night’ Was Canceled At Netflix When The Pandemic Hit & Ideas Exist For More ‘Twin Peaks’ at The Playlist.
Most of it started when the “Blue Velvet” filmmaker was spotted in the offices at Netflix in 2018, presumably taking some meetings, and things subsequently snowballed.
Continue reading David Lynch’s ‘Unrecorded Night’ Was Canceled At Netflix When The Pandemic Hit & Ideas Exist For More ‘Twin Peaks’ at The Playlist.
- 5/4/2024
- by Rodrigo Perez
- The Playlist
Isabella Rossellini's Green Porno and Other Shorts is now showing on Mubi in many countries.Green Porno: Mantis. Ask any film lover about Isabella Rossellini, and the first image that springs to their mind is most likely to be the star’s iconic performance as songstress Dorothy Vallens, the femme fatale of David Lynch’s Blue Velvet (1986), a glamorous yet tortured vision draped in sensual, shimmering black. Revealing a delightfully eccentric side to her screen image, Rossellini’s directorial career ventures into a very different realm of sexuality: that of the mating and maternal habits seen in the animal kingdom. Rossellini’s playful and educational micro-shorts—divided into three series cheekily titled Green Porno (2006–2008), Seduce Me (2010), and Mammas (2013)—are vaudevillian studies in animal behavior, awash in puppetry, construction-paper sets, and slapstick. In addition to her writing and directing duties, Rossellini also gamely performs these frisky rituals in inventive,...
- 4/30/2024
- MUBI
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 4/26/2024
- by Cody Hamman
- JoBlo.com
Film Forum is turning back the clock to the ’80s and celebrating golden era cinemas with the New York premiere of Richard Shepard’s “Film Geek.”
Emmy winner Shepard writes and directs the cine-memoir feature centered on moviegoing in the ’70s and ’80s. “Film Geek” debuts as part of Film Forum’s “Out of the ’80s” programming, which includes over 50 films ranging from blockbusters to cult classics.
Films such as “Blue Velvet,” “Do the Right Thing,” “Fast Times at Ridgemont High,” and more will screen at the theater. Actors such as Griffin Dunne and Isaac Mizrahi will revisit their own ’80s features, while directors like Charlie Ahearn, Charles Lane, and Jerry Schatzberg discuss their filmmaking styles.
The series is programmed by Bruce Goldstein, Film Forum’s Repertory Artistic Director, and was inspired by Richard Shepard’s documentary “Film Geek.” The festival centers on the debut of “Film Geek,” which is...
Emmy winner Shepard writes and directs the cine-memoir feature centered on moviegoing in the ’70s and ’80s. “Film Geek” debuts as part of Film Forum’s “Out of the ’80s” programming, which includes over 50 films ranging from blockbusters to cult classics.
Films such as “Blue Velvet,” “Do the Right Thing,” “Fast Times at Ridgemont High,” and more will screen at the theater. Actors such as Griffin Dunne and Isaac Mizrahi will revisit their own ’80s features, while directors like Charlie Ahearn, Charles Lane, and Jerry Schatzberg discuss their filmmaking styles.
The series is programmed by Bruce Goldstein, Film Forum’s Repertory Artistic Director, and was inspired by Richard Shepard’s documentary “Film Geek.” The festival centers on the debut of “Film Geek,” which is...
- 4/25/2024
- by Samantha Bergeson
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 4/19/2024
- by Cody Hamman
- JoBlo.com
Brad Dourif has had an incredible acting career that stretches back more than fifty years – and back in the early days of that career, he even earned a “Best Actor in a Supporting Role” Oscar nomination for his performance in the 1975 classic One Flew Over the Cuckoo’s Nest. Over a decade later, he started playing the role he is best known for, that of Charles Lee Ray, a.k.a. Chucky, a serial killer who uses voodoo to transfer his soul into the body of a doll. Dourif is now 74 years old, so when we hear that he has decided to retire from acting, it’s totally understandable… but while talking about his retirement, Dourif has also made sure to assure fans that his days of Chucky are not over. He will still continue to work on any Chucky projects that might come up.
News of Dourif’s retirement comes...
News of Dourif’s retirement comes...
- 4/17/2024
- by Cody Hamman
- JoBlo.com
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: It’s Time for IndieWire After the Dark Underside of Suburbia
I’ve long felt that the premise of “This Suburban Utopia Has Something Dark Lurking Underneath It” is among the lamest, most played-out tropes in all of media. Decades have passed since any serious person viewed the stylized suburban innocence of “Leave It to Beaver” as a remotely accurate depiction of American life, and contemporary attempts at “subverting” it often feel as if artists are mocking the same media that they grew up watching other artists mock without pausing...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: It’s Time for IndieWire After the Dark Underside of Suburbia
I’ve long felt that the premise of “This Suburban Utopia Has Something Dark Lurking Underneath It” is among the lamest, most played-out tropes in all of media. Decades have passed since any serious person viewed the stylized suburban innocence of “Leave It to Beaver” as a remotely accurate depiction of American life, and contemporary attempts at “subverting” it often feel as if artists are mocking the same media that they grew up watching other artists mock without pausing...
- 4/13/2024
- by Christian Zilko and Alison Foreman
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 4/12/2024
- by Cody Hamman
- JoBlo.com
David Lynch is undoubtedly one of Hollywood’s biggest visionaries and an author who will forever be remembered in history among the names that have changed movies for the better. Best known as the author of Twin Peaks, The Elephant Man, Blue Velvet, Mulholland Drive, and the surreal, experimental movie Eraserhead, Lynch has recently revealed to Deadline that he has an idea for an animated movie Snootworld which he hopes to release in the future despite, as he reveals, the rejection he got from Netflix.
Lynch’s unique vision could be seen in many of his live-action movies or series, and while fans are hoping for a continuation of Twin Peaks, after the enigmatic conclusion of the third season, it seems that Lynch has other priorities at the time and that he desperately wants to make an animated movie.
Snootworld, as the movie is set to be titled, has been...
Lynch’s unique vision could be seen in many of his live-action movies or series, and while fans are hoping for a continuation of Twin Peaks, after the enigmatic conclusion of the third season, it seems that Lynch has other priorities at the time and that he desperately wants to make an animated movie.
Snootworld, as the movie is set to be titled, has been...
- 4/9/2024
- by Arthur S. Poe
- Fiction Horizon
A couple decades ago, legendary filmmaker David Lynch – who we have to thank for Eraserhead, The Elephant Man, the 1984 version of Dune, Blue Velvet, Twin Peaks, Wild at Heart, Lost Highway, The Straight Story, and Mulholland Drive, among other things – started working with The Nightmare Before Christmas, Edward Scissorhands, The Addams Family, and Welcome to Marwen writer Caroline Thompson on the screenplay for an animated movie called Snootworld… and even though the Netflix streaming service recently turned down the chance to bring Snootworld into our world, Lynch told Deadline that he’s not giving up on getting the movie made.
Lynch said, “I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge. I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this...
Lynch said, “I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge. I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this...
- 4/8/2024
- by Cody Hamman
- JoBlo.com
David Lynch is claiming Netflix didn’t want to greenlight his “wacky” animated feature, “Snootworld.”
The “Twin Peaks” and “Blue Velvet” auteur told Deadline that his long-awaited animated debut has been two decades in the process. Lynch co-wrote the script with “The Nightmare Before Christmas” and “The Addams Family” scribe Caroline Thompson; the feature has a strict three act structure, with Lynch penning act two.
Lynch revealed that Netflix allegedly “rejected” the project most likely since “old fashioned fairytales are considered groaners.” IndieWire has reached out to Netflix.
“I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge,” Lynch told Deadline. “I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this so I presented it to Netflix in the last few months but they rejected it.
The “Twin Peaks” and “Blue Velvet” auteur told Deadline that his long-awaited animated debut has been two decades in the process. Lynch co-wrote the script with “The Nightmare Before Christmas” and “The Addams Family” scribe Caroline Thompson; the feature has a strict three act structure, with Lynch penning act two.
Lynch revealed that Netflix allegedly “rejected” the project most likely since “old fashioned fairytales are considered groaners.” IndieWire has reached out to Netflix.
“I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge,” Lynch told Deadline. “I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this so I presented it to Netflix in the last few months but they rejected it.
- 4/8/2024
- by Samantha Bergeson
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 4/5/2024
- by Cody Hamman
- JoBlo.com
The episode of Wtf Happened to This Horror Movie? covering Manhunter was Written and Narrated by Mike Holtz, Edited by Joseph Wilson, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.
How cool would it be to wake up in an alternate universe where bizarre versions of your favorite movies existed and you could experience them all over again for the first time? That’s exactly what I can offer to The Silence of the Lambs and Red Dragon fans who have never experienced Manhunter (watch it Here). The forgotten and abandoned stepchild of the Hannibal Lecter film series. How in the fava bean f*$& does a movie that has the twisted murder weirdness and fascinating serial killer storytelling of a Silence of the Lambs or Mindhunter paired with the coolness of a movie like Heat and flair of a Nicolas Winding Refn film go this unnoticed?...
How cool would it be to wake up in an alternate universe where bizarre versions of your favorite movies existed and you could experience them all over again for the first time? That’s exactly what I can offer to The Silence of the Lambs and Red Dragon fans who have never experienced Manhunter (watch it Here). The forgotten and abandoned stepchild of the Hannibal Lecter film series. How in the fava bean f*$& does a movie that has the twisted murder weirdness and fascinating serial killer storytelling of a Silence of the Lambs or Mindhunter paired with the coolness of a movie like Heat and flair of a Nicolas Winding Refn film go this unnoticed?...
- 4/1/2024
- by Cody Hamman
- JoBlo.com
David Lynch‘s “Blue Velvet” continues to cause a stir nearly four decades after its release, with the film having just as many detractors as it does champions. And in a recent interview with IndieWire, actress Isabella Rossellini had a chance to respond to one of the film’s harshest critics: the late Roger Ebert.
Read More: ‘La Chimera’ Trailer: Alice Rohrwacher’s Latest Drama Stars Josh O’Connor, Isabella Rossellini & More
Ebert infamously trounced the film upon release in 1986, particularly how Lynch treated Rossellini in her performance, deeming it exploitative, but Rossellini defended her “choice” to do the role as “an adult.” “I didn’t read the reviews at the time it came out,” the actress said about “Blue Velvet.” “I try not to read reviews.
Continue reading ‘Blue Velvet’: Isabella Rossellini Reflects On Roger Ebert’s Criticism Of Lynch’s Film: “I Chose To Play The Character” at The Playlist.
Read More: ‘La Chimera’ Trailer: Alice Rohrwacher’s Latest Drama Stars Josh O’Connor, Isabella Rossellini & More
Ebert infamously trounced the film upon release in 1986, particularly how Lynch treated Rossellini in her performance, deeming it exploitative, but Rossellini defended her “choice” to do the role as “an adult.” “I didn’t read the reviews at the time it came out,” the actress said about “Blue Velvet.” “I try not to read reviews.
Continue reading ‘Blue Velvet’: Isabella Rossellini Reflects On Roger Ebert’s Criticism Of Lynch’s Film: “I Chose To Play The Character” at The Playlist.
- 3/29/2024
- by Ned Booth
- The Playlist
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 3/29/2024
- by Cody Hamman
- JoBlo.com
Nearly 40 years after Roger Ebert’s one-star review of David Lynch’s Blue Velvet, in which the late critic alleged that Isabella Rossellini was “degraded,” the film’s star is speaking out on how incorrect she believes Ebert’s assessment was.
Speaking with IndieWire, Rossellini said she didn’t read Blue Velvet reviews when the film came out — which she avoids for any of her work — because “even if [the review is] good, there is always one sentence that is negative and stays inside you forever.” However, Ebert’s words were unavoidable, as she was told his review mentioned that Lynch, who was Rossellini’s partner at the time, “exploited” her.
“I was surprised, because I was an adult,” she recalled. “I was 31 or 32. I chose to play the character.”
In the film, Rossellini plays Dorothy Vallens, who is raped and abused by gangster Frank Booth (Dennis Hopper), who has also kidnapped her husband,...
Speaking with IndieWire, Rossellini said she didn’t read Blue Velvet reviews when the film came out — which she avoids for any of her work — because “even if [the review is] good, there is always one sentence that is negative and stays inside you forever.” However, Ebert’s words were unavoidable, as she was told his review mentioned that Lynch, who was Rossellini’s partner at the time, “exploited” her.
“I was surprised, because I was an adult,” she recalled. “I was 31 or 32. I chose to play the character.”
In the film, Rossellini plays Dorothy Vallens, who is raped and abused by gangster Frank Booth (Dennis Hopper), who has also kidnapped her husband,...
- 3/28/2024
- by Tatiana Tenreyro
- The Hollywood Reporter - Movie News
Isabella Rossellini transitioned from her modeling career to an acting career through David Lynch’s 1986 film, Blue Velvet. Rossellini was praised for her role and the film achieved a cult status in the following years, but Blue Velvet was a controversial film at the time of its release. The explicit content was a major problem for critics, including Roger Ebert, who accused Lynch of exploiting the actress. However, Rossellini has defended Lynch in her recent interview.
Isabella Rossellini as Dorothy Vallens in Blue Velvet
David Lynch worked on Blue Velvet‘s script after the commercial failure of his epic sci-fi project, Dune. While the critical response was divided, Lynch received his second Academy Award nomination for Best Director for the film.
Isabella Rossellini Defends David Lynch For Her Exploitative Scenes In Blue Velvet Isabella Rossellini and David Lynch on the sets of Blue Velvet
Isabella Rossellini played the role of...
Isabella Rossellini as Dorothy Vallens in Blue Velvet
David Lynch worked on Blue Velvet‘s script after the commercial failure of his epic sci-fi project, Dune. While the critical response was divided, Lynch received his second Academy Award nomination for Best Director for the film.
Isabella Rossellini Defends David Lynch For Her Exploitative Scenes In Blue Velvet Isabella Rossellini and David Lynch on the sets of Blue Velvet
Isabella Rossellini played the role of...
- 3/28/2024
- by Hashim Asraff
- FandomWire
One of the most infamous reviews for David Lynch’s “Blue Velvet” to publish when the film opened in 1986 came courtesy of Roger Ebert, who gave the movie one star. Then the most prominent critic in the United States, Ebert criticized how Lynch’s casting of Isabella Rossellini in a role where she gets “humiliated.”
“[Rossellini] is asked to do things in this film that require real nerve … She is degraded, slapped around, humiliated and undressed in front of the camera,” Ebert wrote. “And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
Rossellini stars in “Blue Velvet” as the tormented nightclub singer Dorothy Vallens, who is held emotionally and physically captive by the sociopath gangster Frank Booth (Dennis Hopper). At one point in the film, Dorothy shows up naked on the front porch of Jeffrey...
“[Rossellini] is asked to do things in this film that require real nerve … She is degraded, slapped around, humiliated and undressed in front of the camera,” Ebert wrote. “And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
Rossellini stars in “Blue Velvet” as the tormented nightclub singer Dorothy Vallens, who is held emotionally and physically captive by the sociopath gangster Frank Booth (Dennis Hopper). At one point in the film, Dorothy shows up naked on the front porch of Jeffrey...
- 3/27/2024
- by Zack Sharf
- Variety Film + TV
In Roger Ebert’s one-star review of David Lynch‘s “Blue Velvet” in 1986, the film critic had strong words for the director he never softened through the rest of his career, even as Ebert came to appreciate some of Lynch’s later films. Ebert wrote that Isabella Rossellini “is asked to do things in this film that require real nerve… She is degraded, slapped around, humiliated and undressed in front of the camera. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
But Rossellini, who at the time of the controversial landmark’s release was in a relationship with director Lynch, today doesn’t necessarily agree with Ebert’s takedown of the movie. The daughter of Ingrid Bergman and Roberto Rossellini had by then gathered some modeling and film credits, but “Blue Velvet” proved to be her big breakout.
But Rossellini, who at the time of the controversial landmark’s release was in a relationship with director Lynch, today doesn’t necessarily agree with Ebert’s takedown of the movie. The daughter of Ingrid Bergman and Roberto Rossellini had by then gathered some modeling and film credits, but “Blue Velvet” proved to be her big breakout.
- 3/27/2024
- by Ryan Lattanzio
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way.
For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 3/22/2024
- by Cody Hamman
- JoBlo.com
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way.
For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 3/15/2024
- by Cody Hamman
- JoBlo.com
Creo has announced the jury for the 2024 Sony Future Filmmaker Awards.
Director Justin Chadwick serves as chair for the second year in a row. He is joined on the jury by Michael Barker and Tom Bernard, co-founders and co-presidents of Sony Pictures Classics; cinematographer Rob Hardy ASC, Bsc; cinematographer Kate Reid Bsc; cinematographer Robert Primes ASC; and Australian filmmaker Unjoo Moon.
Chadwick said, “It is such a pleasure to return as Chair of this new prestigious panel of decorated creatives. Last year, we brought to the forefront 30 exceptionally talented filmmakers from across the world, each of whom had the unique chance to access the inner workings of the industry in Los Angeles, opening doors to career-launching opportunities. From my own experience, the art of the short film is by no means one to be underestimated, and I look forward to discovering more brilliant, talented individuals through this upcoming selection.”
In...
Director Justin Chadwick serves as chair for the second year in a row. He is joined on the jury by Michael Barker and Tom Bernard, co-founders and co-presidents of Sony Pictures Classics; cinematographer Rob Hardy ASC, Bsc; cinematographer Kate Reid Bsc; cinematographer Robert Primes ASC; and Australian filmmaker Unjoo Moon.
Chadwick said, “It is such a pleasure to return as Chair of this new prestigious panel of decorated creatives. Last year, we brought to the forefront 30 exceptionally talented filmmakers from across the world, each of whom had the unique chance to access the inner workings of the industry in Los Angeles, opening doors to career-launching opportunities. From my own experience, the art of the short film is by no means one to be underestimated, and I look forward to discovering more brilliant, talented individuals through this upcoming selection.”
In...
- 3/13/2024
- by Jazz Tangcay and Diego Ramos Bechara
- Variety Film + TV
David Lynch's "Dune" was mostly seen as a misstep for the celebrated director back in 1984. As we gear up for the bleak blockbuster that is Denis Villeneuve's "Dune: Part Two," Lynch's "Dune" now occupies an unusual space in the public consciousness — somewhere between cult classic and historic blunder. There are undoubtedly plenty of things wrong with "Dune" 1984, and the film suffered a brutal critical and commercial reception. But forty years after Lynch's $40 million spectacle bombed at the box office, some have come to see the films' positives, arguing that "Dune" 1984 is better than its reputation suggests.
Which, as it happens, is a perfectly reasonable point of view. Aside from the impressive set and costume design, "Dune" actually featured some pretty good visual effects for the time. What's more, the casting was excellent. Lynch may have ruthlessly denied Glenn Close for a part in "Dune," but luckily for him,...
Which, as it happens, is a perfectly reasonable point of view. Aside from the impressive set and costume design, "Dune" actually featured some pretty good visual effects for the time. What's more, the casting was excellent. Lynch may have ruthlessly denied Glenn Close for a part in "Dune," but luckily for him,...
- 3/11/2024
- by Joe Roberts
- Slash Film
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 3/8/2024
- by Cody Hamman
- JoBlo.com
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 3/1/2024
- by Cody Hamman
- JoBlo.com
Nearly a year since it premiered at SXSW, Julio Torres’ “Problemista” finally had its New York City premiere at the Village East by Angelika on Tuesday, February 27. His A24 satire stars Tilda Swinton, Isabella Rossellini, James Scully, Greta Lee, and RZA, to name a few. On the red carpet, producer Emma Stone, alongside fellow producers Dave McCary and Ali Herting, even made a surprise appearance.
“She was very happy to do it,” Julio Torres said of getting Tilda Swinton involved as his co-lead. “She was a little worried about playing an American, then we talked and she didn’t have to be American. She found this creature, we don’t know where she came from. Like a dragon, she emerged from a cave.”
Tilda Swinton was visibly very excited to be in Manhattan in support of this project. “Julio sent me [the script] and asked me to come play with him,” the Oscar winner said.
“She was very happy to do it,” Julio Torres said of getting Tilda Swinton involved as his co-lead. “She was a little worried about playing an American, then we talked and she didn’t have to be American. She found this creature, we don’t know where she came from. Like a dragon, she emerged from a cave.”
Tilda Swinton was visibly very excited to be in Manhattan in support of this project. “Julio sent me [the script] and asked me to come play with him,” the Oscar winner said.
- 2/28/2024
- by Vincent Perella
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 2/23/2024
- by Cody Hamman
- JoBlo.com
As attention turns to the Oscars around this time every year, it’s easy to get caught up remembering some of the big winners. One of the most notable champs was The Silence of the Lambs, which took home the “Big Five” awards in 1992: Best Picture, Best Actor (Anthony Hopkins), Best Actress (Jodie Foster), Best Director (Jonathan Demme), and Best Adapted Screenplay (Ted Tally), as well as Best Sound Mixing and Best Film Editing to round it out.
And despite owning the film rights to works of author Thomas Harris, super-producer Dino De Laurentiis saw none of that windfall, be it Oscar gold or box office riches. How could a savvy Hollywood player, responsible for making some of the most important movies of all time, make such a wild mistake?
It’s all Michael Mann’s fault.
Hannibal and the Italian
In 1981, author Thomas Harris published Red Dragon, a...
And despite owning the film rights to works of author Thomas Harris, super-producer Dino De Laurentiis saw none of that windfall, be it Oscar gold or box office riches. How could a savvy Hollywood player, responsible for making some of the most important movies of all time, make such a wild mistake?
It’s all Michael Mann’s fault.
Hannibal and the Italian
In 1981, author Thomas Harris published Red Dragon, a...
- 2/19/2024
- by David Crow
- Den of Geek
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 2/16/2024
- by Cody Hamman
- JoBlo.com
Through its remarkable 25-season run, premier Law & Order spinoff Law & Order: Special Victims Unit has featured many classic moments.
From Elliot Stabler (Christopher Meloni) and Olivia Benson’s (Mariska Hargitay) burgeoning chemistry to the ripped-from-the-headlines cases to basically everything Ice-t’s Fin Tutuola says, fans have had plenty of things to latch onto. And yet, one Law & Order: Svu scene stands tall above them all.
It’s the time that Twin Peaks‘ Kyle MacLachlan shot and killed a kid.
Actually, “Kyle MacLachlan shot and killed a kid” is somehow underselling it. It’s more accurate to say that Kyle MacLachlan breaks out of Elliot Stabler’s vice-like grip, tosses an innocent bystander aside like a rag doll, grabs a cop’s gun, and fatally shoots an 13-year-old who had just told him “I’m sorry for what happened, sir. I really am.”
As you might imagine, Kyle...
From Elliot Stabler (Christopher Meloni) and Olivia Benson’s (Mariska Hargitay) burgeoning chemistry to the ripped-from-the-headlines cases to basically everything Ice-t’s Fin Tutuola says, fans have had plenty of things to latch onto. And yet, one Law & Order: Svu scene stands tall above them all.
It’s the time that Twin Peaks‘ Kyle MacLachlan shot and killed a kid.
Actually, “Kyle MacLachlan shot and killed a kid” is somehow underselling it. It’s more accurate to say that Kyle MacLachlan breaks out of Elliot Stabler’s vice-like grip, tosses an innocent bystander aside like a rag doll, grabs a cop’s gun, and fatally shoots an 13-year-old who had just told him “I’m sorry for what happened, sir. I really am.”
As you might imagine, Kyle...
- 2/13/2024
- by Alec Bojalad
- Den of Geek
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 2/9/2024
- by Cody Hamman
- JoBlo.com
The supposed demise of physical media has been well covered and long lamented, with each passing year bringing reports of yet another nail in the coffin of the once flourishing DVD and Blu-ray market. Fall 2023 brought a double whammy of bad news: Netflix shipped its final discs to customers before closing up its DVD department for good, and a month later, Best Buy announced that it would be phasing out the sale of physical media. Yet, while DVDs are no longer the massive revenue generator for studios that they were throughout the first decade of the 2000s, it has never been a better time to be a physical media enthusiast. Thanks to independent labels like Criterion, Kino Lorber, Shout! Factory, Arrow, Imprint, Indicator, and many others, every month sees the release of well over a dozen exceptional titles, often lovingly restored and with indispensable scholarly extras.
That we’re living...
That we’re living...
- 2/5/2024
- by Jim Hemphill
- Indiewire
Actor turned director Keir O’Donnell’s first feature behind the camera is a primary coloured effort with some smart plot twists
Although largely comic in tone, this frothy thriller is obviously modelled on classic films noir, with their tales of betrayal and cunning, gullible heroes tricked into crime by femmes fatales, and the ever-present backbeat of quiet economic desperation. But Keir O’Donnell, a character actor making his writing-directing debut, has juiced up the formula with a palette of poppy primary colours and bright stabs of pink, and an ironic, self-mocking tone. That should help this slip down easy with new-generation viewers who may never have seen such classics as The Postman Always Rings Twice or Double Indemnity, let alone later remakes or homages like Body Heat or Blue Velvet.
It also helps that O’Donnell has cast Gen-z-star-on-the-rise Joe Keery (Steve from Stranger Things) as protagonist Baron, a guileless poor...
Although largely comic in tone, this frothy thriller is obviously modelled on classic films noir, with their tales of betrayal and cunning, gullible heroes tricked into crime by femmes fatales, and the ever-present backbeat of quiet economic desperation. But Keir O’Donnell, a character actor making his writing-directing debut, has juiced up the formula with a palette of poppy primary colours and bright stabs of pink, and an ironic, self-mocking tone. That should help this slip down easy with new-generation viewers who may never have seen such classics as The Postman Always Rings Twice or Double Indemnity, let alone later remakes or homages like Body Heat or Blue Velvet.
It also helps that O’Donnell has cast Gen-z-star-on-the-rise Joe Keery (Steve from Stranger Things) as protagonist Baron, a guileless poor...
- 2/5/2024
- by Leslie Felperin
- The Guardian - Film News
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 2/3/2024
- by Cody Hamman
- JoBlo.com
This coming month, the free streamer Tubi is adding dozens of new titles to its library, from Academy Award-nominated genre-bending thrillers like 2019’s “The Lighthouse” to rom-coms that have dominated culture for decades, such as Nora Ephron’s quintessential “When Harry Met Sally.”
Check out The Streamable’s picks for the best of Tubi’s February additions, and find out everything coming to the platform this month!
Watch Now Free TubiTV.com What are the 5 Best Shows and Movies Coming to Tubi in February 2024? “If Beale Street Could Talk” | Thursday, Feb. 1
Barry Jenkins follows up his Oscar-winning “Moonlight” with another Oscar nominee in this adaptation of James Baldwin’s novel of the same name. KiKi Layne and Stephan James lead the cast as Tish and Fonny a devoted couple who have been friends since childhood who dream of a future together but whose plans are derailed when Fonny is arrested...
Check out The Streamable’s picks for the best of Tubi’s February additions, and find out everything coming to the platform this month!
Watch Now Free TubiTV.com What are the 5 Best Shows and Movies Coming to Tubi in February 2024? “If Beale Street Could Talk” | Thursday, Feb. 1
Barry Jenkins follows up his Oscar-winning “Moonlight” with another Oscar nominee in this adaptation of James Baldwin’s novel of the same name. KiKi Layne and Stephan James lead the cast as Tish and Fonny a devoted couple who have been friends since childhood who dream of a future together but whose plans are derailed when Fonny is arrested...
- 1/26/2024
- by Ashley Steves
- The Streamable
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 1/26/2024
- by Cody Hamman
- JoBlo.com
Plot: Four interconnected tales follow a teenager in love (Jack Champion), two female rappers trying to make it (Normani and Dominique Thorne), a world-weary debt mob enforcer (Pedro Pascal ) and a basketball legend (Jay Ellis) looking for vengeance in 1987 Oakland.
Review: Directors Anna Boden and Ryan Fleck (Half Nelson) make a triumphant return to Sundance with one of the festival’s most energetic offerings in years. Mixing a Tarantino-style crime tale with high-octane action, Boden and Fleck use the bag of tricks they earned working for the MCU (Captain Marvel) to deliver an unexpected smash. Freaky Tales is the kind of movie Sundance would have shown in its nineties heyday, with it likely the only film playing this year that ends in a kung-fu-heavy bloodbath. I loved every second of it.
Freaky Tales mostly takes place over a single night in Oakland; it uses a few things that were...
Review: Directors Anna Boden and Ryan Fleck (Half Nelson) make a triumphant return to Sundance with one of the festival’s most energetic offerings in years. Mixing a Tarantino-style crime tale with high-octane action, Boden and Fleck use the bag of tricks they earned working for the MCU (Captain Marvel) to deliver an unexpected smash. Freaky Tales is the kind of movie Sundance would have shown in its nineties heyday, with it likely the only film playing this year that ends in a kung-fu-heavy bloodbath. I loved every second of it.
Freaky Tales mostly takes place over a single night in Oakland; it uses a few things that were...
- 1/26/2024
- by Chris Bumbray
- JoBlo.com
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