Nan Goldin, the red-haired activist depicted in the art museum protest (portrayed by Abigail Jackson,) is a real person. One of the late twentieth-century's most acclaimed art photographers, Goldin has also become well-known as an activist against Purdue Pharma and the Sackler family's role in opioid addiction. Goldin, who became addicted to OxyContin after it was prescribed to her after surgery, founded an advocacy organization called Prescription Addiction Intervention Now (PAIN) designed to hold the Sacklers accountable. Because of Goldin's status as a world-famous artist, PAIN staged dramatic demonstrations at several art museums that had accepted sums from the Sacklers and that bore the family name on galleries or other spaces, starting first with museums that held works by Goldin in their permanent collections. Goldin has been highly successful at pressuring art museums, universities, and other entities to remove the name; institutions that have done so because of PAIN's activism include New York City's Metropolitan Museum of Art, Guggenheim Museum, and American Museum of Natural History; London's British Museum, National Gallery, Tate, Serpentine, and Victoria and Albert; Paris's Louvre Museum; Berlin's Jewish Museum; and universities including Tufts, Yale, Tel Aviv, Edinburgh University, the University of Glasgow, and NYU. Goldin's life, career, and activism were chronicled in the Oscar-nominated documentary All the Beauty and the Bloodshed.