Filmax has acquired international rights to Spanish thriller “Nina,” the new feature written and directed by Andrea Jaurrieta (“Ana by Day”) that bows at this week’s Málaga Film Festival as one of its higher profile titles in main competition.
Loosely based on the play of the same name by José Ramón Fernández, which borrows elements of Anton Chekhov’s “The Seagull,” “Nina” tells the story of a woman, an actress, who returns to her home town on Spain’s rugged northern coast seeking to take revenge on a celebrated writer. As she encounters past acquaintances, including a once close childhood friend, and faces dark memories, she begins to question whether vengeance is the only way forward.
“Nina” stars Goya-winning actress Patricia López Arnaiz (“Ane is Missing”) as the titular character and San Sebastián Silver Shell winner Darío Grandinetti, famed for his performance in Pedro Almodovar’s “Talk to Her,...
Loosely based on the play of the same name by José Ramón Fernández, which borrows elements of Anton Chekhov’s “The Seagull,” “Nina” tells the story of a woman, an actress, who returns to her home town on Spain’s rugged northern coast seeking to take revenge on a celebrated writer. As she encounters past acquaintances, including a once close childhood friend, and faces dark memories, she begins to question whether vengeance is the only way forward.
“Nina” stars Goya-winning actress Patricia López Arnaiz (“Ane is Missing”) as the titular character and San Sebastián Silver Shell winner Darío Grandinetti, famed for his performance in Pedro Almodovar’s “Talk to Her,...
- 3/4/2024
- by Ed Meza
- Variety Film + TV
Over the last seven years or so, the ever more capitalized Catalan industry, much based in capital Barcelona, has driven into domestic co-production with other parts of Spain. One result: an exciting new generation of young directors and producers, often women, which have scored a Berlin Golden Bear (Carla Simon’s “Alcarràs”) and best lead performance.
The Catalan film-tv industry is now, however, in the throes of a gathering industry makeover which is showing its first fruits. One driver, as so often in Europe, is public sector funding.
In 2019, total allocated Catalan government audiovisual funding stood at €12.6 million ($13.7 million). It rose to €40.8 million ($44.5 million) in 2022 and will rise again to an estimated €50 million ($54.5 million) in 2024, if the Catalan Parliament approves the budget, says Edgar Garcia, director of the governmental culture industry unit Icec.
In response to ramped-up funding, Catalonia industry has grown vibrantly. 130 execs and talent, representing 80 companies, attend 2024’s Berlin Film Market.
The Catalan film-tv industry is now, however, in the throes of a gathering industry makeover which is showing its first fruits. One driver, as so often in Europe, is public sector funding.
In 2019, total allocated Catalan government audiovisual funding stood at €12.6 million ($13.7 million). It rose to €40.8 million ($44.5 million) in 2022 and will rise again to an estimated €50 million ($54.5 million) in 2024, if the Catalan Parliament approves the budget, says Edgar Garcia, director of the governmental culture industry unit Icec.
In response to ramped-up funding, Catalonia industry has grown vibrantly. 130 execs and talent, representing 80 companies, attend 2024’s Berlin Film Market.
- 2/15/2024
- by John Hopewell
- Variety Film + TV
High-flying Madrid-based Caballo Films, behind Rodrigo Sorogoyen’s “The Beasts” and “Riot Police” and Borja Soler’s “The Route,” has put into development a fiction series adaptation of Mabel Lozano’s prized same-titled non-fiction work.
Shaping up as a deep drill-down into the growth of prostitution in Spain into large-scale organized crime, “El Proxeneta” packs a powerful talent package of creator-writers Isabel Peña, co-writer of Rodrigo Sorogoyen’s “As Bestas” and “Riot Police,” and Eduardo Villanueva, a co-scribe on “Riot Police” and producer on “Stockholm.”
Pilar Palomero, a Spanish Academy Goya best picture winner for “Schoolgirls,” will direct the series, her first TV work beyond one episode of “Venga Juan.”
“Pilar was always on our minds for this project, given her talent, and we wanted a female gaze behind all the key points of creative responsibility,” said Villanueva.
“El Proxeneta” is co-produced by Lozano’s label Mafalda Entertainment.
“My commitment...
Shaping up as a deep drill-down into the growth of prostitution in Spain into large-scale organized crime, “El Proxeneta” packs a powerful talent package of creator-writers Isabel Peña, co-writer of Rodrigo Sorogoyen’s “As Bestas” and “Riot Police,” and Eduardo Villanueva, a co-scribe on “Riot Police” and producer on “Stockholm.”
Pilar Palomero, a Spanish Academy Goya best picture winner for “Schoolgirls,” will direct the series, her first TV work beyond one episode of “Venga Juan.”
“Pilar was always on our minds for this project, given her talent, and we wanted a female gaze behind all the key points of creative responsibility,” said Villanueva.
“El Proxeneta” is co-produced by Lozano’s label Mafalda Entertainment.
“My commitment...
- 6/26/2023
- by John Hopewell
- Variety Film + TV
Amazon’s new miniseries Daisy Jones & the Six clearly draws from the turbulent excellence that defined the peak years of Fleetwood Mac. But the adaptation of Taylor Jenkins Reid’s 2019 novel also uses the careers of other important artists of the era for inspiration. The character of Simone Jackson (Nabiyah Be) was based on the stardom of three timeless singers from the 1970s. Her plotline takes the same shape in the TV version as it does in the book. But the screen highlights certain details to heighten the emotional stakes of Simone’s story.
In ‘Daisy Jones & the Six,’ Nabiyah Be’s Simone Jackson helps Daisy get to the stage Nabiyah Be as Simone Jackson in ‘Daisy Jones & the Six’ | Lacey Terrell/Prime Video
Simone is one of the few people with a pure relationship with Daisy (Riley Keough) from the beginning of Daisy Jones & the Six.
In ‘Daisy Jones & the Six,’ Nabiyah Be’s Simone Jackson helps Daisy get to the stage Nabiyah Be as Simone Jackson in ‘Daisy Jones & the Six’ | Lacey Terrell/Prime Video
Simone is one of the few people with a pure relationship with Daisy (Riley Keough) from the beginning of Daisy Jones & the Six.
- 3/19/2023
- by Sam Hines
- Showbiz Cheat Sheet
Martinessi’s debut The Heiresses won the Silver Bear at the Berlinale in 2018.
Narciso, the second feature from Paraguay’s Marcelo Martinessi, has attracted a crop of new co-producers: Spain’s Bteam Prods, Portugal’s Oublaum, Brazil’s Esquina Films and Uruguay’s Mutante Cine.
Martinessi’s debut The Heiresses won the Silver Bear at the Berlinale in 2018.
The four companies will team with the same production team that backed The Heiresses on Narciso; Paraguay’s La Babosa Films, Germany’s Pandora Filmproduktions and France’s La Fábrica Nocturna Prods.
France’s Luxbox handles international sales.
Based on the novel...
Narciso, the second feature from Paraguay’s Marcelo Martinessi, has attracted a crop of new co-producers: Spain’s Bteam Prods, Portugal’s Oublaum, Brazil’s Esquina Films and Uruguay’s Mutante Cine.
Martinessi’s debut The Heiresses won the Silver Bear at the Berlinale in 2018.
The four companies will team with the same production team that backed The Heiresses on Narciso; Paraguay’s La Babosa Films, Germany’s Pandora Filmproduktions and France’s La Fábrica Nocturna Prods.
France’s Luxbox handles international sales.
Based on the novel...
- 3/17/2023
- by Emilio Mayorga
- ScreenDaily
Segundo Premio will tell the story of influential rock indie group Los Planetas.
Catalan director Isaki Lacuesta, a double Golden Shell winner at San Sebastian for Between Two Waters (2018) and The Double Steps (2011), is set to start shooting his new feature, musical Segundo Premio (English working title: Saturn Return).
The film is a co-production between La Terraza Films, Áralan Films, Ikiru Films and BTeam prods from Spain and France’s Capricci Films.
Although is not a biopic, Segundo Premio will tell the story of Los Planetas, an influential Spanish indie rock group. It will depict “a very special period of...
Catalan director Isaki Lacuesta, a double Golden Shell winner at San Sebastian for Between Two Waters (2018) and The Double Steps (2011), is set to start shooting his new feature, musical Segundo Premio (English working title: Saturn Return).
The film is a co-production between La Terraza Films, Áralan Films, Ikiru Films and BTeam prods from Spain and France’s Capricci Films.
Although is not a biopic, Segundo Premio will tell the story of Los Planetas, an influential Spanish indie rock group. It will depict “a very special period of...
- 3/10/2023
- by Emilio Mayorga
- ScreenDaily
Segundo Premio will tell the story of influential rock indie group Los Planetas.
Catalan director Isaki Lacuesta, a double Golden Shell winner at San Sebastian for Between Two Waters (2018) and The Double Steps (2011), is set to start shooting his new feature, musical Segundo Premio (English working title: Saturn Return).
The film is a co-production between La Terraza Films, Áralan Films, Ikiru Films and BTeam prods from Spain and France’s Capricci Films.
Although is not a biopic, Segundo Premio will tell the story of Los Planetas, an influential Spanish indie rock group. It will depict “a very special period of...
Catalan director Isaki Lacuesta, a double Golden Shell winner at San Sebastian for Between Two Waters (2018) and The Double Steps (2011), is set to start shooting his new feature, musical Segundo Premio (English working title: Saturn Return).
The film is a co-production between La Terraza Films, Áralan Films, Ikiru Films and BTeam prods from Spain and France’s Capricci Films.
Although is not a biopic, Segundo Premio will tell the story of Los Planetas, an influential Spanish indie rock group. It will depict “a very special period of...
- 3/10/2023
- by Emilio Mayorga
- ScreenDaily
Spain has found a place on the global film industry’s radar as an attractive market for co-producing projects, boosted by its bigger-than-ever-public-sector funding.
The trend comes in a moment of maturity for its audiovisual industry, with competitive tax incentives and the emergence of fresh talent, often female, whether directors or producers. Unlike U.S. indie producers, hard hit by streamers pulling back, European counterparts still have public sector financing.
But to make movies of any artistic ambition, which might justify that funding and break out to foreign sales and a theatrical release, producers are looking overseas more and to other parts of Spain for production partners.
Co-production is booming. Only last year, Spain co-produced 70 films, beating its average production for the period 2018-2022 of 256 titles, according to Spanish film agency Icaa.
Icaa’s selective aid for movie production reached €20 million (21.48 million). Of that, a minimum 5 went to support minority co-productions.
The trend comes in a moment of maturity for its audiovisual industry, with competitive tax incentives and the emergence of fresh talent, often female, whether directors or producers. Unlike U.S. indie producers, hard hit by streamers pulling back, European counterparts still have public sector financing.
But to make movies of any artistic ambition, which might justify that funding and break out to foreign sales and a theatrical release, producers are looking overseas more and to other parts of Spain for production partners.
Co-production is booming. Only last year, Spain co-produced 70 films, beating its average production for the period 2018-2022 of 256 titles, according to Spanish film agency Icaa.
Icaa’s selective aid for movie production reached €20 million (21.48 million). Of that, a minimum 5 went to support minority co-productions.
- 2/17/2023
- by Emiliano De Pablos
- Variety Film + TV
Pilar Palomero’s second feature film “La Maternal” had its world premiere in main competition at Spain’s San Sebastián Film Festival on Tuesday. The Spanish filmmaker, who won Goyas for best picture, best new director and best original screenplay with her debut film “Las Niñas,” produced like “La Maternal” by Valérie Delpierre at Inicia Films, returns to the Basque Country festival with another invigorating work that explores the challenges and joys of girlhood.
“I never made a decision to explicitly focus on girlhood,” Palomero says. “I think it’s a coincidence that both are about young women, but I guess there’s something inside me that I’m not aware of that’s leading me to this subject.”
In “La Maternal,” sold by Elle Driver, Palomero turns her attention to teen mothers in Barcelona and the social attitudes that condemn them. 14-year-old Carla leaves home when she discovers she...
“I never made a decision to explicitly focus on girlhood,” Palomero says. “I think it’s a coincidence that both are about young women, but I guess there’s something inside me that I’m not aware of that’s leading me to this subject.”
In “La Maternal,” sold by Elle Driver, Palomero turns her attention to teen mothers in Barcelona and the social attitudes that condemn them. 14-year-old Carla leaves home when she discovers she...
- 9/21/2022
- by Caitlin Quinlan
- Variety Film + TV
Jaja’s African Hair Braiding, a new play written by Jocelyn Bioh and directed by Whitney White, will make its Broadway debut in a world premiere production by the Manhattan Theatre Club next fall.
The play will be the first production of Mtc’s 2023-2024 Broadway season at the Samuel J. Friedman Theatre.
Performance dates, casting, and creative team will be announced at a later date.
The announcement was made today by Lynne Meadow, Mtc Artistic Director, and Barry Grove, Mtc Executive Producer. The play is set at a hair braiding salon in Harlem where, as Mtc describes, “every day, a lively and eclectic group of West African immigrant hair braiders are creating masterpieces on the heads of neighborhood women.
“During one sweltering summer day, love will blossom, dreams will flourish and secrets will be revealed. The uncertainty of their circumstances simmers below the surface of their lives and when it boils over,...
The play will be the first production of Mtc’s 2023-2024 Broadway season at the Samuel J. Friedman Theatre.
Performance dates, casting, and creative team will be announced at a later date.
The announcement was made today by Lynne Meadow, Mtc Artistic Director, and Barry Grove, Mtc Executive Producer. The play is set at a hair braiding salon in Harlem where, as Mtc describes, “every day, a lively and eclectic group of West African immigrant hair braiders are creating masterpieces on the heads of neighborhood women.
“During one sweltering summer day, love will blossom, dreams will flourish and secrets will be revealed. The uncertainty of their circumstances simmers below the surface of their lives and when it boils over,...
- 9/7/2022
- by Greg Evans
- Deadline Film + TV
Robert LuPone — a Tony Award nominee who also starred as Tony Soprano’s neighbour and family physician Dr. Bruce Cusamano on “The Sopranos” — has died. He was 76.
Robert was also, notably, the brother of Patti LuPone.
News of Robert’s death was shared via a statement from the off-Broadway theatre company McC Theater, which he helped to establish in 1986.
“It is with heavy hearts that we announce that McC founding Co-Artistic Director, Bob LuPone, passed away Saturday, Aug 27 after a three year battle with pancreatic cancer,” read a post from the organization.
View this post on Instagram
A post shared by McC Theater (@mcctheater)
A graduate of Julliard, Robert’s first professional job was in the ensemble of Liza Minnelli’s The Pajama Game. He made his Broadway debut in Sweet Potato in 1968, and went on to score a Tony nomination for Best Featured Actor in a Musical in his...
Robert was also, notably, the brother of Patti LuPone.
News of Robert’s death was shared via a statement from the off-Broadway theatre company McC Theater, which he helped to establish in 1986.
“It is with heavy hearts that we announce that McC founding Co-Artistic Director, Bob LuPone, passed away Saturday, Aug 27 after a three year battle with pancreatic cancer,” read a post from the organization.
View this post on Instagram
A post shared by McC Theater (@mcctheater)
A graduate of Julliard, Robert’s first professional job was in the ensemble of Liza Minnelli’s The Pajama Game. He made his Broadway debut in Sweet Potato in 1968, and went on to score a Tony nomination for Best Featured Actor in a Musical in his...
- 8/30/2022
- by Becca Longmire
- ET Canada
Bob LuPone, a Tony-nominated actor and the founder of the off-Broadway McC Theatre, has died. He was 76. The brother of Patti LuPone had been on a three-year battle with pancreatic cancer.
“The McC Theater community mourns the loss of our much loved and uniquely inspiring partner, colleague, and dear friend, Bob LuPone, who lived fearlessly and with great curiosity, good humor, a boundless passion for connection, and a whole lot of heart. We will miss him deeply and always,” read a statement from McC.
LuPone was born on July 29th, 1946 in Brooklyn, New York to Angela Louise (known as Pat), a housewife, and Orlando Joseph LuPone, a school principal.
His passion for the arts began at an early age. In the sixth grade at his North Port, Long Island elementary school, he saw his younger sister Patti dance at a PTA Dance Concert in a colorful hula skirt. After he...
“The McC Theater community mourns the loss of our much loved and uniquely inspiring partner, colleague, and dear friend, Bob LuPone, who lived fearlessly and with great curiosity, good humor, a boundless passion for connection, and a whole lot of heart. We will miss him deeply and always,” read a statement from McC.
LuPone was born on July 29th, 1946 in Brooklyn, New York to Angela Louise (known as Pat), a housewife, and Orlando Joseph LuPone, a school principal.
His passion for the arts began at an early age. In the sixth grade at his North Port, Long Island elementary school, he saw his younger sister Patti dance at a PTA Dance Concert in a colorful hula skirt. After he...
- 8/27/2022
- by Armando Tinoco
- Deadline Film + TV
Pedro Almodóvar has put his considerable weight behind Spaniard Alauda Ruiz de Azúa’s first feature, ”Lullaby” (“Cinco Lobitos”) as it has initiated a spirited run at Spain’s box office.
“It is undoubtedly the best debut in Spanish cinema for years,” Almodóvar announced in a statement, describing the mother-daughter relationship drama as “a portrait of the role of women within the family, which is truthful, devoid of sentimentality and that does not exclude humor.”
“Life could offer another destiny for women other than caring for the whole family. [The film offers] very accurate interpretations, where Laia Costa stands out and I suppose will sweep all this year’s awards. You have to see it before the heat wave takes it away. Summer is the worst enemy of the theaters.”
Almodóvar’s advocacy is highly necessary as an exciting new generation of cineastes, often female, galvanizes Spain’s arthouse scene led by Carla Simón...
“It is undoubtedly the best debut in Spanish cinema for years,” Almodóvar announced in a statement, describing the mother-daughter relationship drama as “a portrait of the role of women within the family, which is truthful, devoid of sentimentality and that does not exclude humor.”
“Life could offer another destiny for women other than caring for the whole family. [The film offers] very accurate interpretations, where Laia Costa stands out and I suppose will sweep all this year’s awards. You have to see it before the heat wave takes it away. Summer is the worst enemy of the theaters.”
Almodóvar’s advocacy is highly necessary as an exciting new generation of cineastes, often female, galvanizes Spain’s arthouse scene led by Carla Simón...
- 5/28/2022
- by Emilio Mayorga
- Variety Film + TV
Buenos Aires-based FilmSharks has picked up world sales rights to Ángeles Hernández’s supernatural horror film “El faro” (“The Lighthouse”), set up at Mr. Miyagi Films, co-producer of Galder Gaztelu-Urrutia’s multi-awarded Netflix smash hit “The Platform.”
“The Lighthouse” ended shooting in May; FilmSharks is showing first footage to buyers at Cannes.
Film toplines Spanish film and TV star Hugo Silva plus Irene Montalà (“Un asunto privado”), Zoe Arnao and Sergio Castellanos.
Produced by Hernández and David Matamoros at Barcelona-based Mr. Miyagi, “The Lighthouse” turns on Lidia and her father, Pablo, returning to the family lighthouse after her mother’s death.
Pablo, aware of Lidia’s fragile emotional balance, worries about a possible relapse after her suicide attempt. Lidia, annoyed by her father’s lack of trust, discovers that something’s not right at the lighthouse, and that dire danger awaits them if they do not find out the truth.
“The Lighthouse” ended shooting in May; FilmSharks is showing first footage to buyers at Cannes.
Film toplines Spanish film and TV star Hugo Silva plus Irene Montalà (“Un asunto privado”), Zoe Arnao and Sergio Castellanos.
Produced by Hernández and David Matamoros at Barcelona-based Mr. Miyagi, “The Lighthouse” turns on Lidia and her father, Pablo, returning to the family lighthouse after her mother’s death.
Pablo, aware of Lidia’s fragile emotional balance, worries about a possible relapse after her suicide attempt. Lidia, annoyed by her father’s lack of trust, discovers that something’s not right at the lighthouse, and that dire danger awaits them if they do not find out the truth.
- 5/20/2022
- by Emiliano De Pablos
- Variety Film + TV
“El agua,” (Elena López Riera)
A Directors’ Fortnight title, the feature debut of Locarno winning López Riera (“Los Que Desean”), a fantasy-laced village-set critique of gender violence. S.A. Elle Driver
“Alcarràs,” (Carla Simón)
The 2022 Berlin Golden Bear winner, Simón’s follow-up to “Summer 1993” and the flagship title for Catalonia and Spain’s newest filmmaking generation. S.A. MK2 Films
“Amazing Elisa,” (Sádrac González-Perellón)
The next from 2017 BiFan Grand Jury Prize winner González-Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, plans revenge after her mother’s tragic death. S.A. Filmax
“The Beasts,” (Rodrigo Sorogoyen)
One of 2022’s most awaited Spanish titles, playing Cannes Premiere, a Galicia-set thriller from Oscar-nominee Sorogoyen (“Mother”), produced by Arcadia, Caballo Films and Le Pacte. S.A. Latido Films
“The Communion Girl,” (Víctor García)
A revenge thriller involving an urban legend about a girl in a communion dress. S.
A Directors’ Fortnight title, the feature debut of Locarno winning López Riera (“Los Que Desean”), a fantasy-laced village-set critique of gender violence. S.A. Elle Driver
“Alcarràs,” (Carla Simón)
The 2022 Berlin Golden Bear winner, Simón’s follow-up to “Summer 1993” and the flagship title for Catalonia and Spain’s newest filmmaking generation. S.A. MK2 Films
“Amazing Elisa,” (Sádrac González-Perellón)
The next from 2017 BiFan Grand Jury Prize winner González-Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, plans revenge after her mother’s tragic death. S.A. Filmax
“The Beasts,” (Rodrigo Sorogoyen)
One of 2022’s most awaited Spanish titles, playing Cannes Premiere, a Galicia-set thriller from Oscar-nominee Sorogoyen (“Mother”), produced by Arcadia, Caballo Films and Le Pacte. S.A. Latido Films
“The Communion Girl,” (Víctor García)
A revenge thriller involving an urban legend about a girl in a communion dress. S.
- 5/19/2022
- by Emilio Mayorga and John Hopewell
- Variety Film + TV
“Alcarràs,” from Catalonia’s Carla Simón, won Berlin’s top Golden Bear in February. “One Year, One Night,” from Catalan Isaki Lacuesta, also played in main competition. This May “Pacifiction,” from Albert Serra, another Catalan, has scored a competition berth at Cannes.
Thanks to these three titles, Catalonia has more directors this year in the key section at Europe’s two biggest festivals than Italy (2), Germany (1) or the U.K. (none at all). Other Catalan productions to play at Cannes: Rodrigo Sorogoyen’s “The Beasts” in Premiere and Anna Fernández’s “I Didn’t Make It to Love Her,” a Critics’ Week short.
If big fest selection is any measure, with just 7.6 million inhabitants and Barcelona as its capital, Catalonia is building as an upscale European movie powerhouse.
The build, however, is far broader based. In the pipeline, all from Barcelona-based Nostromo Pictures, are major Netflix titles such as David...
Thanks to these three titles, Catalonia has more directors this year in the key section at Europe’s two biggest festivals than Italy (2), Germany (1) or the U.K. (none at all). Other Catalan productions to play at Cannes: Rodrigo Sorogoyen’s “The Beasts” in Premiere and Anna Fernández’s “I Didn’t Make It to Love Her,” a Critics’ Week short.
If big fest selection is any measure, with just 7.6 million inhabitants and Barcelona as its capital, Catalonia is building as an upscale European movie powerhouse.
The build, however, is far broader based. In the pipeline, all from Barcelona-based Nostromo Pictures, are major Netflix titles such as David...
- 5/18/2022
- by Emilio Mayorga
- Variety Film + TV
From Berlin Golden Bear winner ‘Alcarrás’ to Cannes Competition title ‘Pacifiction,’ these projects will represent Catalonia at Cannes.
Alcarràs
Director: Carla Simón
The 2022 Berlin Golden Bear winner, a family farm drama marking the flagship title for Catalonia’s newest generation of cineastes.
Sales: MK2 Films
Amazing Elisa
Director: Sadrac González-Perellón
The next from 2017 BiFan Grand Jury Prize winner González- Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, seeks revenge after her mother’s tragic death. La Charito Films produces.
Sales: Filmax
The Beasts
Director: Rodrigo Sorogoyen
One of 2022’s most awaited Spanish titles, selected for Cannes Premiere, a Galicia-set thriller from Oscar-nominee Sorogoyen (“Mother”), produced by Arcadia, Caballo Films and Le Pacte.
Sales: Latido Films
The Communion Girl
Director: Víctor García
Film Factory’s genre play for Cannes: A revenge thriller drawing on an urban legend about a girl in a communion dress.
Sales: Film...
Alcarràs
Director: Carla Simón
The 2022 Berlin Golden Bear winner, a family farm drama marking the flagship title for Catalonia’s newest generation of cineastes.
Sales: MK2 Films
Amazing Elisa
Director: Sadrac González-Perellón
The next from 2017 BiFan Grand Jury Prize winner González- Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, seeks revenge after her mother’s tragic death. La Charito Films produces.
Sales: Filmax
The Beasts
Director: Rodrigo Sorogoyen
One of 2022’s most awaited Spanish titles, selected for Cannes Premiere, a Galicia-set thriller from Oscar-nominee Sorogoyen (“Mother”), produced by Arcadia, Caballo Films and Le Pacte.
Sales: Latido Films
The Communion Girl
Director: Víctor García
Film Factory’s genre play for Cannes: A revenge thriller drawing on an urban legend about a girl in a communion dress.
Sales: Film...
- 5/18/2022
- by Emilio Mayorga
- Variety Film + TV
Filmax has swooped in on one of Spain’s most awaited fiction feature debuts of 2022, Alex Lora’s “Unicorns” (“Unicornios”). Pic is produced by Inicia Films’ Valerie Delpierre, producer of director Carla Simon’s debut, “Summer 1993.”
Due to be completed by the fall, “Unicorns” is made with Valencia’s Jaibo, the shingle behind Chema García’s Locarno hit “The Sacred Spirit.” Filmax will screen a first promo at this week’s Cannes Film Market.
New York-based, and an alum of the City College of New York, where he was mentored by Chantal Akerman, Lora has carved out an exceptional documentary career, finding humanity in the most unlikely of subjects, often supposed outsiders or outcasts, and of places, such as a Brooklyn recycling center in 2017’s doc feature “The Fourth Kingdom, The Kingdom of Plastics.”
In “Unicorns,” by contrast, Isa, the protagonist, has it all. She is intelligent, beautiful, young and spontaneous.
Due to be completed by the fall, “Unicorns” is made with Valencia’s Jaibo, the shingle behind Chema García’s Locarno hit “The Sacred Spirit.” Filmax will screen a first promo at this week’s Cannes Film Market.
New York-based, and an alum of the City College of New York, where he was mentored by Chantal Akerman, Lora has carved out an exceptional documentary career, finding humanity in the most unlikely of subjects, often supposed outsiders or outcasts, and of places, such as a Brooklyn recycling center in 2017’s doc feature “The Fourth Kingdom, The Kingdom of Plastics.”
In “Unicorns,” by contrast, Isa, the protagonist, has it all. She is intelligent, beautiful, young and spontaneous.
- 5/17/2022
- by John Hopewell
- Variety Film + TV
The event is a major showcase of Spanish and Latin American content to the international market.
The world premiere of Jorge Coira’s Codigo Emperador, starring Luis Tosar, opens the 25th edition of the Málaga Film Festival (Mff) today (March 18), marking the first time the Spanish and Latin American-focused event has run in-person for two years. The spy thriiller also opens in Spain today.
Roberto Bueso’s Full Of Grace is the closing night film, screening out of competition.
Codigo Emperador is playing in competition along with Alauda Ruiz de Azúa’s directorial debut Lullaby, starring Laia Costa and Susi Sánchez,...
The world premiere of Jorge Coira’s Codigo Emperador, starring Luis Tosar, opens the 25th edition of the Málaga Film Festival (Mff) today (March 18), marking the first time the Spanish and Latin American-focused event has run in-person for two years. The spy thriiller also opens in Spain today.
Roberto Bueso’s Full Of Grace is the closing night film, screening out of competition.
Codigo Emperador is playing in competition along with Alauda Ruiz de Azúa’s directorial debut Lullaby, starring Laia Costa and Susi Sánchez,...
- 3/18/2022
- by Elisabet Cabeza
- ScreenDaily
Paris-based Elle Driver has acquired world sales rights outside Spain and France to “La Maternal,” the second film from Pilar Palomero whose 2019’s “Schoolgirls” (“Las niñas”) made her only the fifth first feature director to win a Spanish Academy Best Picture Goya.
BTeam Pictures is handling distribution in Spain.
“Schoolgirls” also won Goyas for director, original screenplay and cinematography (Daniela Cajías), establishing Palomero as a leading light of Catalonia’s newest – and often female – generation of cineastes, making movies which are grounded in authentic local realities, but alert to broader social trends.
Produced like “Schoolgirls” by Spain’s Inicia Films, whose credits also include Carla Simon’s “Summer 1993,” and BTeam Productions, “La Maternal” sees Palomero once more explore the borders between child and adulthood.
“What does it mean to be mother, what does it mean to be a child ? At 14 years old, Carla is both…” runs the film’s logline.
BTeam Pictures is handling distribution in Spain.
“Schoolgirls” also won Goyas for director, original screenplay and cinematography (Daniela Cajías), establishing Palomero as a leading light of Catalonia’s newest – and often female – generation of cineastes, making movies which are grounded in authentic local realities, but alert to broader social trends.
Produced like “Schoolgirls” by Spain’s Inicia Films, whose credits also include Carla Simon’s “Summer 1993,” and BTeam Productions, “La Maternal” sees Palomero once more explore the borders between child and adulthood.
“What does it mean to be mother, what does it mean to be a child ? At 14 years old, Carla is both…” runs the film’s logline.
- 2/11/2022
- by John Hopewell and Emilio Mayorga
- Variety Film + TV
Rapidly emerging as one of Spain’s foremost hothouses for new producer and creative talent, the Ecam Madrid Film School’s Incubator program has chosen five titles for its 2022 program:
“Last Night I Conquered the City of Thebes,” “Disposable,” “Macrame,” “Festina Lente” and “Ripli.”
Launched to connect early career talent in Spain with Europe’s film industry, the 5th Incubator runs from Feb. 23 through July.
The program will be overseen by writer-director Rafa Alberola, who serves as the new manager of The Screen, Ecam’s industry initiative umbrella.
This year’s lineup announcements comes as one Incubator project, Alauda Ruiz de Azúa’s “Lullaby,” is set to world premiere in Berlin’s Panorama section later this week.
Chema García Ibarra’s “Sacred Spirit” proved a standout at August’s Locarno Festival, another Incubator debut, Javier Marco’s Javier Marco’s “Josefina” was for many the most notable Spanish feature debut...
“Last Night I Conquered the City of Thebes,” “Disposable,” “Macrame,” “Festina Lente” and “Ripli.”
Launched to connect early career talent in Spain with Europe’s film industry, the 5th Incubator runs from Feb. 23 through July.
The program will be overseen by writer-director Rafa Alberola, who serves as the new manager of The Screen, Ecam’s industry initiative umbrella.
This year’s lineup announcements comes as one Incubator project, Alauda Ruiz de Azúa’s “Lullaby,” is set to world premiere in Berlin’s Panorama section later this week.
Chema García Ibarra’s “Sacred Spirit” proved a standout at August’s Locarno Festival, another Incubator debut, Javier Marco’s Javier Marco’s “Josefina” was for many the most notable Spanish feature debut...
- 2/8/2022
- by Emilio Mayorga
- Variety Film + TV
“Drive My Car” filmmaker Hamaguchi Ryusuke, director Karim Ainouz (Berlin-winner “Central Airport Thf”) and actor Connie Nielsen (“Wonder Woman”) will join president M. Night Shyamalan on the international jury of the Berlin Film Festival.
Also serving on the international jury are producer Saïd Ben Saïd (“Benedetta”) and filmmakers Anne Zohra Berrached (“24 Weeeks”) and writer-director Tsitsi Dangarembga (“I Want a Wedding Dress”). The international jury decides the Golden and the Silver Bear winners.
The jury for the festival’s Encounters strand includes Mubi director of content Chiara Marañón and filmmakers Ben Rivers (Venice Fipresci prize winner “Two Years at Sea”) and Silvan Zürcher (Berlin Fipresci prize winner “The Girl and the Spider”). They will choose the winners for the strand’s best film, best director and the special jury awards.
The jury for the Gwff Best First Feature Award includes Gaia Furrer, artistic director of the Venice Film Festival’s Venice...
Also serving on the international jury are producer Saïd Ben Saïd (“Benedetta”) and filmmakers Anne Zohra Berrached (“24 Weeeks”) and writer-director Tsitsi Dangarembga (“I Want a Wedding Dress”). The international jury decides the Golden and the Silver Bear winners.
The jury for the festival’s Encounters strand includes Mubi director of content Chiara Marañón and filmmakers Ben Rivers (Venice Fipresci prize winner “Two Years at Sea”) and Silvan Zürcher (Berlin Fipresci prize winner “The Girl and the Spider”). They will choose the winners for the strand’s best film, best director and the special jury awards.
The jury for the Gwff Best First Feature Award includes Gaia Furrer, artistic director of the Venice Film Festival’s Venice...
- 1/26/2022
- by Naman Ramachandran
- Variety Film + TV
In a sign of just how much the film and TV industry has evolved over the past few years, 25% of participants at the Malaga Festival’s new Spanish Screenings Xxl will represent in one way or another VOD platforms, the organizers announced Tuesday.
After taking place in November 2020 and October 2021 during two years of pandemic, Malaga’s leg of the 2022 Spanish Screenings Xxl will take place over March 21-24 as part of an even larger Malaga Festival Industry Zone (Mafiz).
In line with the Unifrance Rendez-Vous in Paris a fortnight ago, the event will expand to take in not only recent Spanish movies but series, animation and, in the case of the Spanish Screenings, straight to digital formats.
“Not just features get sold these days,” said Malaga Festival director Juan Antonio Vigar. “Spain is beginning to be a reference in the production of series, documentaries, animation, digital creators and talent.
After taking place in November 2020 and October 2021 during two years of pandemic, Malaga’s leg of the 2022 Spanish Screenings Xxl will take place over March 21-24 as part of an even larger Malaga Festival Industry Zone (Mafiz).
In line with the Unifrance Rendez-Vous in Paris a fortnight ago, the event will expand to take in not only recent Spanish movies but series, animation and, in the case of the Spanish Screenings, straight to digital formats.
“Not just features get sold these days,” said Malaga Festival director Juan Antonio Vigar. “Spain is beginning to be a reference in the production of series, documentaries, animation, digital creators and talent.
- 1/25/2022
- by John Hopewell
- Variety Film + TV
In a further expansive move from Pantaya, the U.S. Spanish-language streaming service and Dominican Republic-based Caribbean Films have wrapped principal production on premium comedy series “Líos en familia” (“Trouble in the Building”), Pantaya’s first Caribbean original.
“Líos” will be released in the U.S. and Puerto Rico on Pantaya in the first quarter of 2022.
The production partners also unveiled Thursday the large Dominican cast on what is described as a “laugh-out-loud” ensemble series – led by duo Raymond Pozo and Miguel Céspedes, stars of 2018 box office smash hit “Qué león” – and actor-comedian-writer Cheddy García (“Trabajo Sucio”), a Soberano Awards Best Actress winner.
Also attracting some of the Dominican Republic film industry’s biggest marquee names behind the camera, “Trouble” is directed by Frank Perozo, whose credits include “Qué León,” “Los Leones,” “Colao” and the upcoming “Flow Calle,” with the experienced José Enrique Pintor (“Culpables”) serving as co-director.
Pintor penned...
“Líos” will be released in the U.S. and Puerto Rico on Pantaya in the first quarter of 2022.
The production partners also unveiled Thursday the large Dominican cast on what is described as a “laugh-out-loud” ensemble series – led by duo Raymond Pozo and Miguel Céspedes, stars of 2018 box office smash hit “Qué león” – and actor-comedian-writer Cheddy García (“Trabajo Sucio”), a Soberano Awards Best Actress winner.
Also attracting some of the Dominican Republic film industry’s biggest marquee names behind the camera, “Trouble” is directed by Frank Perozo, whose credits include “Qué León,” “Los Leones,” “Colao” and the upcoming “Flow Calle,” with the experienced José Enrique Pintor (“Culpables”) serving as co-director.
Pintor penned...
- 12/16/2021
- by John Hopewell
- Variety Film + TV
Eleven months in to 2021, and Warner Bros. movie streaming strategy on HBO Max is still going strong. Now the list of new releases for November 2021 on HBO Max is highlighted by yet another big ticket film.
King Richard, starring Will Smith, is set to arrive on HBO Max and in theaters on Nov. 19. The movie will tell the story of Richard Williams, the father and coach of tennis legends Venus and Serena Williams. Smith is already getting some early awards buzz for the role so Oscar-heads may want to check this one out.
Read more TV Peacemaker: All the DC Heroes and Villains in that HBO Max Trailer By Jim Dandeneau TV House of the Dragon: Game of Thrones Prequel Trailer Breakdown By Alec Bojalad
Aside from that, it’s a relatively light month for originals on HBO Max. The streamer is clearly attempting to step up its non-English...
King Richard, starring Will Smith, is set to arrive on HBO Max and in theaters on Nov. 19. The movie will tell the story of Richard Williams, the father and coach of tennis legends Venus and Serena Williams. Smith is already getting some early awards buzz for the role so Oscar-heads may want to check this one out.
Read more TV Peacemaker: All the DC Heroes and Villains in that HBO Max Trailer By Jim Dandeneau TV House of the Dragon: Game of Thrones Prequel Trailer Breakdown By Alec Bojalad
Aside from that, it’s a relatively light month for originals on HBO Max. The streamer is clearly attempting to step up its non-English...
- 11/1/2021
- by Alec Bojalad
- Den of Geek
November is a good month for saying goodbye on HBO Max. The streaming platform will host the final 2021 episodes of HBO late-night staples “Real Time with Bill Maher” and the Emmy Award-winning “Last Week Tonight with John Oliver,” the season finales of Max originals “Love Life” and “Doom Patrol,” and also provide home viewers their last opportunity to watch “Dune” on HBO Max until sometime in 2022 (“Dune” leaves HBO Max on November 21).
But beyond those conclusions, there are some huge premieres as well: Oscar contender “King Richard” arrives on November 19 with Will Smith in the lead role, the back-half of “Gossip Girl” Season 1 will make its debut at some point, and the HBO Music Box series continues with the Alanis Morrisette documentary “Jagged” (which the singer roundly criticized) and a new feature on Dmx. All of that content, plus a number of library classics, including but not limited to “Moonstruck,...
But beyond those conclusions, there are some huge premieres as well: Oscar contender “King Richard” arrives on November 19 with Will Smith in the lead role, the back-half of “Gossip Girl” Season 1 will make its debut at some point, and the HBO Music Box series continues with the Alanis Morrisette documentary “Jagged” (which the singer roundly criticized) and a new feature on Dmx. All of that content, plus a number of library classics, including but not limited to “Moonstruck,...
- 10/25/2021
- by Christopher Rosen
- Gold Derby
Eighth annual celebration of Ibero-American audiovisual industry returned to in-person event in Madrid.
Colombia dominated the Platino Awards – the Ibero-American equivalent of the Oscars – as Memories Of My Father, a drama about a public health activist murdered in the 1980s, took five awards on Sunday night (October 3) while Michel Franco’s New Order emerged empty-handed from the Madrid ceremony.
Memories Of My Father won best film and art direction and earned three awards for Spaniards as Fernando Trueba triumphed in the directing category, his brother David Trueba won for best screenplay and Javier Camara took the best actor prize for...
Colombia dominated the Platino Awards – the Ibero-American equivalent of the Oscars – as Memories Of My Father, a drama about a public health activist murdered in the 1980s, took five awards on Sunday night (October 3) while Michel Franco’s New Order emerged empty-handed from the Madrid ceremony.
Memories Of My Father won best film and art direction and earned three awards for Spaniards as Fernando Trueba triumphed in the directing category, his brother David Trueba won for best screenplay and Javier Camara took the best actor prize for...
- 10/4/2021
- by Elaine Guerini
- ScreenDaily
Beijing-based distributor Hugoeast Media has acquired Chinese distribution rights to Cannes Directors’ Fortnight film “The Tale of King Crab,” the first feature venture into narrative fiction of Italian filmmakers Alessio Rigo de Righi and Matteo Zoppis.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
- 9/21/2021
- by John Hopewell
- Variety Film + TV
Few phenomena in Spanish film have proved so striking in recent years as the emergence last decade of a new generation of Catalan filmmakers, very often women, making resonant movies grounded in highly specific local realities.
Think Clara Simon’s “Summer 1993,” a Berlin First Feature Award winner, or Pilar Palomero’s “Schoolgirls,” which walked off with best picture at this year’s Spanish Academy Goyas.
For years, prominent Catalan auteurs – José Luis Guerín, Marc Recha, Isaki Lacuesta – have made movies straddling documentary and fiction.
Sold by Beta Cinema, “The Off-Job Men,” directed by Pompeu Fabra U. alum Neus Ballús, drinks deep from both traditions.
Its stars, Mohamed Mellali, Valero Escolar and Pep Sarrá, are real life plumbers who, in a fiction-set up created by Ballús, play employees at Instalaciones Losilla, a small handyman firm on the outskirts of Barcelona. Over six days, Moha, a Moroccan new recruit on a one-week trial,...
Think Clara Simon’s “Summer 1993,” a Berlin First Feature Award winner, or Pilar Palomero’s “Schoolgirls,” which walked off with best picture at this year’s Spanish Academy Goyas.
For years, prominent Catalan auteurs – José Luis Guerín, Marc Recha, Isaki Lacuesta – have made movies straddling documentary and fiction.
Sold by Beta Cinema, “The Off-Job Men,” directed by Pompeu Fabra U. alum Neus Ballús, drinks deep from both traditions.
Its stars, Mohamed Mellali, Valero Escolar and Pep Sarrá, are real life plumbers who, in a fiction-set up created by Ballús, play employees at Instalaciones Losilla, a small handyman firm on the outskirts of Barcelona. Over six days, Moha, a Moroccan new recruit on a one-week trial,...
- 8/8/2021
- by John Hopewell
- Variety Film + TV
Feature comedies “El Cover,” the directorial debut of actor Secun de la Rosa, and Ana Murugarren’s “García y García,” will respectively open and close Spain’s 24th Malaga Film Festival, the country’s biggest event dedicated exclusively to films and TV in Spain and Latin America.
Running June 3-13, the festival focus will fall on its usefulness for the region’s film and TV industries, prioritizing cinema exhibition over social events.
The main competition, a faithful reflection of the most recent cinema produced both in Spain and Latin America, combines highly experienced filmmakers with up-and-coming talents. In total, it will highlight 23 features, 15 Spanish and eight Latin American.
Sold by Latido Films, Benidorm-set musical comedy “El Cover” is produced by Kiko Martínez at Madrid’s Nadie Es Perfecto (“Perfectos desconocidos”) in collaboration with Amazon Prime Video and Gts Entertainment.
Toplining Spanish comedians Pepe Viyuela and José Mota (“Padre no hay...
Running June 3-13, the festival focus will fall on its usefulness for the region’s film and TV industries, prioritizing cinema exhibition over social events.
The main competition, a faithful reflection of the most recent cinema produced both in Spain and Latin America, combines highly experienced filmmakers with up-and-coming talents. In total, it will highlight 23 features, 15 Spanish and eight Latin American.
Sold by Latido Films, Benidorm-set musical comedy “El Cover” is produced by Kiko Martínez at Madrid’s Nadie Es Perfecto (“Perfectos desconocidos”) in collaboration with Amazon Prime Video and Gts Entertainment.
Toplining Spanish comedians Pepe Viyuela and José Mota (“Padre no hay...
- 6/2/2021
- by Emiliano De Pablos
- Variety Film + TV
As part of the Restart Conference, we speak to key players of the new wave of Catalan women directors.
As part of the Restart Conference (May 18-20), we speak to key players of the new wave of Catalan women directors who are enjoying the international spotlight at festivals and markets.
We discuss success stories such as Carla Simón’s Summer 1993 and Pilar Palomero’s The Girls as well as the new names and projects - like Simon’s upcoming shoot Alcarrás - that will shape the region’s future Film & TV Series landscape.
The panel explores the factors that have...
As part of the Restart Conference (May 18-20), we speak to key players of the new wave of Catalan women directors who are enjoying the international spotlight at festivals and markets.
We discuss success stories such as Carla Simón’s Summer 1993 and Pilar Palomero’s The Girls as well as the new names and projects - like Simon’s upcoming shoot Alcarrás - that will shape the region’s future Film & TV Series landscape.
The panel explores the factors that have...
- 5/26/2021
- by Screen staff
- ScreenDaily
Time and date: 14:00pm, Thursday May 20
As part of this week’s Restart conference (May 18-20), we will speak to key players of the new wave of Catalan women directors who are enjoying the international spotlight at festivals and markets.
Register here
Our panelists are Valerie Delpierre, producer at Inicia Films; Clara Roquet, writer and director of 10,000 km and Petra, and Berlinale selection committee member Paz Lazaro.
The session, chaired by Screen International’s Spain Correspondent Elisabet Cabeza, will take place on 14:00pm, Thursday May 20. It is sponsored by Catalan Films and the Catalunya Film Commission
It will...
As part of this week’s Restart conference (May 18-20), we will speak to key players of the new wave of Catalan women directors who are enjoying the international spotlight at festivals and markets.
Register here
Our panelists are Valerie Delpierre, producer at Inicia Films; Clara Roquet, writer and director of 10,000 km and Petra, and Berlinale selection committee member Paz Lazaro.
The session, chaired by Screen International’s Spain Correspondent Elisabet Cabeza, will take place on 14:00pm, Thursday May 20. It is sponsored by Catalan Films and the Catalunya Film Commission
It will...
- 5/18/2021
- by Screen staff
- ScreenDaily
One of Southern Europe’s fastest growing industry events, Spain’s Malaga Festival is pushing back its industry centerpiece Spanish Screenings from June in order to be able to celebrate an on-site event.
“Last year and this, we’ve learnt not to make [longterm] plans. We don’t have a definitive date but it could be this fall, though everybody’s moving back to the fall so we will have to choose our dates carefully,” Malaga Industry Co-ordinator Annabelle Aramburu, announced at a Sanfic Industria panel.
Spain’s biggest showcase for the market premieres of new and recent Spanish features, the Screenings benefit hugely from a physical event, she argued.
“On an industrial level, we want to return as soon as possible to normality. Negotiations need people to look each other in the eye,” said Aramburu.
Parallel to the Screenings, Malaga will celebrate on site its inaugural Hack Mafiz Malaga, an...
“Last year and this, we’ve learnt not to make [longterm] plans. We don’t have a definitive date but it could be this fall, though everybody’s moving back to the fall so we will have to choose our dates carefully,” Malaga Industry Co-ordinator Annabelle Aramburu, announced at a Sanfic Industria panel.
Spain’s biggest showcase for the market premieres of new and recent Spanish features, the Screenings benefit hugely from a physical event, she argued.
“On an industrial level, we want to return as soon as possible to normality. Negotiations need people to look each other in the eye,” said Aramburu.
Parallel to the Screenings, Malaga will celebrate on site its inaugural Hack Mafiz Malaga, an...
- 3/23/2021
- by John Hopewell
- Variety Film + TV
UK, Germany, France, Spain, Japan, among buyers.
Highland Film Group has closed multiple sales on Robert De Niro and Jack Huston thriller Wash Me In The River and will distribute the film theatrically in the US through its releasing division The Avenue.
Rights have gone in Germany (Capelight), France (Studiocanal), UK (Signature), Spain (Inopia), Middle East (Eagle Films), Eastern Europe and Russia (Daro), Australia and New Zealand (Madman), Japan (Happinet), Benelux (Premiere TV), Italy (Italian International Film), India (PictureWorks), Taiwan (MovieCloud), South Africa (FilmFinity), Greece (Spentzos Films), and Portugal (Lusomundo).
Paramount Home Entertainment will handle Blu-ray, DVD, VOD, and digital rights.
Highland Film Group has closed multiple sales on Robert De Niro and Jack Huston thriller Wash Me In The River and will distribute the film theatrically in the US through its releasing division The Avenue.
Rights have gone in Germany (Capelight), France (Studiocanal), UK (Signature), Spain (Inopia), Middle East (Eagle Films), Eastern Europe and Russia (Daro), Australia and New Zealand (Madman), Japan (Happinet), Benelux (Premiere TV), Italy (Italian International Film), India (PictureWorks), Taiwan (MovieCloud), South Africa (FilmFinity), Greece (Spentzos Films), and Portugal (Lusomundo).
Paramount Home Entertainment will handle Blu-ray, DVD, VOD, and digital rights.
- 3/8/2021
- by Jeremy Kay
- ScreenDaily
“The opportunity to be more innovative has been interesting,” said Gff co-director Allison Gardner.
Sweetheart, the debut film by UK director Marley Morrison, has won the audience award at the closing event of the 2021 Glasgow Film Festival (Gff), which ran online-only from February 24 to March 7.
The film made its world premiere at the festival.
The coming-of-age story, charts the relationship between two young women during a summer holiday at a caravan park in Dorset. It is the final title to come out of the latest Film London Microwave slate of low-budget projects.
It is produced by Michelle Antoniades for Hazey Jane Films,...
Sweetheart, the debut film by UK director Marley Morrison, has won the audience award at the closing event of the 2021 Glasgow Film Festival (Gff), which ran online-only from February 24 to March 7.
The film made its world premiere at the festival.
The coming-of-age story, charts the relationship between two young women during a summer holiday at a caravan park in Dorset. It is the final title to come out of the latest Film London Microwave slate of low-budget projects.
It is produced by Michelle Antoniades for Hazey Jane Films,...
- 3/8/2021
- by Michael Rosser
- ScreenDaily
Schoolgirls took home four Goyas The directorial debut of Pilar Palomero has won the top prize at Spain's Goya awards - the country's equivalent of the Oscars.
Coming-of-age drama Schoolgirls won four of the nine Goyas for which it was nominated, including best film and best new director, at the hybrid ceremony, which saw the nominees take part from home.
It was also a good night for refugee crisis drama Adú, which also received four awards, including best director for salvador Calvo.
Ane Is Missing, by David Pérez Sañudo, won three Goyas, including best actress for Patricia López Arnaíz - Mario Casas was named best actor for Cross The Line - while witch hunt drama Akelarre won five and Icíar Bollaín’s Rosa’s Wedding won two.
The winners are below:
Best film - Schoolgirls
Best director - Salvador Calvo for Adú
Best new director - Pilar Palomero for Schoolgirls
Best...
Coming-of-age drama Schoolgirls won four of the nine Goyas for which it was nominated, including best film and best new director, at the hybrid ceremony, which saw the nominees take part from home.
It was also a good night for refugee crisis drama Adú, which also received four awards, including best director for salvador Calvo.
Ane Is Missing, by David Pérez Sañudo, won three Goyas, including best actress for Patricia López Arnaíz - Mario Casas was named best actor for Cross The Line - while witch hunt drama Akelarre won five and Icíar Bollaín’s Rosa’s Wedding won two.
The winners are below:
Best film - Schoolgirls
Best director - Salvador Calvo for Adú
Best new director - Pilar Palomero for Schoolgirls
Best...
- 3/7/2021
- by Amber Wilkinson
- eyeforfilm.co.uk
The Goyas were presented by Antonio Banderas from the theatre he owns in Malaga.
Pilar Palomero’s directorial debut Schoolgirls won the best film and best new director award at Spain’s Goya awards on Saturday March 6 in a pandemic-era ceremony that celebrated fresh voices and a strong female presence.
The hybrid ceremony - all the nominees were at home - was sober and started with a minute’s silence for the pandemic’s victims. It was also much shorter than usual. The socially-distanced red carpet was only for the celebrities in charge of giving the awards and Antonio Banderas,...
Pilar Palomero’s directorial debut Schoolgirls won the best film and best new director award at Spain’s Goya awards on Saturday March 6 in a pandemic-era ceremony that celebrated fresh voices and a strong female presence.
The hybrid ceremony - all the nominees were at home - was sober and started with a minute’s silence for the pandemic’s victims. It was also much shorter than usual. The socially-distanced red carpet was only for the celebrities in charge of giving the awards and Antonio Banderas,...
- 3/7/2021
- by Elisabet Cabeza
- ScreenDaily
Pilar Palomero’s coming of age drama The Girls has won the 2021 Goya Award for best film, Spain’s top film honor.
Palomero, who is a first-time feature director, was also awarded Goyas for best new director and best screenplay for her drama set in a convent school.
Netflix drama Adú was the frontrunner leading up to the ceremony with 14 nominations, and director Salvador Calvo was awarded the best director trophy. His sophomore feature follows three interconnected stories all set in Africa.
The Goya 2021 best film nominees included Ane Is Missing from David Pérez Sañudo, Icíar Bollaín’s La boda de Rosa (Rosa’...
Palomero, who is a first-time feature director, was also awarded Goyas for best new director and best screenplay for her drama set in a convent school.
Netflix drama Adú was the frontrunner leading up to the ceremony with 14 nominations, and director Salvador Calvo was awarded the best director trophy. His sophomore feature follows three interconnected stories all set in Africa.
The Goya 2021 best film nominees included Ane Is Missing from David Pérez Sañudo, Icíar Bollaín’s La boda de Rosa (Rosa’...
Pilar Palomero’s coming of age drama The Girls has won the 2021 Goya Award for best film, Spain’s top film honor.
Palomero, who is a first-time feature director, was also awarded Goyas for best new director and best screenplay for her drama set in a convent school.
Netflix drama Adú was the front-runner leading up to the ceremony with 14 nominations, and director Salvador Calvo was awarded the best director trophy. His sophomore feature follows three interconnected stories all set in Africa.
The Goya 2021 best film nominees included Ane Is Missing from David Pérez Sañudo, Icíar Bollaín’s La boda de Rosa (Rosa’...
Palomero, who is a first-time feature director, was also awarded Goyas for best new director and best screenplay for her drama set in a convent school.
Netflix drama Adú was the front-runner leading up to the ceremony with 14 nominations, and director Salvador Calvo was awarded the best director trophy. His sophomore feature follows three interconnected stories all set in Africa.
The Goya 2021 best film nominees included Ane Is Missing from David Pérez Sañudo, Icíar Bollaín’s La boda de Rosa (Rosa’...
Pilar Palomero’s coming-of-age story The Girls took home the top prizes, including best picture, at the 35th annual Goya Awards on Saturday. The annual Spain awards show, hosted by Antonio Banderas, also saw Palomero’s drama win the prizes for new director, original screenplay and cinematography.
The 35th Goya Awards adopted a hybrid format due to the ongoing coronavirus pandemic and featured talent present and receive awards virtually or on-site at an audience-less Teatro del Soho CaixaBank. Among the Hollywood names presenting the event’s various awards were Pedro Almódovar, Penélope Cruz, J.A. Bayona, Alejandro Amenábar and Paz Vega. The ceremony also featured pre-recorded messages from a number of Hollywood names including Robert DeNiro, Al Pacino, Benicio del Toro, Laura Dern and Charlize Theron.
1492: Conquest of Paradise and Broken Embraces actress Angelina Molina took home the ceremony’s Honorary Goya award.
See the full list of winners at...
The 35th Goya Awards adopted a hybrid format due to the ongoing coronavirus pandemic and featured talent present and receive awards virtually or on-site at an audience-less Teatro del Soho CaixaBank. Among the Hollywood names presenting the event’s various awards were Pedro Almódovar, Penélope Cruz, J.A. Bayona, Alejandro Amenábar and Paz Vega. The ceremony also featured pre-recorded messages from a number of Hollywood names including Robert DeNiro, Al Pacino, Benicio del Toro, Laura Dern and Charlize Theron.
1492: Conquest of Paradise and Broken Embraces actress Angelina Molina took home the ceremony’s Honorary Goya award.
See the full list of winners at...
- 3/7/2021
- by Alexandra Del Rosario
- Deadline Film + TV
Pilar Palomero’s “Schoolgirls” (“Las Niñas”), a coming-of-age story and generational portrait of Spanish women who would now be in their 40s, swept an extraordinary and admirable 35th edition of Spain’s Goya Awards on Saturday, scooping best picture, new director, original screenplay and cinematography.
Salvador Calvo won best director for the three-part, Africa-set drama “Adú,” a Netflix pick-up produced by Telecinco Cinema, Ikiru Films and La Terraza Films that proved one of Spain’s biggest box office hits of last year, earning €6.3 million ($7.6 million) at the Spanish box office, promoted to the hilt by Telecinco Cinema parent Mediaset España.
Marking a milestone in his transition from Spanish heartthrob to character actor, Mario Casas won best actor for “No Matarás.” Patricia López Arnaíz took best actress for her role in “Ane is Missing,” a confident mother-daughter relationship drama-thriller melding psychological observation and social critique, set against the background of high-speed train construction in a 2009 Bilbao.
Salvador Calvo won best director for the three-part, Africa-set drama “Adú,” a Netflix pick-up produced by Telecinco Cinema, Ikiru Films and La Terraza Films that proved one of Spain’s biggest box office hits of last year, earning €6.3 million ($7.6 million) at the Spanish box office, promoted to the hilt by Telecinco Cinema parent Mediaset España.
Marking a milestone in his transition from Spanish heartthrob to character actor, Mario Casas won best actor for “No Matarás.” Patricia López Arnaíz took best actress for her role in “Ane is Missing,” a confident mother-daughter relationship drama-thriller melding psychological observation and social critique, set against the background of high-speed train construction in a 2009 Bilbao.
- 3/6/2021
- by John Hopewell and Emilio Mayorga
- Variety Film + TV
In the run-up to the Goya Awards ceremony, Pilar Palomero’s feature debut has scooped the three most important trophies handed out by the Association of Spanish Film Journalists. While 2020 proved to be a difficult year for the majority of the planet, Schoolgirls, the first feature by Zaragoza-born Pilar Palomero, was blessed multiple times: premiered in the Generation section of the Berlinale more or less 12 months ago, it went on to win the Golden Biznaga for Best Film at the most recent Málaga Film Festival in August, and in January it garnered the Forqué Award for Best Fiction Feature of last season (see the news). Furthermore, last night, during a physical, in-person ceremony held in a Madrilenian theatre, which abided by the requisite health-and-safety measures recommended by the health authorities, it scooped three Feroz Awards at the eighth edition of...
Carolina Astudillo’s “Song to a Lady in the Shadow,” Fabrizio Ferraro’s “The Luminous View,” Jo Sol’s “Armugan,” and Miguel Angel Blanca’s “Magaluf Ghost Town” feature among a 31-title lineup hosted by promotion board Catalan Films at an European Film Market virtual screening room.
Produced by Cornelius Films, “Song” marks the third feature outing of director Carolina Astudillo. A doc-fiction hybrid, it turns on a family whose father is exiled in France after fighting for the Republican government during the Spanish Civil War. Echoing Homer’s Penelope, his wife stays behind with their children in a Catalan village suffering hunger, deprivation, economic crisis and unemployment.
Another awaited documentary, “Magaluf,” is produced by Boogaloo Films in co-production with France’s Les Films d’Ici. Director Blanca depicts the consequences of unbridled tourism in a popular destination in the Balearic Islands, with a touch of comedy.
Selected at this year’s Forum showcase,...
Produced by Cornelius Films, “Song” marks the third feature outing of director Carolina Astudillo. A doc-fiction hybrid, it turns on a family whose father is exiled in France after fighting for the Republican government during the Spanish Civil War. Echoing Homer’s Penelope, his wife stays behind with their children in a Catalan village suffering hunger, deprivation, economic crisis and unemployment.
Another awaited documentary, “Magaluf,” is produced by Boogaloo Films in co-production with France’s Les Films d’Ici. Director Blanca depicts the consequences of unbridled tourism in a popular destination in the Balearic Islands, with a touch of comedy.
Selected at this year’s Forum showcase,...
- 2/26/2021
- by Emilio Mayorga
- Variety Film + TV
by Nathaniel R
In case you missed them... and you might have because we forgot to share them, let's talk about the annual Goya Awards honoring Spanish cinema. Last season Pedro Almodóvar and Antonio Banderas's most recent collaboration Pain & Glory was the champ. To honor the 2020 film year, Banderas himself will direct and present the live-streamed ceremony in March 2021. This year the Africa-set drama Adú which is currently streaming on Netflix, and the girls school drama The Girls lead the nominations with 14 and 9 nominations respectively.
The nominees for the 35th annual Goyas and a few notes are after the jump...
In case you missed them... and you might have because we forgot to share them, let's talk about the annual Goya Awards honoring Spanish cinema. Last season Pedro Almodóvar and Antonio Banderas's most recent collaboration Pain & Glory was the champ. To honor the 2020 film year, Banderas himself will direct and present the live-streamed ceremony in March 2021. This year the Africa-set drama Adú which is currently streaming on Netflix, and the girls school drama The Girls lead the nominations with 14 and 9 nominations respectively.
The nominees for the 35th annual Goyas and a few notes are after the jump...
- 1/22/2021
- by NATHANIEL R
- FilmExperience
Salvador Calvo’s “Adú” leads the way at Spain’s annual Goya Awards nominations with 14 nods, including for best film and best director.
“Las niñas” and “Akelarre” followed with nine nominations each, while “Rosa’s Wedding” has eight.
In the running for the best film Goya are “Adú,” a Netflix acquisition; “Ane” by David Perez Sanudo; “La boda de Rosa” by Iciar Bollain; “Las niñas” by Pilar Palomero; and “Sentimental” by Cesc Gay.
Competing for the best direction Goya will be Salvador Calvo for “Adú”; Juanma Bajo Ulloa for “Baby”; Iciar Bollain for “La boda de Rosa”; and Isabel Coixet for “Nieva en Benidorm.”
In the running for best European film are Jan Komasa’s “Corpus Christi”; Florian Zeller’s “The Father”; Viggo Mortensen’s “Falling”; and Roman Polanski’s “An Officer and a Spy.”
Mortensen was the big draw at the 2020 San Sebastian Film Festival where “Falling” played, and where he received the Donostia Award.
“Las niñas” and “Akelarre” followed with nine nominations each, while “Rosa’s Wedding” has eight.
In the running for the best film Goya are “Adú,” a Netflix acquisition; “Ane” by David Perez Sanudo; “La boda de Rosa” by Iciar Bollain; “Las niñas” by Pilar Palomero; and “Sentimental” by Cesc Gay.
Competing for the best direction Goya will be Salvador Calvo for “Adú”; Juanma Bajo Ulloa for “Baby”; Iciar Bollain for “La boda de Rosa”; and Isabel Coixet for “Nieva en Benidorm.”
In the running for best European film are Jan Komasa’s “Corpus Christi”; Florian Zeller’s “The Father”; Viggo Mortensen’s “Falling”; and Roman Polanski’s “An Officer and a Spy.”
Mortensen was the big draw at the 2020 San Sebastian Film Festival where “Falling” played, and where he received the Donostia Award.
- 1/18/2021
- by Naman Ramachandran
- Variety Film + TV
Contenders revealed for Spain’s Goyas
Nominees have been announced for the 35th Goya Awards, Spain’s primary award ceremony. Salvador Calvo’s Netflix drama Adu leads the way with 13 nominations, the movie stars Luis Tosar. Manuel Giménez de Llano’s The Girls and Pablo Agüero’ Akelarre follow with nine nominations apiece, while Icíar Bollaín’s Rosa’s Wedding has eight. The Best European Film category has four contenders: Corpus Christi, The Father, Falling and Roman Polanski’s An Officer And A Spy. The winners will be unveiled at a ceremony in Malaga on March 6, hosted by Antonio Banderas and María Casado. Click here to see the full list of nominations (in Spanish).
Czech Lion nominations
Shadow Country, Havel and Charlatan were the most-nominated film and TV projects for the 28th annual Czech Lion awards voted on by the Czech Film and Television Academy (Cfta). This was the first year the...
Nominees have been announced for the 35th Goya Awards, Spain’s primary award ceremony. Salvador Calvo’s Netflix drama Adu leads the way with 13 nominations, the movie stars Luis Tosar. Manuel Giménez de Llano’s The Girls and Pablo Agüero’ Akelarre follow with nine nominations apiece, while Icíar Bollaín’s Rosa’s Wedding has eight. The Best European Film category has four contenders: Corpus Christi, The Father, Falling and Roman Polanski’s An Officer And A Spy. The winners will be unveiled at a ceremony in Malaga on March 6, hosted by Antonio Banderas and María Casado. Click here to see the full list of nominations (in Spanish).
Czech Lion nominations
Shadow Country, Havel and Charlatan were the most-nominated film and TV projects for the 28th annual Czech Lion awards voted on by the Czech Film and Television Academy (Cfta). This was the first year the...
- 1/18/2021
- by Andreas Wiseman and Tom Grater
- Deadline Film + TV
The Netflix drama Adú, directed by Salvador Calvo, is the frontrunner for the 35th Goya Awards, Spain’s top film honors, with 14 nominations, including for best film and best director.
Calvo’s sophomore feature follows three interconnected stories all set in Africa. Two members of its ensemble cast Álvaro Cervantes and Adam Nourou, picked up Goya nominations for best supporting actor and best newcomer actor, respectively.
The Goya 2021 best film nominees include Ane Is Missing from David Pérez Sañudo, Icíar Bollaín’s La boda de Rosa (Rosa’s Wedding), Pilar Palomero’s The Girls, and The People Upstairs aka Sentimental, from director Cesc Gay. In addition to Calvo ...
Calvo’s sophomore feature follows three interconnected stories all set in Africa. Two members of its ensemble cast Álvaro Cervantes and Adam Nourou, picked up Goya nominations for best supporting actor and best newcomer actor, respectively.
The Goya 2021 best film nominees include Ane Is Missing from David Pérez Sañudo, Icíar Bollaín’s La boda de Rosa (Rosa’s Wedding), Pilar Palomero’s The Girls, and The People Upstairs aka Sentimental, from director Cesc Gay. In addition to Calvo ...
- 1/18/2021
- The Hollywood Reporter - Movie News
The Netflix drama Adú, directed by Salvador Calvo, is the frontrunner for the 35th Goya Awards, Spain’s top film honors, with 14 nominations, including for best film and best director.
Calvo’s sophomore feature follows three interconnected stories all set in Africa. Two members of its ensemble cast Álvaro Cervantes and Adam Nourou, picked up Goya nominations for best supporting actor and best newcomer actor, respectively.
The Goya 2021 best film nominees include Ane Is Missing from David Pérez Sañudo, Icíar Bollaín’s La boda de Rosa (Rosa’s Wedding), Pilar Palomero’s The Girls, and The People Upstairs aka Sentimental, from director Cesc Gay. In addition to Calvo ...
Calvo’s sophomore feature follows three interconnected stories all set in Africa. Two members of its ensemble cast Álvaro Cervantes and Adam Nourou, picked up Goya nominations for best supporting actor and best newcomer actor, respectively.
The Goya 2021 best film nominees include Ane Is Missing from David Pérez Sañudo, Icíar Bollaín’s La boda de Rosa (Rosa’s Wedding), Pilar Palomero’s The Girls, and The People Upstairs aka Sentimental, from director Cesc Gay. In addition to Calvo ...
- 1/18/2021
- The Hollywood Reporter - Film + TV
Pilar Palomero’s feature debut has scooped the Spanish producers’ prize for the best fiction film of 2020, thus gaining a strong foothold in the awards race that has just kicked off. On Saturday 16 January, the ceremony for the 26th edition of the José María Forqué Film Awards was held in the Ifema Palacio Municipal in Madrid, with less than half of its usual number of audience members, in accordance with the restrictions imposed by the pandemic. Indeed, only the nominees themselves were in attendance, alongside a clutch of industry guests and a handful of officials, such as Minister of Culture José Manuel Rodríguez Uribes. The big winner was Schoolgirls, the feature debut by Pilar Palomero, which trounced its rivals in the Best Fiction Feature of 2020 category – namely, Rosa’s Wedding, a comedy-drama by Icíar Bollaín; Adú,...
Catalan auteur Carla Simón, a 2017 Berlinale Generation Kplus winner with “Summer 1993,” is preparing her third feature, “Romería,” which has been selected among 17 new feature projects to be offered at Rotterdam Film Festival’s CineMart co-production market, to be held Feb. 1-5.
“Romería” (the Spanish name for a popular pilgrimage) will be produced by María Zamora at Avalon, the producer of Simón’s “Summer 1993” and “Alcarràs.” Based in Madrid and founded by Stefan Schmitz, production-distribution outfit Avalon includes Zamora and Enrique Costa as partners.
Having previously participated at the TorinoFilmLab Next program, “Romería” follows Frida, a teenager whose parents died when she was only a child. Adopted by her maternal uncle, the girl loses contact with her father’s side of the family. Wanting to understand the reasons behind the absence of half her family, and more specifically in order to learn about her own past, Frida decides to...
“Romería” (the Spanish name for a popular pilgrimage) will be produced by María Zamora at Avalon, the producer of Simón’s “Summer 1993” and “Alcarràs.” Based in Madrid and founded by Stefan Schmitz, production-distribution outfit Avalon includes Zamora and Enrique Costa as partners.
Having previously participated at the TorinoFilmLab Next program, “Romería” follows Frida, a teenager whose parents died when she was only a child. Adopted by her maternal uncle, the girl loses contact with her father’s side of the family. Wanting to understand the reasons behind the absence of half her family, and more specifically in order to learn about her own past, Frida decides to...
- 1/18/2021
- by Emilio Mayorga
- Variety Film + TV
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