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snoozejonc
10/10 - So perfect that I never get tired of seeing
09/10 - Brilliant with some minor flaws but I happily rewatch
08/10 - Very strong and I would happily rewatch
07/10 - Good and I would eventually rewatch
06/10 - Hit and miss, that I found mostly enjoyable but would not seek to rewatch
05/10 - Distinctly average and I would not seek to rewatch
04/10 - Mostly did not enjoy and would avoid rewatching
03/10 - Strongly disliked for a variety of reasons
02/10 - I either switched off, walked out of the cinema or was close to doing either
01/10 - So bad that I would describe it as not professionally made in any way
I appreciate all scoring is highly subjective to the tastes of an individual.
I take into consideration the writing, cinematography, editing, acting, sound, visual effects and general production values along with the era the film or television show was made.
Ratings
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Reviews
The Acolyte: Destiny (2024)
Struggling, but just about still with it
For me this episode follows in the same vein as the opening two. It expands on a reasonably intriguing mystery with a fairly interesting concept of how the Jedi recruit Younglings. Numbers of children existing away from families as part of the Jedi Order is not addressed in the prequel trilogy, so for me it is a worthwhile subject.
I think the existence of other cultures centred around the phenomenon of the force, albeit with a differing perspective to the Jedi is also an interesting idea. It works for world building in the Star Wars universe and developing stories outside of Jedi/Sith perception of the force that we already know from the movies.
As for how the story is told and the portrayal of the central characters I think this is where The Acolyte falls down. This episode involves a flashback, and the filmmakers do little to visually distinguish between Mae and Osha, which makes certain scenes confusing. Plus the reaction of one twin to a decision made by the other for me feels extremely contrived to bring about dramatic events and spectacle. Much of the dialogue is quite simplistic and makes certain scenes feel drawn out in my opinion.
Arguably there did not need to be an entire episode dedicated to giving us this backstory, especially as it alludes to things referenced in exposition dialogue provided in the previous episodes. If so why mention those backstory aspects previously when it could have been left a total mystery and just shown here.
That being said I think the tension created by a scene that involves a confrontation between two groups of people works fairly well.
I think most performances are pretty solid given the material the actors have to work with. However, nobody stands out as especially charismatic with any obvious star quality.
The general cinematography, editing and art design is strong as you would expect from a Star Wars production.
Again many comments on IMDB are exaggerated extremes (as always with SW) saying it's either the best show ever or comparable to something you wipe off the bottom of your shoe. In reality it's neither. Never trust the opinion of one-time reviewers and always be suspicious of those who do not qualify statements (positive or negative) with actual reasons or specific aspects of the film/show.
For me it's a 5.5/10, but I round upwards.
Breaking Bad: One Minute (2010)
Nasty but captivating episode
This is a memorable episode for a number of reasons, particularly one central scene that the plot builds towards.
The writers again do a great job when seemingly painting themselves into a corner with certain plot details, but then managing to overcome certain obstacles in clever ways that develop characters like Walt and Jesse. Both actors are on top form, but Aaron Paul in particular is brilliant in some of Jesse's angry and emotional moments.
Hank is central to much of the plot and this is the best use of the character so far in the show. Dean Norris gives one of his best performances so far.
It is a powerful episode visually, particularly in the more violent scenes, which is highly stylised at times. There is a perfect build-up to that final sequence, which is incredibly suspenseful and plays out as mostly plausible. That being said you do arguably have to suspend the disbelief in certain moments where I think the filmmakers get carried away with making it as cinematic as possible.
One Minute is a generally a mean spirited and vengeful 47 minutes to be fair. Thankfully the comedic presence of Bob Odenkirk periodically lifts the perpetual cloud, but even his character talks "options" at one point.
For me it's a 9.5/10, but I round upwards.
Breaking Bad: Sunset (2010)
Memorable episode
This for me is the best episode of Season 3 so far, particularly in the standard of writing and suspenseful filmmaking.
I cannot give too much away with spoiling the plot, but it is safe to say an important new character is introduced well and iconic "character" is bid farewell in dramatic fashion.
The writers are particularly good in how they can seemingly paint themselves into a corner with certain situations that are high drama, but then find plausible solutions that work exceptionally well. They not only overcome certain obstacles, but do it in a way that develops characters. There is a moment where Hank has to make a decision after a receiving a certain communication that contrasts with a similar moment that Walt was in during the previous season and it contrasts the two situations very well.
For me the characters Walt, Hank, Jesse, Saul, Gus and Gale are used particularly well be the writers and filmmakers. All actors are on top form as always.
For me it is a 9.5/10 for me, but I round upwards. The only reason I do not score it as perfect is that Walt is arguably depicted as walking into a pretty foreseeable situation, considering that Jesse has been prone to reacting emotionally and irrationally. The writing of how the situation unfolds though is undeniably excellent.
Breaking Bad: Más (2010)
Very strong episode
This is another example of great visual storytelling alongside memorable character moments.
Breaking Bad is consistently great when it comes to cinematography and editing, but this one contains some of my favourite uses of the camera to tell the story. Some of my personal standouts include: the opening sequence and how it ties into a later use of a photograph; the shots of the White family with the thick dividing line between them; the shots of Hank in his office with the party in the background; the various uses of colour and lighting, particularly in certain locations like the laundry site and Saul's office.
The writers do a great job of developing characters like Walt, Jesse, Gus, Styler and Hank. Getting Walt in to a certain mindset was tough one for the writers to do in a plausible way, but they did a great job using Gus and Jesse at catalysts. Skyler's scene with the lawyer is very reminiscent to Carmela Soprano in a similar scene with her therapist and in creates plenty of intrigue about what might happen.
All actors are on great form as always, particularly Bryan Cranston, Aaron Paul, Anna Gunn, and Bob Odenkirk.
The Thin Blue Line: Honey Trap (1995)
One of my favourite episodes
There are elements of several Rowan Atkinson comic personas in this one. The slapstick routine during the opening scene is pure Mr Bean. There are also brief moments of Blackadder's sharpness from time to time, but he generally embodies the nerdy, anorak tendencies of Raymond Fowler brilliantly as always. The idea of the pub quiz is superb for bringing out this side of the character and his obsession with it is very funny.
The farcical humour of misunderstanding between Fowler and Dawkins is good, but slightly drawn out. Serena Evans generally plays her fairly one-note character well, but strays over the top from time to time.
Grim is good value for his screen time as always. His banter with Fowler and latest ambitious scheme makes for a good subplot that has several funny moments. David Haig is outstanding as always.
Other characters like Goody and Habib are used well.
Breaking Bad: Green Light (2010)
Strong and humorous episode
There is a good level of humour in this one with Walt's meltdown over Skyler's "I. F. T." and resulting behaviour at the centre of most of it. The scene of him attempting to confront this situation is hilarious, along with the associated scenes involving Saul and Mike. Bryan Cranston is fantastic as always and is supported well by Bob Odenkirk and Jonathan Banks.
The writers seem to be working their way through the problem of how to plausibly get Walt back in the business cleverly, as they lay good foundations for this with the scenes involving Jesse and likewise Gus Fring.
Hank's scenes continue to explore his character nicely and increase the intrigue around his potential discovery of the truth behind Heisenberg's identity.
The Thin Blue Line: Fire and Terror (1995)
Enjoyable performances and concept
This is another good episode with reasonably good material that is enhanced by some great performances.
I like the premise of the hoaxer who is plaguing Gasforth with his attention seeking shenanigans. This is worked very well into the plot involving Grim and Special Branch. Rowan Atkinson and David Haig are brilliant as usual embodying these characters, especially Haig who lights up every scene. Atkinson again channels his Blackadder sharpness at times before going back into the silly pompousness of Fowler.
The scenes involving Goody and Habib are quite predictable, but lead to a pretty entertaining conclusion.
Breaking Bad: I.F.T. (2010)
Strong episode with memorable character moments
There is a good focus on the supporting characters affected by Walt's behaviour in this one. The writers use the likes of Skyler, Hank, Jesse, Saul, Gus, and Tio very well to show this.
Skyler has the most focus and her very difficult predicament is shown in the most excruciatingly awkward way possible. How the writers portray Walt handling certain situations makes him seem so single minded and delusional it's quite funny. Eventually her "I. F. T." response to this is depicted in a hard hitting way, and shows how the writers have been laying the foundations for this in previous episodes. Both Anna Gunn and Bryan Cranston are fantastic in all their scenes.
The fallout from Hank's PTSD continues to be depicted in a nasty scene that works well to show his state of mind. As most of this is indirectly caused by Walt, it only further increased the tension associated with him potentially finding out the truth.
Both of the above character arcs tie in nicely to scenes involving the drug cartels which are creating more intrigue about what carnage might be coming to Albuquerque.
As always the visual storytelling is fantastic with the cinematography and editing being top drawer.
For me it's an 8.5/10, but I round upwards.
Breaking Bad: Caballo sin Nombre (2010)
FP's favourite episode
This is strong episode with memorable character moments.
Walt and Jesse are at opposite ends of the self awareness spectrum in this one, with numerous memorable scenes that show them coping with life in very different ways.
Walt's scenes are darkly funny as he tries to act like everything is normal with spectacularly bad results. Some moments are hilarious and Bryan Cranston is on top angry-funny form when the character loses his s***. (Glad I don't live in the Breaking Bad house or I'd probably lose it too if randoms kept throwing pizzas on my roof)
On the theme of humour Bob Odenkirk makes a great contribution again with more great examples of Saul Goodman pragmatism. His character is used well by the writers, seemingly as a catalyst for bad behaviour from the lead characters.
Jesse's scenes feel more serious, with his new attitude being quite noticeable. Aaron Paul is excellent in playing this character in various states of mind and this feels like a new dimension that works well. One situation he is involved in results in a very satisfying outcome (although it shouldn't) and is very slick in its portrayal.
The writers also expand the plot involving the drug cartels and the character Mike in away that lays good foundations for what is to come.
It's an 8.5/10 for me but I round upwards.
Breaking Bad: No Más (2010)
Strong start to the third season with standout moments
This is good follow up to the fairly gobsmacking events portrayed in ABQ that addresses them in both dramatic and darkly humorous ways.
The contrasting mindsets of both lead characters in the wake of the tragic circumstances is very well worked by the writers and made more compelling by the performances of Bryan Cranston and Aaron Paul. Plus the foundations laid for future plot line by the scenes involving Gus Fring and also the two introduced characters serves to keep intrigue very high.
My favourite moments include the scene in the school hall with teachers and students. There is some great cringeworthy dark humour here and also some good moments showing the state of Walt's mind. Plus the confrontation between Walt and Styler is brilliantly done.
Visually it is outstanding as always with the camera telling the story throughout. The final scene does feel excessive for the sake of cool looking spectacle, but you have to admire how well it is set up, filmed, edited and performed by the Moncada brother, who very much look the part. It feels almost ironic how much emphasis is placed on talking and forcing individuals to share and confront feelings, when it is then contrasted by two brutal silent killers.
For me it is an 8.5/10, but I round upwards.
The Thin Blue Line: The Queen's Birthday Present (1995)
Enjoyable, but hard not to compare it to Blackadder
This is a good start to a generally enjoyable BBC comedy.
All the elements are there such as a great setting, a good writer and some incredibly good performers.
Rowan Atkinson is shows elements of Blackadder's wit in Raymond Fowler, but overall he is a very different character. His performance along with the likes of James Dreyfus and David Haig carry the best comedy moments with their mannerisms and delivery of dialogue.
How funny is it? The answer as always is that comedy is in the eye of the beholder. I find certain situations very funny, such as the jumper, the confusion over the birthday presents and most scenes involving the characters Goodey and Grim. It is quite prolific in the frequency of jokes throughout the episode, but personally I think the material is generally average, but enhanced by the performances. I probably feel this way because my mind cannot help compare it to Blackadder, which is unfair.
The Acolyte: Revenge/Justice (2024)
Slightly better second episode
The writers move the plot along through scenes that mostly work, but for me they should be a lot more compelling than they actually are. I am just about still held by the central mystery, but unfortunately so far it is the characters that stop me from consistently enjoying it. Nobody so far has stood out as charismatic or particularly worth investing in their outcome. In fact most feel a bit bland. For me the few attempts at humour do not work and feel quite forced.
That being said the important arc involving Amandla Stenberg's character does make me want to find out where it's going. It's concept of the old Jedi order is a pretty good one so far, but I will hold off on judgement until the story unfolds. I have a slightly bad feeling that if it does not take us to something that cleverly relates to some of the movies I will be disappointed.
It does though end on a new hope with the introduction of what has the potential to be a cool new character, but it's still early days.
The Acolyte: Lost/Found (2024)
An okay start, but way too early to judge
As always with Star Wars you mostly get extreme comments that either describe it as one of the best or worst productions ever. In reality in my opinion it is neither. There are positives and negatives for me so far, but judging it all based on the first episode way too early.
As a long time fan of the original movies, the premise of The Acolyte is undeniably interesting. I like the setting, with its time period, world building and depiction of the Jedi order. I also think the writers have come up with a relatively interesting concept for a story so far.
Unfortunately this opening episode relies far too much on exposition dialogue written in an incredibly obvious and jarring way, to the point it feels patronising in the moments where character backstory is addressed. Very little goes unexplained. There is even a sequence of dialogue that explains what we see in a previous scene.
It is a bit early to say whether the characters work or not, so the jury is out for me, but nobody has stood out with any real charisma or a dominant presence so far.
The martial art scenes are well done if you are into that type of spectacle. It does feel very Matrix and like a variety of Kung Fu movies. Certain scenes also remind me very much of The Fugitive, but they are reasonably good tributes. Generally the visuals are high quality, as you would expect from a Star Wars project.
It did make me want to see what happens next, but this might just be due to curiosity about another entry in the franchise.
For me it's a 5.5/10, but I round upwards.
Breaking Bad: ABQ (2009)
Bleak but unforgettable
There is virtually no plot details I could reveal about this one without spoiling, but it safe to say that it contains some truly horrendous concepts to behold, but does it with phenomenally good writing, filmmaking and performances.
There are several cold openings to episodes of Season 2 that prompt huge intrigue and I admit when I first saw the show on its initial release that I did not predict where it would go. We get a big reveal in this episode and first time round (even though it's a work of fiction) I was gobsmacked. On a recent second watch, it works incredibly well, but in a different way as you are watching all details of the story, plus the foreshadowing closely.
Although the contrivances are huge and somewhat unlikely, the writers and filmmakers put everything across in such a clever and cinematic way, you cannot fail to be impressed with the production. Even the lower key (if you can call them it) moments are full of instances of cleverly thought out dialogue and storytelling that calls back to previous episodes and sets up plot threads yet to come.
All actors are immense, particularly Aaron Paul, Bryan Cranston, Anna Gunn, Jonathan Banks and John de Lancie.
Visually it is absolutely brilliant, with massive credit to the visual/audio effects and editing.
Breaking Bad: Phoenix (2009)
Brutal and disturbing episode
There are hardly any plot details I can mention without spoiling, except there is very little about it (due to the subject matter) that I found enjoyable. However, it there is no denying it is an immensely powerful piece of filmmaking that is very well written and performed. The attention to detail, particularly regarding previous events and dialogue is exceptional.
It all unfolds in a series of memorable scenes involving Walt and other characters like Jesse, Jane, Skyler, Jane, Donald, Saul, Walter Jr and Holly. Some of the moments that tie together themes involving fathers and daughters are cleverly and ironically written in the build up to a brutal final scene that will likely stay with you forever. I find it a thoroughly disturbing experience, not just for the shock scene, but also for the casual dishonesty each character seems to show towards each other.
It is a crucial episode in the character development of Walter White and one that has ramification for other characters and events depicted in later episodes. Overall it is one of the most important episodes in the overarching narrative of the show.
The one ray of light in it all (in a darkly funny way of course) is the banter between Walt and Saul Goodman. Bob Odenkirk is on hilarious form in this scene and Bryan Cranston plays off him brilliantly.
The visual storytelling is a credit to cinematographers and actors. I also love the early scene that involves a particularly effective reveal of a certain character standing in the background at an important event.
Cranston is generally amazing throughout and is supported wonderfully by the likes of Krysten Ritter, Aaron Paul and John de Lancie. Hard to believe it's the same actor who played Q.
Breaking Bad: Mandala (2009)
All the wrong decisions
The plotting of this one feels fairly contrived in certain moments, but nevertheless they are powerfully effective. They showcase a number of characters exercising what Gus Fring would describe as poor judgement in scenes that make you put your head in your hands for them and those around them. It is strong filmmaking to produce emotive reactions from the audience.
It is memorable for introducing Fring in such an effective way. I remember these scenes clearly from my first viewing many years ago, so credit to all involved for making the moments stick in my head.
For Sopranos fans there is some common ground with the casting of Sam McMurray as cancer surgeon and another incredibly uncomfortable Marilyn Monroe impression by a cast member.
Everything leads to a highly suspenseful cliffhanger ending that makes you want to find out what happens next.
All actors are on great form, especially Bryan Cranston, Aaron Paul, and Anna Gunn. Giancarlo Esposito has one of the most cinematic faces ever and uses it to great effect.
Visually it is excellent as always. The scenes of drug use stand out, but pretty much every shot is top drawer.
Breaking Bad: Over (2009)
One of the defining Walt episodes
This is a great character development episode for Walt as he is very effective portrayed at a crossroads following the update on his condition.
The writers, filmmakers and actors do a brilliant job of portraying his state of mind with visual storytelling and some intense character interactions.
The party scene is generally quite excruciating to watch, not just because of Walt's behaviour. As well meaning as it is I find the concept of a big party for this reason a bit of a weird concept in itself. I can understand close family celebrating together but this just feels odd. Skyler's speech is so cringeworthy it almost feels contrived to bring about a reaction from Walt. Nevertheless it sets up a great confrontation.
I love the scenes of him trying to go back to life before meth and distracting himself with DIY. Ultimately we see an attempt to be someone he is not and at times it is amusing. However, when the real Walt emerges it is pretty disturbing. It all leads to an incredibly powerful climax at the DIY store car park.
Bryan Cranston is immense in so many scenes he makes the character seem real. In one episode he can provoke pity, embarrassment, humour, revulsion and fear.
The Jesse scenes work well to set up later moments in the overarching narrative. He continues to be developed nicely as a downtrodden character with a good heart. Aaron Paul is on great form and also makes the character feel real. So much so he reminds me of one of my friends.
Breaking Bad: 4 Days Out (2009)
Flight of the Fleetwood Bounder
4 Days Out is a great example of visual storytelling that uses the camera wonderfully to capture subjects and also the performance of actors. It is difficult to pick a favourite moment but I love all the imagery captured in the Walt-Jesse scenes, especially the use of the setting sun and desert landscapes. This is brilliantly combined with the cooking scenes and situation the characters are placed. Arguably the writers have used a clichéd premise that we know will be resolved, but it is an example of the trope done very well.
Other scenes beautifully captured include Walt's hospital scenes, particularly his reaction to seeing something on screen and the later scenes with his family. The interaction between Jesse and Jane is also great, and for me it shows the tranquil beauty of Krysten Ritter in a way that makes a certain decision made by Jesse feel like a particularly bad one.
All actors are on great form, particularly Aaron Paul and Bryan Cranston. There is a great mixture of comedy, drama and irony in the writing that the cast enhance with their performances. The acting from everyone in the final few scenes is awesome.
Breaking Bad: Better Call Saul (2009)
"Criminal" lawyer
Badger runs into trouble, causing problems for Walt and Jesse.
Better Call Saul introduces arguably the most iconic and prolific franchise character with great humour and moments of suspense.
The pre-credits introduction is hilarious and sets a great tone for what is to come. It is a great portrayal of novice criminals realising they are in over their heads and being schooled by an opportunistic professional.
Bob Odenkirk changes the show's dynamics with his sharp, humorous and honestly-dishonest character. Henceforth you look forward to all scenes involving "Saul Goodman" and have the perfect show to watch after finishing Breaking Bad. If you have already watched the spin-off, it adds a refreshing perspective to his Breaking Bad scenes.
Irrespective of the titular character's entertainment value, it is an important episode in the show's overarching narrative. It adds plausibility to Walt and Jesse's continued success and is a well plotted episode in its own right. Events unfold perfectly to a climax of high tension.
Breaking Bad: Negro y Azul (2009)
Strong episode with memorable moments
This is a strong episode that lays the foundations well for things to come and has some defining character moments.
A consistent theme throughout is deception between individuals and it is expressed wonderfully by the plot and character interactions.
I think the focus on Hank is the most interesting aspect. The concept of him being in this type of situation, when his emotional state has previously been revealed, is very intriguing. There is a good dose of irony from the writers in how the subplot ends for him, not to mention crazily sadistic visual storytelling.
The first time I watched Breaking Bad (many years ago) I remember the above generated a sense of foreboding with regards to Walt and Jesse's character arcs. You cannot help but wonder what will happen when their paths cross with drug cartel villains.
The scenes involving the two leads characters sew good seeds for what is to come this season and later in the overarching narrative. I like the dynamic between them having more layers than the exploitation and abuse shown previously. It is hard not to laugh at certain moments of characters getting carried away with ambition.
Visually it is awesome as always. The actors, camera, and editing tell the story perfectly in various ways be it tender or brutal.
For me it's an 8.5/10, but I round upwards.
Breaking Bad: Peekaboo (2009)
My bank!
This is a powerful episode considering how little the narrative moves. It is an example of how compelling character interactions can be when done right.
The scenes involving Jesse are tense, humorous and shockingly sad storytelling in equal measure. The lasting impression it left with me was the latter. Spooge and Skank would not look out of place as zombies off the set of The Walking Dead and feel almost like caricatures in some moments. However, the worst thing about the concept is that you know there are children who suffer a similar start to life or do not survive past infancy due to neglectful and/or abusive parents.
Walt's scenes are wonderfully written and performed. You feel the writers have the character in a transition point of revealing his true self. Bryan Cranston has the capacity to amuse and terrify in various scenes. He is supported very well by Anna Gunn and Jessica Hecht.
It is an important episode for the lead characters as it says a lot about who they are and potential behaviour yet to come.
Visually it is excellent as always, with certain moments working well, whether it be for drama or humour. The set-design, make-up, lighting and editing during the scenes involving Jesse is very effective.
It's a 9.5/10 for me but I round upwards.
Breaking Bad: Breakage (2009)
Strong reflective character episode
I think it depends on how interested you are in the mindset of various characters as to how much you will take from it. If you just want to see the big events of the the plot you might struggle, but personally I like how the writers address the impact of certain events on characters in a plausible way. It would be easy to move on from one moment of outrageousness or spectacle to the next, but a big part of the story
is the toll Walt's behaviour takes on people.
The scenes involving Hank are nicely done with the great visual storytelling. I like the use of Tuco's grill and also the "bottling up" moments in the man cave. Dean Norris does a great job of conveying pent up emotion in an environment that does not do weakness well.
Walt and his family life continues to be portrayed plausibly throughout his deception, plus his potential to oppress and dominate others is being established well with the foundations laid in episodes like this.
The use of visuals and sound is great as always.
Breaking Bad: Down (2009)
Awesome performances
The previous episode showed how the Walt and Jesse characters dealt with aftermath of the situation involving Tuco, so this one does a brilliant job depicting plausible fallout it has with the people around them.
I like that the writers do not take the convenient option of portraying Skyler as oblivious to Walt's deception and the filmmakers enhance it by making his overcompensating behaviour quite cringeworthy to watch.
A lot of the credit should go to Bryan Cranston and Anna Gunn for their amazing performances. You swear it is real they interact so convincingly.
Aaron Paul is incredibly good as Jesse, and along with the writers and filmmakers he makes the character both downtrodden and sympathetic.
Little Shop of Horrors (1986)
I prefer the darker ending of the Director's Cut
Little Shop Of Horrors has a lot going for it: Humour, spectacle, art design, music and generally great visual storytelling.
I think to fully appreciate it you have to like the songs and premise. Personally I love the tongue in cheek tone, period set design and enjoy most of the songs.
Rick Moranis and Ellen Greene are both excellent as Seymour and Audrey. Moranis plays a fairly dark role with such childlike innocence. Greene is even better as she lives and breathes her character in every word and mannerism. They are supported well by Vincent Gardenia, Levi Stubbs, Bill Murray and the brilliant Steve Martin.
Visually it is fantastic in my opinion. There is a great style and atmosphere created by the set design, costuming, cinematography and editing. The amazing puppetry and design of Audrey II is iconic and holds up against the standard of today's computer generated movie industry.
Breaking Bad: Bit by a Dead Bee (2009)
Strong aftermath
We see what happens immediately after Walt and Jesse's encounter with Tuco.
This is a cleverly written episode that treats the situation plausibly and deals with how certain aspects have to be explained to other characters. The writers have given attention to important details that are necessary to avoid contrivances. Additionally, I like how they use a previous scene between Hank and Wendy as a bit of Karma striking back.
Importantly, it lays the foundations perfectly for the next episode, which is very emotionally charged.
All actors are on great form as always and the visuals are strong.
For me it's an 8.5/10 but I round upwards.